LITMIR.BIZ

Under pressure to write The Goon Show to end all Goon shows, Spike Milligan is planning his escape from a mental institution dressed in only his pyjamas.After applying to the British Museum to get his marbles back, he starts to lose his grip on reality and threatens to kill all the Goons. Will his partners in Goon – Harry Secombe and Peter Sellers – be able to stop him?Ying Tong is an hilarious and touching insight into the mind comic genius Spike Milligan who was an inspiration for comedians from Monty Python to The League of Gentlemen and loved by many including Eddie Izzard and Robin Williams.

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April 1994. A man sits alone in an attic extension on the cusp of becoming a Seattle suicide statistic. This man is no 'number and name' to be reported in a local newspaper. He is an icon, albeit a reluctant one. Kurt Cobain, the frontman of Nirvana, is about to pull the trigger of the gun in his hand and join the leagues of rock star deaths down the ages. Without invitation, Kurt has the curious company of a man purporting to be the Sex Pistols' Sid Vicious, Kurt's hero.Roy Smiles' witty and beautifully poignant new play explores exactly what it means to dice with death when being alive proves to be all too painful and peace seems elusive…

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If we can't have a baby, we'll have a holiday.Pete and Linda have everything, except the most fashionable accessory of the season – a baby. And it doesn't look like a stork will be flying past their house. But there's more to life than procreation… Falling is a moving and funny investigation of the modern extended family.

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Shrubs of broom grow black and twistedAs if by Devil's fingersAnd the wind that never ceases,Like a chorus from the dead.Those who lived here it's for certain,would grow dark and tortured too'In Jamaica Inn, at the heart of the bleak Bodmin Moor, young Mary Yellen soon discovers mysterious goings-on in the dead of night. But worse is yet to come as Mary finds herself helplessly ensnared in the deadly activities taking place around her.Evocative, atmospheric and chilling, this new adaptation of Jamaica Inn has all the hallmarks of a great adventure classic – murder, mystery and malevolence. Jamaica Inn was produced at the Salisbury Playhouse in May 2004 and was followed by a UK tour.

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Kat is moving out of the London flat she shares with ex-boyfriend, Ben. Helping her are best friend, Thea, and new man in her life, Josh. Ben (who's not even meant to be there) is hurt and angry, and still in love with Kat. But is it now too late to tell her…?

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Sure there's no end to the disasters that could choose to unfurl themselves on the world. The harvest is ripe in a Black Country pear orchard. Seasoned hands settle to familiar tasks and the ritual education of newcomers. But corrupted lands yields a bitter crop. The weather turns, friction mounts and pesticide begins to fall…

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Henhouse explores the breakdown of a family against the background of civil war, as those on the sidelines of a conflict feel its effects. At its heart it poses a simple question: how can we live together? The play draws on Kaite's experiences in frontline towns during the war in former Yugoslavia, but this could be Chechnya, Palestine or ‘the next big thing'. Our awareness of wars is dominated by news of the soldiers and their loved ones, but it is civilians who bear the brunt of modern warfare. What happens to those just trying to live their lives, how do they hold onto normality?

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Sophie and Max are a thoroughly modern British couple, cosmopolitan, open-minded. They've even constructed their own eco loo (well, it does save thirty litres of water a day). Then there's Hana and Ali next door. Neighbours, but in every other sense, a world apart. Max is a lawyer, albeit a lawyer who grows his own dope. Okay, what a man does on his own patch is his business – but when war starts raging next door, whose business is that? If ever there was a time for liberal intervention, this is surely it. Tamsin Oglesby's black comedy takes a humorous and subversive look at the world we live in today – one of multi-culturalism and blurred boundaries. And one in which violence is right on our own doorstep – no matter where we come from. The War Next Door opened at the Tricycle Theatre in February 2007.

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Set in the offices of a magazine publishers, Meredith Oakes’ comedy of fragile values in the media will not restore your faith in human nature, but it is guaranteed to help you get on in publishing without really succeeding. First performed at the Royal Court Theatre, directed by Stephen Daldry.

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First produced at the Odéon in 1784 The Marriage of Figaro, the second play of Beaumarchais' trilogy was an instant success and ran for an unprecedented 116 performances. Written six years earlier the play had been subject to the rigorous demands of no fewer than six censors, appointed one after the other by Louis XVI, with the principal purpose of preventing such a seditious piece of work from ever reaching the stage. Perhaps the king was right for Beaumarchais’ revolutionary attitudes towards women and the aristocracy espoused the popular feeling that would turn social order on its head and cause the king to lose his own in the subsequent decade. Figaro, full of an irrepressible joie de vivre remains one of drama’s arch-plotters, determinedly outwitting the cast of villains’ mountebanks and rivals who seek to ensnare him and bring about his downfall. His survival is not simply a testimony to his own endurance and inner strength but a signal to the world that the common man has rights and that the modern world must reform itself or be reformed if he is to be allowed to enjoy them.

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