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the four who remained, Victoria was by far the rudest about Michelle, describing her voice as ‘cruise-ship operatic’, her dancing as ‘having less rhythm than a cement mixer’ and saying that she ‘couldn’t be arsed to improve’. The normally more outspoken Mel B described her as ‘sweet, very upper class and very well turned out’. In fact, Michelle was probably more posh than Victoria, although she didn’t have the wardrobe full of designer labels. Michelle remarked, ‘Victoria had some beautiful clothes.’

      Michelle has made her own way in music. She has recorded her own songs, acted as a backing singer for Ricky Martin and Julio Iglesias and presented for Channel 4. She once said, ‘Of course I regret I’m not a multi-millionaire like them. But at the time I left the group I knew I was doing the right thing – and I still think it was the right thing.’

      Eight years after she left, Chris and Shelley were in the Pitcher and Piano bar in Richmond when he recognised the waitress. It was Michelle. He recalled, ‘We shared a fond welcome and had a good chat.’ By that time, they both had cause for some regret. She would continue to be involved in music by hosting club nights before eventually marrying Hugh Gadsden, the manager of Madness.

      She proved to be a non-starter. She had a steady boyfriend who, by all accounts, was not that keen on her moving into the house in Maidenhead. She also had a place at university to study performing arts, which seemed a better option for her. With hindsight, she was probably a fraction too young, and putting a boyfriend first was not in keeping with the ethos of the rest of the band. She became another ‘fifth’ Spice Girl, observing sadly, ‘I would have loved to be that famous. Every time I see them I think, “It could have been me.”’

      While they searched for the right replacement, there was some good news for Chris when Victoria told him she had decided once and for all that her future lay with his all-girl band and not with Persuasion. She had talked things over with her parents and realised that everything was much more professional with the Herberts and she could not keep both going if she was going to continue living in Maidenhead. This was business and she seemed to have no compunction in ditching her former bandmates.

      Emma was thrilled to be asked. She had the advantage of being another stage-school veteran and had attended many auditions. Chris drove over to North London to meet her and her mum, and they had a pleasant chat over a coffee before going back to Pepi’s house where Emma sang ‘Right Here’, a top-three hit in the UK the previous year for the all-girl American R&B trio SWV (Sisters with Voices). It was a good choice. Chris Herbert thought she was perfect: ‘She was very cute, very nice with a sweet voice, a very “pop” voice. I really liked her character a lot. It was one of those light-bulb moments when I realised she was definitely something we didn’t have. It was immediate for me.’

      Chris had to explain, though, that it all depended on her being accepted by the other four. They would have to look at the dynamic between her and the current residents of the house in Maidenhead. One thing stood in her favour – that she was from a working-class background in North London. When Emma Lee Bunton was born in the Victoria Maternity Hospital, Barnet, on 23 January 1976, her father, Trevor, was a delivery driver. She would be the youngest of Touch but was actually older than Michelle.

      Trevor subsequently became a milkman and sometimes took his daughter out on his rounds during the school holidays. Her mother did her bit for the family finances, working as a home help for a well-to-do local woman. Pauline was raised in Barnet but her father – Emma’s grandfather – was Irish, Séamus Davitt, from County Wexford. They were Catholic and Emma had a traditional baptism and attended mass growing up. Sadly, she never knew her grandfather, who died before she was born.

      Emma might have been the baby of the new band but, more relevantly, she had the most extensive CV. She seemed to have been in showbusiness all her life. She was a natural blonde and a very photogenic little girl, who was much in demand as a child model, getting work from the age of two onwards.

      Pauline had done some modelling when she was a child so it seemed natural to sign her daughter up with the prestigious Norrie Carr agency, putting aside Emma’s earnings so that she would have a nest egg when she was older. In the end the money proved invaluable when she needed fees for theatre school. Over the years Emma featured in so many promotions that it was a rare household that hadn’t come across a picture of her cherubic face plugging some product or business, or on the front cover of a magazine in the dentist’s surgery.

      She was the poster girl for Outspan oranges, the girlfriend of the Milky Bar Kid, smiling sweetly on the tins of Heinz Invaders spaghetti-shapes and standing next to a pretend mum in ads for Mothercare and Argos. She was a cover girl for Woman’s Weekly and Womancraft magazine. She was the face of best-selling games including and, arguably most famously, the timeless favourite Pop Up Pirate. One of the agents at Norrie Carr said, ‘She never stopped working and had that special something we were looking for. She had a twinkle in her eye and loved the camera.’

      Emma loved her modelling days, spending time with the other boys and girls or sometimes inviting her own friends along to join her. Occasionally someone at school might be jealous if they saw her picture in a catalogue but mostly she had a very happy childhood. It helped that she developed such a close bond with her mum. Emma said, ‘She’s got such a soft nature, so unselfish. But she’s also a very solid person.’ The biggest drama for her parents came when she was hit by a car at the age of four. She needed hospital treatment and still has a scar on her leg as a permanent reminder of a lucky escape.

      One huge bonus of modelling was that every year from the age of about six until she was twelve she was one of ten boys and girls chosen to shoot a catalogue abroad for two weeks. Family summer holidays were always spent in a caravan in Clacton-on-Sea so trips to Corsica, Lanzarote and Mallorca were very exciting for a young girl.

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