LITMIR.BIZ

When the seemingly perfect Tartuffe ingratiates himself with the wealthy Orgon and his mother Madame Pernelle, he is soon welcomed into their home and into their lives. His combination of charm, respectability and religious authority proves so irresistible that he is eventually promised the hand of Orgon's daughter in marriage. But the rest of Orgon's family have grave doubts – is there more to Tartuffe than meets the eye? When the threat of eviction for the family and imprisonment for Orgon become apparent, is it all too late to find out? This hilarious and irreverent whirlwind of lies, religious hypocrisy and family feuds features one of theatre's most perfect comedy creations, the beguiling Tartuffe .

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Alfred Hitchcock, at the height of his powers, is possessed by a dreamlike vision of a woman. From his director’s chair the sixty year old Hitchcock begins to unravel some of the defining films of our time, drawing us into the imagination of one of the world’s most mysterious creative minds. This poetic new play takes a unique look at the way the great filmmaker Alfred Hitchcock developed the idea of his most famous films, including Marnie, Vertigo, Psycho and Strangers on A Train. The result is a unique and haunting character study and an unprecedented journey into the mind of one our most fascinating cultural icons.

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From childhood to adulthood and across continents, this poignant and honest piece of theatre follows the lives of two British Africans living at the crossroads of culture, nationality, gender and sexuality. Humorous yet haunting, this story is told by the characters whose lives are healed and celebrated through the experience. ‘ZHE: is a compelling piece of story-telling theatreevocatively crafted by Chuck Mike. It provokes an understanding of the human condition today – where issues of gender identity remain fraught.’ Jatinder Verma, Artistic Director, Tara Arts, London, UK‘Love ZHE – timely, courageous, imaginative, lovely narrative storytelling – rarely acknowledged, and really significant, specificity of Brit-African experience; Black is beautiful reminder; gender as construct; sex as exciting, wonderfully varied and mysterious…it will ‘explode’ onto stages in the UK – stages anywhere!’ Colin Prescod, Cultural Animator and Chair of the Institute of Race Relations, London, UK‘The play addresses many aspects relevant to clinical psychology, including the intersection of culture, migration, gender and sexuality; the ways stories are told and heard; how our own views, perceptions and experiences influence what we can hear and see; the importance of human connection.’ Dr. Lizette Nolte, Clinical Lecturer, Department of Psychology, University of Hertfordshire, UK

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From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform, and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’s first Tribunal Play – Half the Picture . This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture , Nuremberg , Srebrenica , The Colour of Justice , Justifying War , Guantanamo , Bloody Sunday , Called to Account , Tactical Questioning and The Riots . Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.

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PROTECT YOUR LOVED ONES,WHATEVER THE COST.It’s a simple idea, really.1. Wear a uniform2. Protect who you love, what you care about3. Let nothing get in your waySomeone mugged Bruce’s mum and he is not having it. The shock is still visible in her trembling fingers, rippling out across the calm waters of their lives. He grabs his hoodie, his uniform, his cape and goes out to find the culprit. Smithy wants everyone to stay inside, Uhuru wants everyone out. Tanya thinks it’s fun and games until, very suddenly, it isn’t.

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"You know when a song gets stuck in your head? Round and round … over and over. I've got that right now … only it's not a piece of music … it's not a tune … it's a phrase: home is where the heart is … home is where the heart is."A coastline erodes, a house falls into the sea. A mysterious brother and sister arrive looking for answers. Marnie clings to her camera, taking photographs of strangers and places. She has come to say goodbye to a life she never knew whilst her brother Linus is keen to make a fresh start. But when they find Simon and daughter Kelly, reeling in the wake of tragedy, all four lives are to become inextricably linked under the weight of the past.

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In an audacious, provocative protest against flagrant global attempts to sexualise and commodify childhood for profit, award-winning artist Bryony Kimmings and her niece Taylor, nine, decided to play the global tween machine at its own game by inventing dinosaur-loving, bike-riding, tuna pasta-eating, alternative pop star Catherine Bennett. This show tackles the issues at the very core of their plight head on. In typically screwball and humorous fashion, Kimmings, creator of acclaimed shows Sex Idiot and 7 Day Drunk, begs the question, what does it really take to be a Credible Likeable Superstar Role Model for a child of the 21st century?WINNER: FRINGE FIRST AWARD 2013

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Dea Loher is one of the most powerful and individual voices in German theatre today. This volume brings together three of her plays to be performed in English. Olga ’s Room: Communist. Jew. Revolutionary. Lover. Mother. Olga Benario’s story is a searing tale of survival as alongside her fellow prisoners she struggles to hold onto her disintegrating sense of self. Based on real events of the 1930s-40s, Dea Loher’s gripping first play spans Brazilian revolution and Nazi dictatorship. Innocence: A city by the sea. 14 people on the edge. Illegal immigrants afraid of being arrested for a good deed. A philosopher who burns her own books. A woman seeking forgiveness for crimes she didn’t commit. A young married man who finds fulfilment laying out corpses. A blind stripper who spends her life being watched by men she cannot see. Innocence is a darkly comic panorama of urban restlessness. Land Without Words : War meets art in this intimate parable. A painter seeks the perfect image, but in K., a Middle Eastern city, she experiences the effects of war, violence and poverty, impossible to depict. Now she is forced to confront her lifelong beliefs in the value of art, and how to deal with her position in the world today.

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April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwells fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwells vision of the future is as relevant as ever.

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Joe and Anna have been together for nine years, and as far as he is concerned will stay together for another ninety. But the minute they set a date for the wedding, Anna panics. A new dating agency promises to scan the online persona of everyone in the world, guaranteeing to find your soul mate. Anna looks at Joe and wonders – can he Gary Owen's warm, wise and very funny comedy asks if it's possible to find our perfect partner, or whether we're better off leaving it to chance. Can our ideals of romantic love ever compete with reality?

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