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A brilliantly moving and funny play from the writer of the award-winning Under the Whaleback , Harvest and One Man, Two Guvnors . Another Sunday night shift. The smell of bread baking. The industrial thump, thump, thump of the machines that never stop. The ovens are cranked up to full blast, the factory is humming, and everyone wants to be somewhere else. But this shift is going to be different. Because when a crisis hits the factory, the men have more to lose than just their wages…

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Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancee’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart.Simple.Based on Carlo Goldoni’s classic Italian comedy The Servant of Two Masters, in this new English version by prizewinning playwright Richard Bean, sex, food and money are high on the agenda.Winner of the both 2011 Evening Standard Theatre Best New Play & Critic's Circle Best New Play awards.

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They were all in the pub when the explosion happened. Louise wakes up to find herself trapped with Mark, who has saved her life. Mark is always prepared for the worst and has everything he thinks they will need to survive; tinned chilli, Dungeons and Dragons and a knife – now all they need to do is to wait until it's safe to go outside. Can they survive the attack? Can they survive each other? After The End received its world premiere at The Traverse Theatre in August 2005.

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‘Fucking Frogs! My grandfather didn’t die in the English Civil War so’s half the population of France could come over here and live off the soup!’A riotous journey through four waves of immigration from the 17th century to today. As the French Huguenots, the Irish, the Jews and the Bangladeshis in turn enter the chaotic world of Bethnal Green, each new influx provokes a surge of violent protest over housing, jobs, religion and culture. And the emerging pattern shows that white flight and anxiety over integration is anything but new. Written with scurrilous bravura, Richard Bean’s great sweep of a comedy follows a pair of star-crossed lovers amid cutters’ mobs, Papists, Jewish anarchists and radical Islamists across four tempestuous centuries. England People Very Nice enjoyed a sell-out run at the National Theatre.

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Four plays by Richard Bean with an introduction by Chris Campbell. Includes: Harvest , In the Club , The English Game and Up on Roof .

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David conducts an office romance by e-mail. He has love at his fingertips. But a shocking admission unravels his relationship piece by chilling piece. Jess loves David. She believes happiness can be bought – but it doesn’t come cheap in a world of easy credit. Jess and David’s ideal blend of love and money is killing them. Funny but heart wrenching, this ingenious drama dares us to enter a dislocated world of bad debts and even worse desires.Love and Money opened at the Manchester Royal Exchange in October 2006 with a transfer to the Young Vic, London.

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The life of Darrel Ascough, a Hull trawlerman, is played out in three acts in the crew's quarters of a distant water trawler: First, at sixteen, Darrel is a deckie learner on the Kingston Jet. Here he meets Hull's ‘one man circus’ Cassidy, and is introduced to his legacy.On the James Joyce, and as a young but skilled trawlerman, Darrel is the only survivor when the trawler capsizes when heavy with ice.In the final act, on the heritage museum ship the Arctic Kestrel, Darrel meets the confused and rootless youth Pat, and is forced to address the meaning of his legacy and his true heritage.A powerful and moving story of fate, choices and men at work, Under the Whaleback premiered at the Royal Court Theatre in April 2003.

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I've wasted the whole of my life playing this game. It's claimed my knees and it occupies every spare synapse in my brain. I'm not even sure I like it anymore…The Nightwatchmen: an amateur London cricket team, making up for in enthusiasm what they lack in ability. As they gather on a sunny Sunday to face Bernard and his ethnically diverse and highly talented squad, Will, Thiz, Clive and their team-mates spend the day smoking, drinking tea and discussing love, politics and the correct interpretation of the LBW law… Richard Bean's comedy toured with Headlong Theatre throughout May 2008.

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Gary's not stupid. He just dares to see the world differently. In the class room and on the estate, he provokes without intent. When another act of violence unsettles those around him, Gary must shoulder the blame. A visceral rollercoaster of a play by one of Britain's hottest writers. Raw, angry and urgent, this is an explosive piece of work.

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‘The borders don't make any sense, there's no rule of law, no running water, you never know when the electric's on, the last war's fucked everything, and the next war will fuck everything else.’A dark and deeply funny tale of foreign aid workers in far-flung Tambia… Truly alternative Christmas entertainment, not for the faint hearted or politically correct. The God Botherers was produced by The Bush Theatre in November 2003.

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