LITMIR.BIZ

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looking Turtle up and down and thinking, I like this girl, and weighing how to make this work. It is unreasoningly strange to Turtle, who hates Anna, has never given Anna any reason to like her, does not like herself. Turtle thinks, you whore.

      “So,” Anna says again, “how did you feel about that one?” Her face becomes gently questioning—biting her lip, allowing her eyebrows to climb up, wet strands of hair escaping her pony tail. She says, “Julia?” To Turtle’s north-coast ears, Anna has an accent, cool and affected. Turtle has never been south of the Navarro River, and never north of the Mattole.

      “Yeah?” Turtle says. She has allowed the silence to go on too long.

      “How did you feel about that one?”

      “Not that good,” Turtle says.

      Anna says, “Well, did you get any of the definitions?”

      Turtle does not know what Anna wants from her. No, she hadn’t, and Anna must know that she hadn’t. There is only one answer to any of Anna’s questions, which is that Turtle is useless.

      “No,” Turtle says, “I didn’t get any of the definitions. Or, I got the first. ‘I suspect we will arrive late to the party.’”

      “Why do you think that is?” Anna says.

      Turtle shakes her head—it’s beyond saying and she won’t be bullied into saying something else.

      “What if,” Anna says, “you stayed in, some lunchtime, and we made flash cards together?”

      “I do study,” Turtle says. “I don’t know if that would help.”

      “Is there something you think would help?” Anna does this, asking questions, pretending to make a safe space, but there is no safe space.

      “I’m not sure,” Turtle says. “I go over all the words with my daddy—” And here, Turtle sees Anna hesitate and she knows that she has made a mistake, because other Mendocino girls don’t use the word daddy. Mostly, they call their parents by their first name, or else Dad. Turtle goes on. “We go over them, and I think what I need is just to go over them myself a little more.”

      “So just, put a little more time into it, is what you’re saying?”

      “Yes,” Turtle says.

      “So how do you study with your dad?” Anna says.

      Turtle hesitates. She cannot sidestep the question, but she thinks, careful, careful.

      “Well, we go over the words together,” Turtle says.

      “For how long?” Anna says.

      Turtle works at one finger with her hand, cracks the knuckle, looks up, frowning, and says, “I don’t know—an hour?”

      Turtle is lying. It’s there in Anna’s face, the recognition.

      “Is that true?” Anna says. “You’re studying an hour every night?”

      “Well,” Turtle says.

      Anna watches her.

      “Most nights,” Turtle says. She has to protect the way she cleans the guns in front of the fire while Martin waits reading by the fireplace with the firelight escaping onto their faces and escaping out into the room and then being dragged hard back across the floor to the coals.

      Anna says, “We’re going to need to talk it over with Martin.”

      Turtle says, “Wait. I can spell ‘synecdoche.’”

      “Julia, we need to talk to your dad,” Anna says.

      Turtle says, “S-I-N,” and then stops, knowing that it’s wrong, that she is wrong, and she cannot for the life of her remember what comes after that. Anna is looking at her very coolly, interrogatively, and Turtle looks back, thinking, you bitch. She knows that if she protests more, if she says anything more, she will give something away.

      “Okay,” Turtle says, “okay.”

      After school, Turtle goes to the office and sits on a bench. The bench faces the front desk, and beyond the front desk, the administrative assistant’s desk and a short hallway to the green-painted door of the principal’s office. Behind that door, Anna is saying, “God love her, Dave, but that girl needs help, real and substantive help, more help than I can give her. I have thirty students in that class, for crying out loud.” Turtle sits cracking her knuckles, the receptionist giving her quick, uncomfortable glances over her computer. Turtle is hard of hearing, but Anna is talking in a flustered, raised voice, saying, “You think I want to talk to that man? Listen, listen—misogyny, isolation, watchfulness. Those are three big red flags. I’d like her to see a counselor, Dave. She’s a pariah, and if she goes on to high school without us addressing that, she will fall further behind. We can chase down that gap now—yes, I know we’ve been trying—but we’ve got to keep trying. And if there is something wrong—” Turtle’s guts clench. Christ, she thinks.

      The receptionist racks a stack of papers sharply on the desk and walks down the hall to the door, Principal Green saying something and Anna flustered, “No one wants that? Why does no one want that? There are options is all I’m saying— Well. No. Nothing. All I’m—” And the receptionist stands at the door and knocks and slips her head into the room, saying, “Julia is here. Waiting for her dad.”

      There is a hush. The receptionist walks back to her desk. Martin pushes the door open, looks once at Turtle, and walks to the counter. The receptionist gives him a hard look. “You can just …” she says, motioning with the papers that he can go right in. Turtle rises and goes after him, past the desk and down the hall, and he knocks once and pushes the door open.

      “Come in, come in,” Principal Green says. He is an enormous man, pink-faced, with large, soft pink hands. His fat hangs down and fills up his pleated khaki trousers. Martin closes the door and stands in front of it, as tall as the door itself, almost as broad. His loose flannel shirt is partly unbuttoned and shows his clavicles. His thick, long brown hair is in a ponytail. His keys have begun to cut their way out of his pocket, leaving patches of white threads. If Turtle hadn’t known, she could have told that Martin had the gun just from the way he wore his flannel, just from the way he took his seat, but neither Principal Green nor Anna thinks of it; they do not even know such things are possible, and Turtle wonders if there are things that she is blind to that other people can see, and what those things might be.

      Principal Green picks up a bowl of Hershey’s Kisses and holds it first to Martin, who shows his palm to decline, and then to Turtle, who doesn’t move. “So, how has your day been so far?” he asks, setting the bowl back on his desk.

      “Oh,” Martin says, “I’ve been better.” Turtle thinks, that is wrong, that is the wrong way, but how could you know better, you’re just a bitch.

      “And, Julia, how have you been?”

      “I’m good,” Turtle says.

      “Ah yes, well, I bet this is a little stressful,” Principal Green says.

      “So?” Martin says, gesturing him on.

      “Let’s talk about it, shall we?” Principal Green says. The new teachers go by their first names, but Principal Green is a generation older, maybe two. “Since we last spoke, Julia has continued to struggle in her classes and we’re concerned about her. Part of the problem is her grades. Her reading comprehension is not where it could be. She struggles on tests. But for us, the problem—more than any question of her aptitude—is her sense of, well, perhaps her sense that the school may not be welcoming, and we do believe that she needs a certain level of comfort, a certain level of belonging before she can begin to thrive in school. This is the problem as we see it.”

      Anna says, “I have been working with Julia quite a bit, and I think that—”

      Martin interrupts her, leans forward in his seat, clasps his hands. He says, “She will

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