The Interpretation of Dreams - Sigmund Freud

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stimulus and dream content is reinforced if through a systematic induction of stimuli we succeed in producing dreams corresponding to the stimuli. According to Macnish such experiments have already been made by Giron de Buzareingues. "He left his knee exposed and dreamed of travelling in a mail coach at night. He remarked in this connection that travellers would well know how cold the knees become in a coach at night. Another time he left the back of his head uncovered, and dreamed of taking part in a religious ceremony in the open air. In the country where he lived it was customary to keep the head always covered except on such occasions."

      Maury reports new observations on dreams produced in himself. (A number of other attempts produced no results.)

      1. He was tickled with a feather on his lips and on the tip of his nose. He dreamed of awful torture, viz. that a mask of pitch was stuck to his face and then forcibly torn off, taking the skin with it.

      2. Scissors were sharpened on pincers. He heard bells ringing, then sounds of alarm which took him back to the June days of 1848.

      3. Cologne water was put on his nose. He found himself in Cairo in the shop of John Maria Farina. This was followed by mad adventures which he was unable to reproduce.

      4. His neck was lightly pinched. He dreamed that a blistering plaster was put on him, and thought of a doctor who treated him in his childhood.

      5. A hot iron was brought near his face. He dreamed that chauffeurs broke into the house and forced the occupants to give up their money by sticking their feet into burning coals. The Duchess of Abrantés, whose secretary he imagined himself in the dream, then entered.

      6. A drop of water was let fall on his forehead. He imagined himself in Italy perspiring heavily and drinking white wine of Orvieto.

      7. When a burning candle was repeatedly focussed on him through red paper, he dreamed of the weather, of heat, and of a storm at sea which he once experienced in the English Channel.

      D'Hervey, Weygandt, and others have made other attempts to produce dreams experimentally.

      Many have observed the striking skill of the dream in interweaving into its structure sudden impressions from the outer world in such a manner as to present a gradually prepared and initiated catastrophe (Hildebrandt). "In former years," this author relates, "I occasionally made use of an alarm clock in order to wake regularly at a certain hour in the morning. It probably happened hundreds of times that the sound of this instrument fitted into an apparently very long and connected dream, as if the entire dream had been especially designed for it, as if it found in this sound its appropriate and logically indispensable point, its inevitable issue."

      I shall cite three of these alarm-clock dreams for another purpose.

      Volkelt (p. 68) relates: "A composer once dreamed that he was teaching school, and was just explaining something to his pupils. He had almost finished when he turned to one of the boys with the question: 'Did you understand me?' The boy cried out like one possessed 'Ya.' Annoyed at this, he reprimanded him for shouting. But now the entire class was screaming 'Orya,' then 'Euryo,' and finally 'Feueryo.' He was now aroused by an actual alarm of fire in the street."

      Garnier (Traité des Facultés de l' Âme, 1865), reported by Radestock, relates that Napoleon I., while sleeping in a carriage, was awakened from a dream by an explosion which brought back to him the crossing of the Tagliamento and the bombarding of the Austrians, so that he started up crying, "We are undermined!"

      The following dream of Maury has become celebrated. He was sick, and remained in bed; his mother sat beside him. He then dreamed of the reign of terror at the time of the Revolution. He took part in terrible scenes of murder, and finally he himself was summoned before the Tribunal. There he saw Robespierre, Marat, Fouquier-Tinville, and all the sorry heroes of that cruel epoch; he had to give an account of himself, and, after all sort of incidents which did not fix themselves in his memory, he was sentenced to death. Accompanied by an enormous crowd, he was led to the place of execution. He mounted the scaffold, the executioner tied him to the board, it tipped, and the knife of the guillotine fell. He felt his head severed from the trunk, and awakened in terrible anxiety, only to find that the top piece of the bed had fallen down, and had actually struck his cervical vertebra in the same manner as the knife of a guillotine.

      This dream gave rise to an interesting discussion introduced by Le Lorrain and Egger in the Revue Philosophique. The question was whether, and how, it was possible for the dreamer to crowd together an amount of dream content apparently so large in the short space of time elapsing between the perception of the waking stimulus and the awakening.

      Examples of this nature make it appear that the objective stimuli during sleep are the most firmly established of all the dream sources; indeed, it is the only stimulus which plays any part in the layman's knowledge. If we ask an educated person, who is, however, unacquainted with the literature of dreams, how dreams originate, he is sure to answer by referring to a case familiar to him in which a dream has been explained after waking by a recognised objective stimulus. Scientific investigation cannot, however, stop here, but is incited to further research by the observation that the stimulus influencing the senses during sleep does not appear in the dream at all in its true form, but is replaced by some other presentation which is in some way related to it. But the relation existing between the stimulus and the result of the dream is, according to Maury, "une affinité quelconque mais qui n'est pas unique et exclusive" (p. 72). If we read, e.g., three of Hildebrandt's "Alarm Clock Dreams," we will then have to inquire why the same stimulus evoked so many different results, and why just these results and no others.

      (P. 37). "I am taking a walk on a beautiful spring morning. I saunter through the green fields to a neighbouring village, where I see the natives going to church in great numbers, wearing their holiday attire and carrying their hymn-books under their arms. I remember that it is Sunday, and that the morning service will soon begin. I decide to attend it, but as I am somewhat overheated I also decide to cool off in the cemetery surrounding the church. While reading the various epitaphs, I hear the sexton ascend the tower and see the small village bell in the cupola which is about to give signal for the beginning of the devotions. For another short while it hangs motionless, then it begins to swing, and suddenly its notes resound so clearly and penetratingly that my sleep comes to an end. But the sound of bells comes from the alarm clock."

      "A second combination. It is a clear day, the streets are covered with deep snow. I have promised to take part in a sleigh-ride, but have had to wait for some time before it was announced that the sleigh is in front of my house. The preparations for getting into the sleigh are now made. I put on my furs and adjust my muff, and at last I am in my place. But the departure is still delayed, until the reins give the impatient horses the perceptible sign. They start, and the sleigh bells, now forcibly shaken, begin their familiar janizary music with a force that instantly tears the gossamer of my dream. Again it is only the shrill sound of my alarm clock."

      Still a third example. "I see the kitchen-maid walk along the corridor to the dining-room with several dozen plates piled up. The porcelain column in her arms seems to me to be in danger of losing its equilibrium. 'Take care,' I exclaim, 'you will drop the whole pile.' The usual retort is naturally not wanting—that she is used to such things. Meanwhile I continue to follow her with my worried glance, and behold! at the door-step the fragile dishes fall, tumble, and roll across the floor in hundreds of pieces. But I soon notice that the noise continuing endlessly is not really a rattling but a true ringing, and with this ringing the dreamer now becomes aware that the alarm clock has done its duty."

      The question why the dreaming mind misjudges the nature of the objective sensory stimulus has been answered by Strümpell, and almost identically by Wundt, to the effect that the reaction of the mind to the attacking stimuli in sleep is determined by the formation of illusions. A sensory impression is recognised by us and correctly interpreted, i.e. it is classed with the memory group to which it belongs according to all previous experience, if the impression is strong, clear, and long enough, and if we have the necessary time at our disposal for this reflection. If these conditions are not fulfilled, we mistake the objects which give rise to the impression, and on its basis we form an illusion. "If one takes a walk in an open field and perceives indistinctly a distant object, it may happen that he will at first take

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