LITMIR.BIZ

‘ The Mentalists confirms Richard Bean as a writer of beguiling originality with a gift for both laugh-out-loud dialogue and a sympathetic understanding of the darker recesses of the human heart.’ Charles Spencer, The Daily Telegraph on The Mentalists ‘An instant modern classic.’ Kate Bassett, The Independent on Sunday on Under the Whaleback ‘Richard Bean must have had a hell of a life.’ Michael Billington, The Guardian on The God Botherers

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Out of Joint Presents: A Dish of Tea With Dr JohnsonIrritable, generous, seriously depressed yet a great wit: meet Samuel Johnson – poet, essayist and lexicographer. This evening of stories and conversation brings to life some of the most colourful figures of the eighteenth century. The host of characters bringing detail to this fascinating portrait includes biographer James Boswell, painter Joshua Reynolds, King George III, Bonnie Prince Charlie’s saviour Lady Flora MacDonald, and Mrs Thrale, the society hostess who was Johnson’s final, unrequited love.‘With A Dish of Tea with Dr Johnson we return to the fascinating world of the great Dr Johnson. Until the middle of the 19th Century only the two patent houses, Drury Lane and Covent Garden, were permitted to present drama. So when Samuel Foote, Johnson’s contemporary, presented his evening of comic impersonations and vignettes it was billed as An Invitation to a Dish of Chocolate with Samuel Foote . From him we have purloined our title.’ – Max Stafford-Clark

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When Mark Styler, a writer of glossy ‘true crime’ paperbacks, tries to get an interview with Easterman, a notorious serial killer, he has noidea what he’s walking into. First he has to get past Dr Farquhar, the quixotic head of Fairfields – the asylum where Easterman is kept. But soon he discovers that nothing is what it seems. Who is the mysterious Borson? Where did he get the meat in the fridge? And why isn’t the skeleton in the closet? Mindgame is a puzzle-box of a play. A dazzling thriller and a jet black comedy that twists its way towards a shocking conclusion. Reading the text is the only way to uncover all the clues.

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Casino and Queenie used to be hedge fund managers. Before the financial crisis of 2008, that is. Now, in an inspired – or desperate – career move, they’ve turned to performance art to share their stories of how to make (and lose) billions from economic downturn. Playing with £10,000 in real pound coins, you are invited to bet long, short and hedge, as Casino and Queenie guide you through a series of high-stake games that show how the world’s economic system came to the precipice of total collapse. MONEY the game show takes a playful and politically sharp look at the roots of the 2008 financial crisis and its ongoing impact, as well as tackling some bigger questions: What is money? What is it worth? And what happens if we stop believing in it?

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Three plays by J.B. Priestley which illustrate well his desire toexperiment. All three were written between 1938 and 1940, thoughEver Since Paradise[/i] was not produced till 1946. It was a very creativetime for him, but interrupted by the war. There are elements of hiscontinuing interest in Time in each of them. Music at Night centres on a group of people attending a musicalevening to hear a new work. Each act follows a movement in the music,which inspires the listeners to react each in their own way, lookinginside themselves for their true feelings and sometimes rememberingsignificant moments from their past. As often in Priestley’s work, therelations between the sexes play an important part, a theme whichrecurs in the other two plays. The Long Mirror recounts the meetingbetween a composer and a young woman who seems to have beentelepathically connected to him for some time, and has experiencedmuch of his life before actually meeting him. Her knowledge of hispast can help his future as an artist and a husband. It was based on atrue incident. Ever Since Paradise Priestley described as ‘A DiscursiveEntertainment, chiefly referring to Love and Marriage, in Three Acts’.Three couples are made up of The Musicians, the Commentators and TheExample, and together they illustrate various aspects of relationships,accompanied by appropriate music on two pianos. None of the playsare truly conventional but are disguised as such. A fascinating trio.

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To all intents and purposes Vernon has fulfilled his ambitions.He has a good job and a suburban lifestyle with his wife and teenage son. But things change when austerity measures put his job under threat and soon Vernon begins to neglect his family whilst fighting redundancy. When a tragedy at work forces him to look closer to home, he discovers that communicating with loved ones in a postmodern technological age is not as easy as he thinks.

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A celebrated adaptation of Hans Christian Andersen’s classic tale of friendship and loyalty. Gerda and Kai are faithful companions until one day Kai is snatched away by the wicked Snow Queen. Gerda sets out across the frozen wastes to rescue her friend. During her treacherous journey she encounters many strange and wonderful characters: some of them try to stop her finding Kai, and others help her on her way.

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The country's in turmoil, the spring is sprung, there’s about to be a coup, a woman has been found murdered, her unborn child stolen from her womb, things can’t get any worse; wait until Peter Pan turns up. Peter Panic exposes the devilish side of J.M. Barrie's eternal child making the audience recoil in fascination as they are asked whether child monsters are essential for sociological function. Peter Panic is a deliciously frightening, dangerously familiar, dystopian world of tomorrow.

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When Aubrey Tanqueray marries for the second time, he knows that his new wife, Paula, is a ‘woman with a past’. But he has no idea how that past will catch up with him in the end.More probing than Oscar Wilde, more accessible than Ibsen, Pinero’s The Second Mrs Tanqueray (1893) is one of the masterpieces of the Victorian theatre: sexy, dramatic, funny and very moving.

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First produced in 1998 at the famous Vienna Burgtheater, the remarkable and provocative Sports Play by Austrian playwright Elfriede Jelinek is a postdramatic theatrical exploration of the making, marketing and sale of the human body and of emotions in sport. It explores contemporary society’s obsession with fitness and body culture bringing into sharp focus our need to belong to a group, a team or a nation. Sport is seen as a form of war in peacetime

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