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13. Sortes Sanctorum — The Valentine

       14. Effect of the Letter — Sunrise

       15. A Morning Meeting — The Letter Again

       16. All Saints’ and All Souls’

       17. In the Market-place

       18. Boldwood in Meditation — Regret

       19. The Sheep-washing — The Offer

       20. Perplexity — Grinding the Shears — A Quarrel

       21. Troubles in the Fold — A Message

       22. The Great Barn and the Sheep-shearers

       23. Eventide — A Second Declaration

       24. The Same Night — The Fir Plantation

       25. The New Acquaintance Described

       26. Scene on the Verge of the Hay-mead

       27. Hiving the Bees

       28. The Hollow Amid the Ferns

       29. Particulars of a Twilight Walk

       30. Hot Cheeks and Tearful Eyes

       31. Blame — Fury

       32. Night — Horses Tramping

       33. In the Sun — A Harbinger

       34. Home Again — A Trickster

       35. At an Upper Window

       36. Wealth in Jeopardy — The Revel

       37. The Storm — The Two Together

       38. Rain — One Solitary Meets Another

       39. Coming Home — A Cry

       40. On Casterbridge Highway

       41. Suspicion — Fanny is Sent for

       42. Joseph and his Burden

       43. Fanny’s Revenge

       44. Under a Tree — Reaction

       45. Troy’s Romanticism

       46. The Gurgoyle: Its Doings

       47. Adventures by the Shore

       48. Doubts Arise — Doubts Linger

       49. Oak’s Advancement — A Great Hope

       50. The Sheep Fair — Troy touches his wife’s hand

       51. Bathsheba talks with her outrider

       52. Converging Courses

       53. Concurritur — Horae Momento

       54. After the Shock

       55. The March Following — “Bathsheba Boldwood”

       56. Beauty in Loneliness — After All

       A Foggy Night and Morning — Conclusion

      Preface

       Table of Contents

      In reprinting this story for a new edition I am reminded that it was in the chapters of “Far from the Madding Crowd” as they appeared month by month in a popular magazine, that I first ventured to adopt the word “Wessex” from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. Finding that the area of a single country did not afford a canvas large enough for this purpose, and that there were objections to an invented name, I disinterred the old one. The press and the public were kind enough to welcome the fanciful plan, and willingly joined me in the anachronism of imagining a Wessex population living under Queen Victoria; — a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National school children. But I believe I am correct in stating that, until the existence of this contemporaneous Wessex was announced in the present story, in 1874, it had never been heard of, and that the expression, “a Wessex peasant” or “a Wessex custom” would theretofore have been taken to refer to nothing later in date than the Norman Conquest.

      I did not anticipate that this application of the word to a modern use would extend outside the chapters of my own chronicles. But the name was soon taken up elsewhere

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