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Unrivaled as a virtuoso pianist in his own day — and perhaps still — Franz Liszt was a composer of daring originality. He introduced new conceptions of harmony and melody and made radical innovations in piano technique. In a long and prolific career, he produced over 400 works for piano — brilliant compositions with flashes of eloquence and energy that evoke a full, rich orchestral sound. Best known and best loved are the Hungarian Rhapsodies.Reproduced directly from an authoritative Russian edition of the composer's works, this inexpensive and sturdily bound volume presents the complete Hungarian Rhapsodies for solo piano: No. 1, in C-sharp Minor; No. 2, in C-sharp Minor; No. 3, in B-flat Major; No. 4, in E-flat Major; No. 5, in E Minor; No. 6, in D-flat Major; No. 7, in D Minor; No. 8, in F-sharp Minor; No. 9 (Pester Karneval; «Carnival in Pest»), in E-flat Major; No. 10, in E Major; No. 11, in A Minor; No. 12, in C-sharp Minor; No. 13, in A Minor; No. 14, in F Minor; No. 15, (Rákóczy March), in A Minor; No. 16, in A Minor; No. 17, in D Minor; No. 18, in C-sharp Minor; and No. 19, in D Minor.This edition features English translations of all headings and footnotes that originally appeared in Russian. Published in association with the American Liszt Society, this edition offers all the quality features musicians have long associated with Dover: clear reproduction of musical notation, ample space for analysis, notes, fingerings, etc. Classical pianists, students, teachers, and lovers of music will applaud this handsome volume for playing or study — a convenient, affordable opportunity to explore some of the great masterpieces inspired by Hungarian gypsy music.
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A contemporary of Bach, Handel, Scarlatti, and Telemann, Jean-Phillipe Rameau (1683–1764) was a notable theorist and innovator and the preeminent French composer of his day. The depth and power that characterize his music are in ample evidence in this volume of all 63 of Rameau's works for keyboard, published between 1706 and 1741, including such well-known pieces as «Musette en Rondeau,» «Tambourin,» «Les Niais de Sologne,» «Les Cyclopes,» and «La Poule.» The music is reproduced here from the important and well-produced edition of Rameau's keyboard works edited by Camille Saint-Saëns. Because the composer attempted to use his keyboard as a sustaining instrument, these pieces lend themselves especially well to performance on modern pianos. Now today's musicians can enjoy Rameau's complete oeuvre for solo keyboard in this inexpensive high-quality edition.
Информация о книге
Автор произведения Жан-Филипп Рамо
Жанр Музыка, балет
Серия Dover Music for Piano
Аннотация
The 24 preludes and 17 etudes-tableaux of Serge Rachmaninoff include what are possibly his finest compositions for solo piano. Each of these masterly works is included in this complete collection, reproduced from recent, authoritative Russian editions. They include: Prelude, Op. 3, No. 2; Ten Preludes, Op. 23; Thirteen Preludes, Op. 32; Eight Etudes-tableaux, Op. 33; Nine Etudes-tableaux, Op. 39. Among these are the enormously popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10 — classics that have made Rachmaninoff one of the most performed and recorded modern composers.<BR>Each of these works reflects Rachmaninoff's emotional intensity, his thrilling gifts as a melodist and his ability to crystallize perfectly a particular mood or sentiment. In their sonorous textures and rich embellishment, they reflect as well his sovereign command of keyboard technique and his spectacular gifts as a pianist (he was one of the very greatest pianists of the 20th century). This beautifully produced yet inexpensive edition will provide both amateur and professional pianists a lifetime of study and enjoyment, and will afford music lovers as well the deep pleasures of following, music in hand, live and recorded performances of these keyboard masterpieces.
Информация о книге
Автор произведения Serge Rachmaninoff
Жанр Музыка, балет
Серия Dover Music for Piano
Аннотация
Often regarded as the father of piano technique, Clementi was the first composer to achieve the fully matured piano sonata of the late Classic period. This edition includes all 12 of the splendid miniature sonatas — so-called sonatinas — that comprise Clementi's Opp. 36, 37, and 38. Musicians and music lovers will find in this authoritative edition a rich selection of music by an innovative and influential composer.
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"La Bohème is perhaps Puccini's most nearly perfect opera." — Hughes, Famous Puccini Operas.It has long been one of the world's most beloved musical works — an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought to vibrant life by Puccini's sparkling, lighthearted score. La Bohème, based on Henri Murger's novel Scènes de la Vie de Bohème, was first performed at the Teatro Regio, Turin, in 1896. It soon became a staple of the operatic repertoire and has remained so ever since. Grove's Dictionary of Music and Musicians notes that «Puccini's music reflects the alternate gaiety and pathos of Murger's novel with a truth and sincerity to which no name but that of genius can be applied.»Now musicians, opera enthusiasts, and all music lovers can enjoy the full score of this wonderful masterpiece in a sturdy, attractive volume. Reprinted complete and unabridged from an authoritative Italian edition, with English translations of the lists of characters and instruments and a new table of contents, this edition offers an inexpensive, high-quality score ideal for reading and study. It is a valuable aid to the full enjoyment of a unique and lasting musical landmark.
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This theoretical book is meant to improve contemporary jazz styles techniques for all musician players of modern jazz. <br><br>We will divide this book into scale exercises, arpeggio exercises, jazz line phrases as well as contemporary chord progressions. Exercises consist of jazz solos by great musicians such Miles Davis, Bill Evans, John Coltrane, Freddy Hubbard, Woody Shaw, Wayne Shorter, Joe Henderson, Chick Corea, Herbie Hancock, Joe Farrel, Dave Liebman. Bob Berg, Michael and Randy Brecker, Jerry Bergonzi, George Garzone,Tom Harrel, Chris Potter, Brad Mehldau, Joey Calderazzo, Kenny Garret, Branford Marsalis, Walt Weiskopf, Rich Perry, Seamus Blake, Alex Sipiagin and many others well known musicians these days. <br><br>The majority of theses exercises should be transposed to all twelve tones, so we can achieve perfect coordination> Major chords, Minos chords and Dominant chords will be extended to their highest level, in scales, arpeggios and chromatic form. There will not be key signature centers, so we will work all exercises in accidental way. <br><br>These exercises were made as an extension of my first book Imprivise Now (Charles Colin Publications). There are as well many improvisational lines transcribed from some of the previously mentioned musicians.
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This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques.<br><br>The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from Brecker, Berg, Mintzer, Coltrane, Henderson, etc.<br> <br>These exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. <br><br>Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. <br><br>There are none signature centers, so all these exercises will be worked accidentally. <br><br>This project is an extension of my last five books of improvisation: <br><br>* Improvise Now<br>* 240 Chromatic Exercises + 1165 Jazz Lines Phrases<br>* Herbie Hancock The Blue Note Years<br>* John Coltrane & Michael Brecker Legacy<br>* Chris Potter Jazz Styles
Аннотация
This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques.<br><br>The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from Chris Potter.<br><br>These exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination.<br><br>Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages.<br><br>There are none signature centers, so all these exercises will be worked accidentally.<br><br>This project is an extension of my last three methods of improvisation:<br>* Improvise Now<br>*220 Chromatic Exercises + 1165 Jazz lines phrases<br>*Herbie Hancock lines voicings and rhythms from transcriptions. <br>*John Coltrane & Michael Brecker Legacy