LITMIR.BIZ

Rosemary and Evelyn met “a hundred thousand years ago” in Central Park when their children were barely born. Somewhere Fun reunites the two women thirty-five years later on Madison Avenue, one windy fall day. With their children now grown and the world changing rapidly before (what’s left of) their eyes, each finds herself face to face with the terrors, joys, and surprises of life and time. Somewhere Fun is a wildly original story about connection – to our families, our memories, our moment in time.

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Tracey Gordon, the 67 bus, friendship, sex, UK garage, school, music, teachers, friendship, periods, emergency contraceptive, friendship, raves, tampons, white boys, God, money. Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood. Written and performed by Michaela Coel, who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award.

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From Morning To Midnight, among the most frequently performed German Expressionist works, charts the life of a cashier who steals money from the bank and flees to Berlin. The un-named protagonist's bid to escape his middle-class daily life is ultimately frustrated. It is a popular piece in which Kaiser satirized the cheapness and futility of modern society. His hero, a kind of machine-age Everyman, searches everywhere for some kind of fulfilment – in commercial sex, in salvationist religion – but discovers through a series of nightmarish episodes that the world is deceitful and illusory. In the end, disillusioned and pursued by the police, he takes his own life.A new version by Dennis Kelly, to play at the National’s Lyttelton Theatre in November 2013, as part of the National’s 50th Anniversary Season.

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‘Without doubt, Kelly is one of the most multi-talented British playwrights to emerge in the past decade.’ Aleks Sierz‘A taut, compelling thriller and a modern-day spin on Lord of the Flies, exploring group behaviour and moral equivocation.’ Financial Times (on DNA)‘A cast-iron understanding of the morally bankrupt way we live now.’ Daily Telegraph (on Orphans)‘A celebration of naughtiness and questioning, it's a raucous, skin-crawling treat.’ Guardian (on Our Teacher's a Troll)

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Fergus has lived in England for almost seven years. He hasn't been back to his hometown in five. Using animation, storytelling and spoken word, my heart is hitchhiking down peachtree st is a one man show about living far away from home. It's about the stories you tell people when they ask where you're from. It's about knowing that once you leave, you can't go back.

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Too old to move with the times; too young to let go of their dreams.Village schoolteacher Platonov is a man who is loved by women. Despite his best intentions he is drawn into a series of extramarital affairs that all hold the promise of escape from the provincial reality where he and his circle of friends are trapped. Consumed by bitterness and disappointment, they attempt to fill the void in their lives with sex and vodka, blaming their fathers for the mess they’ve been left in.Sons Without Fathers is a brand-new adaptation of Chekhov’s remarkable first play. Helena Kaut-Howson’s version chooses to focus on just one of the many themes covered in the original text – the predicament of a disaffected generation left adrift in a world without hope. Updated to modern-day Russia, the play intertwines the central story with contemporary political issues.

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Not as if I always lived here, mind you…I started off in Govan. Never dreamt in those days I’d end up this side of the river. Real step up in the world that was…I’m grateful for it. Despite everything, I’m grateful for it'Glasgow, the 1970s. Martha and Amie are old neighbours, trapped in their decaying tenement and cut off from family and friends. With the present closing in and the future uncertain, Martha and Amie’s real companions are the past and their memories of ordinary lives peopled by extraordinary characters and their struggles and triumphs.I Didn’t Always Live Here is a compassionate and heart-rending journey into the forgotten lives of the dispossessed and elderly, as well as an uplifting journey into the human spirit’s capacity to cope with social exclusion and financial hardship. One of multi-award-winning playwright and poet Stewart Conn’s earliest works, I Didn’t Always Live Here now receives its first production since its world premiere at Glasgow's Citizens Theatre in 1967.

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It's 1967 in Detroit. Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over more much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the '67 riots. DETROIT '67 is presented in association with Classical Theatre of Harlem and the National Black Theatre.

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High summer in Glasgow’s Southside and a heatwave bears down on the residents of Govanhill, driving them off the streets. Tensions are running high and fantasy and reality are becoming blurred. Fighting to reclaim their neighbourhood, the lives of a sleep-deprived new parent and his civic-minded wife begin to unravel. Meanwhile an ambitious Hutchie boy, a pair of young missionaries, a performance artist and her alter ego and an unscrupulous property manager, are forced to confront their monsters.

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Includes the plays African Gothic , Good Heavens and Breathing In A farm lies in ruin. And with mother and father now gone, a brother and sister face eviction by an officious lawyer. Abandoned, they endlessly enact the rituals of punishment once visited upon them by their parents. Widely regarded as a milestone in South African theatre, the multi-award winning play African Gothic tells the story of their final 'dance macabre'. Despite overwhelming critical acclaim, it was also fiercely condemned by Afrikaans conservatives as being a subversive portrayal of repression. Good Heavens is a comedy thriller with the dark poetic heart of a folk-tale. Two spinster sisters, with their ailing mother and simple-minded brother, await the annual visit of their youngest sister. Deeply envious of her beauty and youth, they hatch a diabolical plot to rid themselves of her forever. In Breathing In , on a stormy night in the last bitter months of the Second Anglo-Boer War, a seriously wounded General and his faithful Adjutant encounter a mysterious woman and her seductive other-wordly daughter, and are confronted with the subtle methods of survival these women have been forced to adopt. Accustomed to the rigours of war, the courageous Adjutant now faces a terrible choice.

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