LITMIR.BIZ

Alexander Dubček is well-known, so one might think; nothing new can be written about him. Is this true? Dubček is the symbol of the Czechoslovak attempt to reform communism that gained worldwide admiration in 1968. The invasion of Warsaw Pact troops in the night of August 21, 1968 set a brutal end to the Prague Spring.
Josette Baer’s new biography focuses on Dubček’s early years, his childhood in Soviet Kirghizia, his participation in the Slovak National Uprising in 1944 against Nazi Germany and the Slovak clerical-fascist government, and his career in the Slovak Communist Party in the late 1950s and early 1960s. It offers new insights into the political thought of the father of ‘Socialism with a Human Face’, based on archive material available to the Western reader for the first time. Who was Alexander Dubček—a naïve apparatchik, an independent thinker, a courageous liberator, or a political dreamer?

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This is a book about the crisis of the European integration project as seen from the vantage point of people’s movements across and to the European continent. But why should the issue of refugees or of migration have anything to do with the dynamics of the integration or disintegration of the European Union? If anything, the existing global refugee protection regime was conceived in Europe at about the time when Europe began to integrate: It was seen as a moral imperative in the context of European solidarity and in the face of crisis. How did refugee protection become so controversial as to usher in a crisis of its own? Why do European governments and their peoples see refugees and migrants as the cause of a crisis in and of Europe? Solidarity, legitimacy, democracy, welfare, rights: How has refugee migration undermined European positions on all that has defined EU integration so far?
This collection engages with these questions by focusing on the construction of the crisis narrative, offering an insight into distinctly European perspectives on and analyses of political responses to refugees, migration, and economic challenges. The aim of the volume is to provide an empirical and thematic context for understanding the link between refugee migration and the overpowering perception of Europe in crisis.

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In post-Soviet Russian politics, Boris Nemtsov is one of the most tragic figures—and not only because he was shot dead, at the age of 56, in close vicinity to the Kremlin, the locus of Russia’s power. The “transparency of evil” in this specific case was shocking: Nemtsov’s murder was filmed by a surveillance camera. The video tape confirms the demonstrative and insolent character of the assassination. His death illuminated a core feature of the current regime that tolerates, if not incites, extra-legal actions against those it considers to be “foes,” “traitors,” or members of “the Fifth Column.”
In this volume Boris Nemtsov is commemorated from different perspectives. In addition to academic papers, it includes personal notes and reflections. The articles represent a range of assessments of Nemtsov’s personality by people for whom he was one of the leading figures in post-Soviet politics and a major protagonist in Russia’s transformation. Some authors had direct experiences of either living in, or travelling to, Nizhny Novgorod when Nemtsov was governor there. The plurality of opinions collected in this volume matches the diversity and multiplicity of Nemtsov’s political legacy.
The volume’s contributors include: David J. Kramer, Senior Director at the McCain Institute for International Leadership in Washington, DC; Miguel Vázquez Liñán, Associate Professor at Seville University; Yulia Kurnyshova, Research Fellow at the National Institute for Strategic Studies in Kyiv; Ekaterina Smagly, Director of the Kennan Institute in Kyiv; Henry E. Hale, Professor at The George Washington University in Washington, DC; Howard J. Wiarda (2015), Professor at the University of Georgia; Sharon Werning Rivera, Associate Professor at Hamilton College; Tomila Lankina, Associate Professor at the London School of Economics and Political Science; Andre Mommen (2017), Professor at the University of Amsterdam; Stefan Meister, Director at the German Council on Foreign Relations in Berlin; Vladimir Gel’man, Professor at the University of Helsinki; Vladimir V. Kara-Murza, coordinator of the Open Russia movement and deputy leader of the People’s Freedom Party of Russia.

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This timely book seeks to contribute to the debate on the transfer of values, rules, and practices by European actors to former soviet countries. The actors in focus include multilateral organizations, such as the European Union, the Council of Europe, and the Organization for Security and Cooperation in Europe, as well as European governments and non-governmental organizations.
The contributions in this collection address different aspects of the export or transfer of values, such as democracy, human rights, and the rule of law, as well as rules and practices in the fields of education and migration management, examining motives, mechanisms, and effects of the European engagement.

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This handbook not only provides a very wide-ranging introduction and orientation to the world of the Theatre of the Oppressed, but Birgit Fritz also presents concrete and practical assistance for structuring basic workshops in process-oriented theatre work and in developing Forum Theatre plays.
Birgit Fritz explores the working principles of emancipatory theatre work and somatic learning in depth. She gives numerous examples of the work and life of theatre groups and reveals fascinating possibilities of how theatre for social change can be successfully linked with social and political commitment, so that artistic process can bring about cross-generational collaboration, develop social democracy, and operate as an active force for peace.

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Rolando Dromundo presents a political and historical analysis of the state-building processes in Ukraine, Moldova, and the unrecognized Republic of Pridnestrovia from the Soviet fall until 2015, starting with a sketch of the main geopolitical trend that surrounds these polities and its influences on them, and paying special attention to the vicissitudes of the Ukrainian political crisis of 2013–14 and its immediate consequences in Crimea and the Donbass.
This book is a must for scholars with an interest in the Post-Soviet Space and to anyone curious about an international conflict from a realist perspective. It offers an original insight on the understanding of the oligarch’s role in the Ukrainian political life and presents a different perspective of the unrecognized Republic of Pridnestrovia.
Dromundo writes neither pro-Russian nor pro-Western. He sheds light on the problems from different angles and illustrates how the local inhabitants turned out to become the biggest losers in the game because they have fallen prey to local elites allied with different foreign powers disregarding local identities and needs.


Altogether, the book helps to better understand the complexity of local state-building processes in a multiethnic society.

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Skylarks and Rebels is a story about Latvia’s fate in the 20th century as told by Rita Laima, a Latvian American who chose to leave behind the comforts of life in America to explore the land of her ancestors, Latvia, which in the 1980s languished behind the Soviet Iron Curtain. In writing about her own experiences in a totalitarian state, Soviet-occupied Latvia, Laima delves into her family’s past to understand what happened to her fatherland and its people during and after World War II. She also pays tribute to some of Latvia’s remarkable people of integrity who risked their lives to oppose the mindless ideology of the brutal and destructive Soviet state.

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This music book contains the original sheet music of the Children's Song «Three Blind Mice» for Piano, Vocals and Guitar. Medium difficulty in C major with lyrics.

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Die Originalversion von «Croce Di Oro» wurde 1955 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt, die bekannteste ist von Patti Page. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.

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Die Originalversion von «Collegiate» wurde 1932 veröffentlicht. Bis heute wurden über 5 Millionen Platten von dem Song verkauft. Er wurde in verschiedenen Filmen eingesetzt, die bekannteste Version spielte Chico Marx in dem Film «Horse Feathers». In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.

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