LITMIR.BIZ

      Chapter VIII

       Table of Contents

      Several weeks went by, during which Martin Eden studied his grammar, reviewed the books on etiquette, and read voraciously the books that caught his fancy. Of his own class he saw nothing. The girls of the Lotus Club wondered what had become of him and worried Jim with questions, and some of the fellows who put on the glove at Riley’s were glad that Martin came no more. He made another discovery of treasure-trove in the library. As the grammar had shown him the tie-ribs of language, so that book showed him the tie-ribs of poetry, and he began to learn metre and construction and form, beneath the beauty he loved finding the why and wherefore of that beauty. Another modern book he found treated poetry as a representative art, treated it exhaustively, with copious illustrations from the best in literature. Never had he read fiction with so keen zest as he studied these books. And his fresh mind, untaxed for twenty years and impelled by maturity of desire, gripped hold of what he read with a virility unusual to the student mind.

      When he looked back now from his vantage-ground, the old world he had known, the world of land and sea and ships, of sailor-men and harpy-women, seemed a very small world; and yet it blended in with this new world and expanded. His mind made for unity, and he was surprised when at first he began to see points of contact between the two worlds. And he was ennobled, as well, by the loftiness of thought and beauty he found in the books. This led him to believe more firmly than ever that up above him, in society like Ruth and her family, all men and women thought these thoughts and lived them. Down below where he lived was the ignoble, and he wanted to purge himself of the ignoble that had soiled all his days, and to rise to that sublimated realm where dwelt the upper classes. All his childhood and youth had been troubled by a vague unrest; he had never known what he wanted, but he had wanted something that he had hunted vainly for until he met Ruth. And now his unrest had become sharp and painful, and he knew at last, clearly and definitely, that it was beauty, and intellect, and love that he must have.

      During those several weeks he saw Ruth half a dozen times, and each time was an added inspiration. She helped him with his English, corrected his pronunciation, and started him on arithmetic. But their intercourse was not all devoted to elementary study. He had seen too much of life, and his mind was too matured, to be wholly content with fractions, cube root, parsing, and analysis; and there were times when their conversation turned on other themes—the last poetry he had read, the latest poet she had studied. And when she read aloud to him her favorite passages, he ascended to the topmost heaven of delight. Never, in all the women he had heard speak, had he heard a voice like hers. The least sound of it was a stimulus to his love, and he thrilled and throbbed with every word she uttered. It was the quality of it, the repose, and the musical modulation—the soft, rich, indefinable product of culture and a gentle soul. As he listened to her, there rang in the ears of his memory the harsh cries of barbarian women and of hags, and, in lesser degrees of harshness, the strident voices of working women and of the girls of his own class. Then the chemistry of vision would begin to work, and they would troop in review across his mind, each, by contrast, multiplying Ruth’s glories. Then, too, his bliss was heightened by the knowledge that her mind was comprehending what she read and was quivering with appreciation of the beauty of the written thought. She read to him much from “The Princess,” and often he saw her eyes swimming with tears, so finely was her aesthetic nature strung. At such moments her own emotions elevated him till he was as a god, and, as he gazed at her and listened, he seemed gazing on the face of life and reading its deepest secrets. And then, becoming aware of the heights of exquisite sensibility he attained, he decided that this was love and that love was the greatest thing in the world. And in review would pass along the corridors of memory all previous thrills and burnings he had known,—the drunkenness of wine, the caresses of women, the rough play and give and take of physical contests,—and they seemed trivial and mean compared with this sublime ardor he now enjoyed.

      The situation was obscured to Ruth. She had never had any experiences of the heart. Her only experiences in such matters were of the books, where the facts of ordinary day were translated by fancy into a fairy realm of unreality; and she little knew that this rough sailor was creeping into her heart and storing there pent forces that would some day burst forth and surge through her in waves of fire. She did not know the actual fire of love. Her knowledge of love was purely theoretical, and she conceived of it as lambent flame, gentle as the fall of dew or the ripple of quiet water, and cool as the velvet-dark of summer nights. Her idea of love was more that of placid affection, serving the loved one softly in an atmosphere, flower-scented and dim-lighted, of ethereal calm. She did not dream of the volcanic convulsions of love, its scorching heat and sterile wastes of parched ashes. She knew neither her own potencies, nor the potencies of the world; and the deeps of life were to her seas of illusion. The conjugal affection of her father and mother constituted her ideal of love-affinity, and she looked forward some day to emerging, without shock or friction, into that same quiet sweetness of existence with a loved one.

      So it was that she looked upon Martin Eden as a novelty, a strange individual, and she identified with novelty and strangeness the effects he produced upon her. It was only natural. In similar ways she had experienced unusual feelings when she looked at wild animals in the menagerie, or when she witnessed a storm of wind, or shuddered at the bright-ribbed lightning. There was something cosmic in such things, and there was something cosmic in him. He came to her breathing of large airs and great spaces. The blaze of tropic suns was in his face, and in his swelling, resilient muscles was the primordial vigor of life. He was marred and scarred by that mysterious world of rough men and rougher deeds, the outposts of which began beyond her horizon. He was untamed, wild, and in secret ways her vanity was touched by the fact that he came so mildly to her hand. Likewise she was stirred by the common impulse to tame the wild thing. It was an unconscious impulse, and farthest from her thoughts that her desire was to re-thumb the clay of him into a likeness of her father’s image, which image she believed to be the finest in the world. Nor was there any way, out of her inexperience, for her to know that the cosmic feel she caught of him was that most cosmic of things, love, which with equal power drew men and women together across the world, compelled stags to kill each other in the rutting season, and drove even the elements irresistibly to unite.

      His swift development was a source of surprise and interest. She detected unguessed finenesses in him that seemed to bud, day by day, like flowers in congenial soil. She read Browning aloud to him, and was often puzzled by the strange interpretations he gave to mooted passages. It was beyond her to realize that, out of his experience of men and women and life, his interpretations were far more frequently correct than hers. His conceptions seemed naive to her, though she was often fired by his daring flights of comprehension, whose orbit-path was so wide among the stars that she could not follow and could only sit and thrill to the impact of unguessed power. Then she played to him—no longer at him—and probed him with music that sank to depths beyond her plumb-line. His nature opened to music as a flower to the sun, and the transition was quick from his working-class rag-time and jingles to her classical display pieces that she knew nearly by heart. Yet he betrayed a democratic fondness for Wagner, and the “Tannhäuser” overture, when she had given him the clew to it, claimed him as nothing else she played. In an immediate way it personified his life. All his past was the Venusburg motif, while her he identified somehow with the Pilgrim’s Chorus motif; and from the exalted state this elevated him to, he swept onward

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