LITMIR.BIZ

Hapless MEP Philip Wardrobe has a busy day ahead of him, balancing his less-than-irreproachable political career with his attempts to start a family. As he prepares for his girlfriend to fly in from Kettering for an afternoon of fertile frolics, his plan to be voted President of the European Parliament is foiled at every turn by unpredictable colleagues: uncouth Yorkshiremen, irate Turks and amorous Frenchwomen… to say nothing of the mysterious man in the linen cupboard.In the Club opened at the Hampstead Theatre in July 2007.

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Nirjay Mahindru's witty first play takes its audience on a thrilling flight of fantasy to India. As his Queen gives birth to an heir, King Mandragora's kingdom is plagued by a terrifying series of omens. Flying fish and fiery peacocks can be explained but who are the alien creatures with chalky white skin and what do they want? This new play creates a vivid world, populated by kings, soothsayers and clowns, threatened in a clash between old and new civilisations. Mandragora is the most inventive new play since Salman Rushdie's Midnight's Children hit the bookshops, audaciously running rings round the accepted western view of the early encounters between the English and Indians.

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All children, except one, grow up… This winter, JM Barrie’s much-loved tale takes flight. When Peter Pan, leader of the Lost Boys, loses his shadow during a visit to London, headstrong Wendy helps him re-attach it. In return she is invited to Neverland – where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await. This adaptation of JM Barrie’s Peter Pan is published with permission from and in support of Great Ormond Street Hospital Children’s Charity

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Including: The Women and the Sniper By Tatiana Kitsenko / Diprosopus, A Story in Two Faces By Lyudmila Zaytseva / Onyx By Maxim Dosko / [i]Herman, Franz and Gregor[/i] By Julia Tupikina / The Time Wardrobe or the New Adventures of D’Artagnan By Yuri Harin / Same Thing By Olga Prusak The International Contest of Contemporary Drama (ICCD ) is a biannual playwriting competition run by Belarus Free Theatre since its foundation in 2005. It is open to submissions in Russian, Belarusian and Ukrainian and has produced playwrights such as Anna Yablonskaya, Aleksey Shcherbak, and Pavel Pryazhko – whose plays have been produced at the Royal Court Theatre – and Vyatcheslav Durnenekov who has written for the Royal Shakespeare Company. In 2016, 543 plays were submitted from 14 countries including Belarus, UK, Russia, Poland, Germany, Italy, Israel, Estonia, and Georgia. The winning plays in this collection are in six categories: Best Play, Best Play on a Social or Political Topic, Best Short Play or Experimental Writing for Theatre, Best Adaptation, Best Play for Children and The Tom Stoppard Award for Best Debut. This publication is dedicated to promoting the works of the winning playwrights, and is published to coincide with prizegiving ceremonies taking place in London, Minsk, Kiev and Moscow.

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Western cultural impositions and Ancient African traditions make strange bedfellows. Never sleeping with both eyes shut for fear the other will strike. It’s 1896 in Rhodesia and Jekesai has just been given her new, Catholic name. Chilford, the only black Roman Catholic teacher in the region, has decided she’ll now be known as Ester, wear European clothing and speak only in English. She’s torn away from everything that she knows by her fellow African who earnestly believes the promises of the White man. The Convert is a compelling exploration of a pivotal moment in history, when resisting the invading Western culture could mean death.

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An all-singing, all-dancing celebration of ordinary life and death. Single mum Emma confronts the highs and lows of life with a cancer diagnosis; that of her son and of the real people she encounters in the daily hospital grind. Groundbreaking performance artist Bryony Kimmings creates fearless theatre to provoke social change, looking behind the poster campaigns and pink ribbons at the experience of serious illness.

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The world would come to know him as Muhammad Ali, but on 25 February 1964, a twenty-two-year-old Cassius Clay celebrated his world heavyweight title not by hitting the town, but in a hotel room with his three closest friends: activist Malcolm X, singer Sam Cooke and American football star Jim Brown. To the outside world, they were American icons. But in that hotel room, here were four men who understood each other and their moment in history in a way that no one else could. With the Civil Rights movement stirring outside, and the melody of ‘A Change is Gonna Come’ hanging in the air, these men would emerge from that room ready to define a new world.

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Christmas Eve. Bettina and her husband Albert aren’t happy. Bettina’s mother is staying for the holidays. Which is awkward. Not least because Bettina’s mother met a man on the train. And now she’s invited him around for drinks… Family, betrayal and the inescapable presence of the past reverberate through this razor-sharp comedy. Schimmelpfennig is the most performed playwright in Germany and one of the country’s most exciting original voices, with productions of his work worldwide in over 40 countries.

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‘Listen: things will be different after the play comes on – completely different… Only a few more weeks, Francie, and you’ll see. Your whole life will change. I promise you it will.’ Hampstead, 1936. In a shabby basement flat, aspiring playwright Clive Monkhams dreams of a West End hit and winning Francie’s heart. His bankrupt mother Rhoda, a faded actress, frets about the bills and the fortunes of her penniless daughters while reminiscing about her glory days. Clive’s family and an entourage of bohemian dependants all need him to make it big. With opening night approaching and finances fast running out, everything rides on the success of the play and, for Clive, the future looks all too glittering… From the acclaimed writer of Absolute Hell and Before the Party , After October is Rodney Ackland’s most autobiographical play, both a bittersweet homage to the theatre and a fascinating portrait of an impoverished family on the brink of a glamorous new life. This rediscovery marks the first Central London production since its premiere in 1936.

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‘I’m going to try and tell you everything. I’m going to try.’ Every teenager thinks they’re the only one not having sex. But for Alana, it may well be true. She really wants to, but every time she gets close to doing it something just seems to get in the way… Soon she can’t help wondering: is it this tricky for everyone else? Because no one ever said it was going to be this complicated. A bracingly candid account of sex and shame, gut wrenching and side-splitting by turns, Skin A Cat is a truly alternative coming of age story about going all the way.

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