LITMIR.BIZ

Are we paranoid? Or are they really out to get us?They have a picture, a picture that could spell the destruction of civilised society, a plan so devastating it would change the World as we know it. They must put a stop to it. They have a suspect, tied to a chair, a hood covering his face. The only problem is the suspect claims the picture was drawn by his four year old son. They have the suspect’s wife, but she claims her son couldn’t have made the picture. Who’s telling the truth? What is the truth? And does the truth really matter anymore?

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‘We value truth in this family. Carpe Diem. Seize the day. We’re all just food for worms. So tell them you love them. Have fun, mount a donkey, whatever, just feel alive.’Charades is fun, right, with those people, yes, your family, the ones you try to get away from at Christmas. For the Pilgrims though it’s not simply a family affair, this is more than a game, this…. Is an Eisteddfod. This bawdy new play from acclaimed young playwright Luke Barnes is inspired by Suffolk folklore and explores the idea of family and identity, stories and how they are told.

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Desire and duty collide in Shakespeare’s captivating tragedy of politics, passion and power. Two charismatic leaders, Mark Antony of Rome and Cleopatra, Queen of Egypt, are caught in an all encompassing love that threatens the Empire. Rome will do all it can to pull them apart. Or it will destroy them both. This classic Shakespeare tale is edited by Dame Janet Suzman, making this an authoritative edition. As she says in her new book Not Hamlet: Meditations on the Frail Position of Women in Drama which studies the role of and for women in Shakespeare’s canon, Suzman knows this play better than anyone else in the world, having played Cleopatra twice and having now directed the play twice.

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Late 14th century in the Valley of Mexico and a small, unknown tribe called the Aztecs propel themselves from nomadic mercenaries to rulers of a great empire. Passion, power and intrigue play out in this epic political thriller which charts the history of an ancient civilisation. Spanning a century and based on true events chronicled in the Aztec codices, A Soldier In Every Son – The Rise of the Aztecs is closely inspired by Shakespeare’s history plays. A Compañía Nacional de Teatro de México/Royal Shakespeare Company co-production. Originally commissioned for the World Shakespeare Festival which is produced by the Royal Shakespeare Company for London 2012 Festival.

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This new series brings together some of the best new writing from contemporary American playwrights. Volume One is introduced by Andre Bishop, Artistic Director of the Lincoln Center Theater, the most prestigious theatre in the USA. Each play is introduced by critically acclaimed writers themselves.The volume includes: KIN by Bathsheba Doran, (with an introduction by Chris Durang) Kin sheds a sharp light on the changing face of kinship in the expansive landscape of the modern world.“Simply terrific. Perhaps the finest new play of the season. Funny and audacious, haunting, and exquisitely wrought.” – Charles Isherwood, New York Times MIDDLETOWN by Will Eno (with an introduction by Gordon Lish) Middletown was awarded the prestigious Horton Foote Prize for Promising New American Play in 2010.“Middletown glimmers from start to finish with tart, funny, gorgeous little comments on big things: the need for love and forgiveness, the search for meaning in life, the long, lonely ache of disappointment.” – Charles Isherwood, New York Times COMPLETENESS by Itamar Moses (with an introduction by Doug Wright) Completeness is a 21st-century romantic comedy about the timeless confusions of love.“A funny, ridiculously smart new play. I haven’t seen another play recently that so perfectly captured love – hot-blooded, fearless, fickle – at this stage in life. I was left with nothing but admiration.” – Jeremy Gerard, Bloomberg News GOD'S EAR by Jenny Schwartz (with an introduction by Edward Albee)“This ode to love, loss and the routines of life has the economy and dry wit of a Sondheim love song … Schwartz is a real talent and she is trying something ambitious … In [her] very modern way, [she is] making a rather old-fashioned case for the power of the written word.” – Jason Zinoman, New York Times

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The story of Shakespeare’s Julius Caesar told through the eyes of a jiggling fool, a lowly poet having bad dreams, a man who finds himself in the wrong place at the wrong time… with the wrong name… while history thunders past. Forming part of Tim Crouch’s series of solo shows inspired by Shakespeare’s lesser characters, I, Cinna is written for ages 11+ and engages a young audience to think and write, to consider the relationship between words and actions, art and politics, self and society.

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Thirty miles outside Johannesburg, a group of school friends decide to spend the night in a network of underground caves. The area is known as the Cradle of Humankind. The oldest pre‐human remains have been found there, including a four million year‐old ape‐man called Little Foot. As the friends go deeper underground, forces are unleashed between them and around them.Part reality, part nightmare, South African playwright Craig Higginson's dark and poetic play takes us on an unforgettable journey into our unconscious ancestral memory.

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Dionysos, the God of wine and theatre has returned to his native land to take revenge on the puritanical Pentheus who refuses to recognise him of his rites. Remorselessly, savagely and with black humour, the God drives Pentheus and all the city to their shocking fate. Limelight after decades of anonymity. This version was specially commissioned by the National Theatre for a production in May 2002, directed by Sir Peter Hall and scored by Sir Harrison Birtwhistle.

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In the heart of Northern England, three respectable couples, married on the same day, at the same church, and by the same vicar, join to celebrate 25 years of blissful matrimony. Or so they think… The happy celebrations are brought to a sudden halt by a shocking revelation – these pillars of the community aren’t quite as respectably married as they thought they were. As the home truths fly like confetti and conjugal rites turn to farcical fights, an evening of sparkling comic mayhem erupts. With a photographer from the local paper due to arrive any second, a missing housekeeper and a doorbell that wont stop ringing, can the three couples keep a lid on their embarrassing secret? Penned in 1938, this is a classic comedy that is a blessed union of laughs and surprises.

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‘Oh, but he was a squeezing, wrenching, scraping, grasping kind of a Scrooge; a clutching, covetous old sinner…’Using only Charles Dickens' extraordinary words and a chameleon ensemble of eight actors, Neil Bartlett's A Christmas Carol is a bold theatrical reimagining of a classic Christmas story. This stage version was adapted for the festive season of 2002-3, and played to full houses and critical acclaim at both the Lyric Hammersmith, London, and the Citizens' Theatre, Glasgow.‘Gets right to the frozen heart of Dickens' classic Christmas tale…one of those rare festive offerings for which no adult will need the excuse of a child in tow…’ – Guardian

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