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at the BBC called Matthew Bowers, who drank in the same bars and was keen to make an impression in television.

      He was working on a documentary about Muhammad Ali called Rumble in the Jungle and mentioned to the film’s director, Neil Davies, that he had a friend who was auditioning for a girl band and asked him if he thought it might make something. Neil, an ex-paratrooper, immediately saw the possibilities and the two went to the next instalment of the search – the ‘Signed, Sealed, Delivered’ workshop day at Nomis.

Most importantly at this stage, Neil had to make sure Chris Herbert was onside. Fortunately the go-ahead young manager could see the advantages of a film. Neil was impressed: ‘I thought he’d had a brainwave in trying to form a sort of Backstreet Girls – everybody at the time thought you would never get another girl band going. It was all boy bands – Take That dominated the scene. So I thought, “This guy is a genius”. He’s twenty-one so I could see this was going to be a great story – even if they never made it. It would be a kind of warning to teenage girls that this is what happens to you in Tin Pan Alley.’

      He shook hands with Chris and started filming that day. He needed to obtain the written consent of the girls but the more pressing thing for the five on the day was making a good impression with Heart Management. Bob Herbert was there and Chic Murphy had come to watch for the first time so that he could see for himself where his money was going. Neil amusingly described the two men as observing the ‘Marbella Dress Code’ – the top three buttons of the shirt undone and a big medallion hanging in the middle of the chest.

      As well as being introduced to Chic, the girls had the chance to meet each other properly. In particular, they hadn’t noticed Melanie Chisholm at Danceworks and she had missed the next audition so this was an opportunity to chat to her. She obviously had no airs and graces and seemed to fit in easily.

      All the girls thought they sounded terrible together – definitely a cat’s chorus. To their surprise, Chris, Bob and Chic seemed a little hard of hearing that day, although the purpose of the get-together was to see if they had a future, not how they sounded in the present. As Chris explained, ‘We wanted to create a band as a unit so it did not matter so much if, individually, they weren’t so strong.’ It went well enough for Chris to move on to the next stage.

      He booked the five into a bed-and-breakfast in Knaphill, Woking, which was a few miles down the road from the Heart offices. Ostensibly the week was for them to rehearse, but that was only part the plan: ‘It was just for them to spend a little time together, and see whether they actually got on and started to bond. Initially we wanted to observe and see if there was something there or if we had to make changes.’

He introduced them to working together in a studio, picking them up from the B&B and dropping them off at Trinity Studios nearby. That sounded grander than it actually was. It was little more than a glorified village hall in urgent need of a lick of paint and a decent central-heating system. The building had once been a dance studio, so at least provided the space for the five girls to hone their dancing skills. Trinity was run day to day by Ian Lee, who remembered that first week: ‘They were like five schoolgirls – a bit giggly and a bit insecure.’

      After a general discussion, it was decided that for the moment they would be called Touch, a pretty uninspiring name – sounding more like a group who would perform at Eurovision than one that would inspire a generation of female devotees. Chris was keen, though, for the group to have a five-letter name. More significantly, he began putting together a team who could help shape their future during this training period.

      Once more the Three Degrees provided the link. He asked their former musical director, Erwin Keiles, to come up with a song or two to get the girls started. The first they had to learn was called ‘Take Me Away’, a mid-tempo unchallenging number. Chris brought in the gloriously named Pepi Lemer, a coach of considerable experience and a backing singer since the sixties, when she missed out on stardom.

      Pepi realised that collectively the girls had a lot of work to do: ‘I remember them being quite attractive in their various ways but terribly nervous. They were shaking and, when they sang, their voices were wobbling. It has to be said that they weren’t very good.’ At the end of the week, Touch gave Chris, Bob and Chic an exclusive performance of that first song. They were dressed in a manner that would, in the future, never work for the Spice Girls – they were colour-coordinated in black and white. They were the Five Degrees.

It was all exciting, though. Apart from Michelle, this was a bunch of seasoned auditionees, thrilled that they were involved in something so new. Even the cosy, old-style guesthouse was stirred by their vitality. Victoria shared a room with Geri, who complained that she was taking up all the space with her two suitcases full of designer clothes. They clicked immediately. ‘You must come with me to a car-boot sale,’ said Geri – as if that was ever going to happen.

      Victoria was the first of the five to give Chris some concern when he found out that she was already in a band called Persuasion. He told her that she needed to make a decision: ‘Are you in or are you out?’ Victoria was much cannier than people realised. She kept her options open just in case Touch came to nothing. She told Persuasion that she was going away on holiday for a week or two and would have to miss rehearsals.

      Chris had to keep his fingers crossed where Victoria was concerned but another potential problem was building within the group. Four of the girls – Geri, Victoria and the two Melanies – were getting on famously but the fifth, Michelle, was becoming more distant. This was not the gelling unit Chris wanted: ‘Even when they broke for lunch or a coffee break, the four would be inside having a coffee and Michelle would be outside. She seemed a bit separated from the others. We spotted it and thought there was a problem developing even during that initial week.’

A bigger concern was their lack of progress at Trinity Studios. Clearly they needed much more time to practise and improve. Chic came up with the solution. He happened to have a spare three-bedroom house in Maidenhead. The girls could move in right away. It was basically a drab semi on a grey estate in Boyne Hill Road. Geri had clearly already had enough of sharing and bagged the tiny single room for herself. She was the oldest so there was no argument. Michelle and Victoria bounded up the stairs and managed to grab the twin-bedded room. That left Melanie Brown having to put up with Melanie Chisholm snoring away in one double room. Having two Melanies in the group was slightly problematic especially as they both preferred the longer version of the name. Chris began to call Melanie Brown ‘Mel B’ to help differentiate between the two.

      Relations within Touch continued to slide throughout the first month. The gang of four were exasperated by what they perceived as Michelle’s lack of commitment. She wasn’t putting in the work to improve her dancing, preferring, they said, to top up her tan at lunchtimes rather than copy Geri’s lead and practise hard to try to catch up with the dance-school veterans. Perhaps, tellingly, Michelle still had every intention of going to university in the autumn. She also had a Saturday job in Harrods that she didn’t give up.

      Melanie Brown, in particular, tried to motivate her but in the end the gang of four felt they had no choice other than to express their misgivings to Chris and Bob, echoing the thoughts the Herberts already had. Bob explained, ‘She would never have gelled so we had to let her go.’

      Did Michelle go of her own accord? Was she pushed? Or was it a mutual decision? There were two sides to the story. While it was true that the other girls questioned her desire, Michelle, herself, was struggling with a family crisis – her mother Penny had been diagnosed with breast cancer. She was also the youngest of the group – five years younger than Geri. There’s a world of difference between just leaving school and hosting a game show on Turkish TV.

Michelle went travelling around Europe before starting her degree. She has had to live with the label of being the Spice Girl who wasn’t – although, at the time, Touch was nothing like the Spice Girls. She didn’t enjoy the music they were rehearsing, considering it far too poppy for her taste. She was not a fan of Take That, for instance, much preferring the harder edge of Oasis and the Prodigy. She later told Neil Davies that she became frustrated by the slowness of it all and she ‘didn’t think the girls would

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