LITMIR.BIZ

ROLL UP and join Hetty on her escape from the Foundling Hospital. TREMBLE as she faces Matron Stinking Bottomly. THRILL as she discovers the squirrel house and Tanglefield’s Travelling Circus. GASP as she endures a night locked in the attic. QUA KE as she braves the scary streets of Victorian London and CHEER as she overcomes all in the search to find her real mother and a true family of her own! From bestselling author Jacqueline Wilson, the tale of plucky Hetty Feather is brought thrillingly to life on stage by awardwinning script writer Emma Reeves (cBBc’s The Story of Tracy Beaker ) and the Olivier Award-nominated director Sally Cookson, whose many five-star productions include Peter Pan , We’re Going on a Bearhunt and Stick Man . With a huge heart, Hetty Feather is a terrific adventure story!

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What would you do if everyone in the world hated you? Would you run? Would you fight? Or would you try to make them laugh? Donald Robertson has no mates and he isn’t funny. But with guidance from his new mentor Gary, he hopes that this is all about to change. Donald Robertson Is Not A Stand Up Comedian is a darkly comic coming of age story that explores the need to belong and deconstructs the brutal role that humour can play in society.

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An incendiary piece of experimental storytelling from three-time Fringe First winner Chris Goode. Framed by two violent deaths – the apparently inexplicable suicide of a young gay man, and the murder of Drummer Lee Rigby outside the Royal Artillery Barracks in Woolwich in May 2013 – Men in the Cities is a compelling piece about harm and complicity, and about the forces that shape our relationships. Through fractured snapshots of seemingly disconnected lives, Men in the Cities presents a challenging but radically humane portrait of how we live now.

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Spine charts the explosive friendship between a ferocious, wise-cracking teenager and an elderly East End widow.<br. Activist pensioner Glenda is hell-bent on leaving a political legacy and saving Amy from the Tory scrapheap because ‘there’s nothing more terrifying than a teenager with something to say.’ In this era of damaging coalition cuts and disillusionment, has politics forgotten people? Can we really take the power back? Amy is about to find out. Spine was originally presented by FoolsCap in association with Soho Theatre at Underbelly as part of the Edinburgh Fringe Festival 2014.

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‘I’m sorry I didn’t get all that. It could be a bad connection – I’m not sure if it’s you or me. Could I ask you to repeat it?’ In 2000 in Leixlip, co. Kildare, an aunt and 3 sisters boarded themselves into their home and entered into a suicide pact that lasted 40 days. We weren’t there. We don’t know what they said. This is not their story. Winner of the Irish Times Theatre Award for Best Production (2013), and inspired by a real-life event involving the suicide pact of four women in a small town outside Dublin, Lippy is a play about authorship and the role of the writer.

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Feet of Clay Someone is killing Lord Vetinari, Patrician of Ankh-Morpork. No one knows who, no one knows why and, worst of all, no one knows how – he just gets weaker and weaker. But it’s not just Vetinari – across the city, people are being murdered, but there’s no trace of anything alive having been at the crime scene. Commander Vimes, Head of the City Watch, is a man who hates ‘clues’. He and his team must question everyone – the butcher, the baker, the candlestick maker. In a city teeming with vampires, werewolves, dwarfs with attitude and golems, Vimes must solve the crimes and save the Patrician. The Rince Cycle As a punishment, failed wizard Rincewind is given the task of guiding and safeguarding the Disc’s first tourist, Twoflower (with his magical luggage on legs). As they travel the city and beyond, they meet the world’s oldest hero, Cohen the Barbarian. With him, and with Bethan (a qualified sacrificial victim), they encounter druids, trolls, adventurers, a hairdresser and a power-crazed wizard. Oh, and Death. But not fatally. Did we mention that Rincewind also has to save the world from destruction by a huge red star that will collide with the Discworld at Hogswatch? The Rince Cycle is mostly based on The Light Fantastic , with bits of The Colour of Magic and Sourcery added for good measure. Unseen Academicals ‘Two households, both alike in dignity, in fair Ankh-Morpork, where we lay our scene…’ Football divides the city. Each area has its own team – and rivalry means supporters never mix. Until a Dimwell fan falls for a Dolly Sisters girl. And now an ancient bequest means the wizards of Unseen University must win a football match, without using magic. Luckily they’re coached by the mysterious Mr Nutt (and no one knows anything much about Mr Nutt, not even Mr Nutt, which worries him, too). As the match approaches, four lives are entangled and changed forever. Because the thing about football – the important thing about football – is that it is not just about football.

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One-night stands are awkward. One-night stands with animals are more awkward. And when you’re as desperate to please as Bobby, things get awkward as f*ck. He’s just a guy with too much love to give, and a burning desire to give it to consensual adult mammals.

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Full of fun, seriously dramatic too, this collection of monologues takes you on a wondrous journey through the lives of six Scots who lose their partners but come out the other end still fighting. These are their strange, marvellous stories of sex, drugs, crown green bowls, heartbreak and a Turkish adventure! Grae Cleugh’s first play F***ing Games was produced at the Royal Court Theatre and was directed by Dominic Cooke. It won him the Laurence Olivier Award for the UK’s Most Promising Playwright.

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If you pinned me against a wall and put a gun to my head, I’d probably admit to being a liberal. Actually if you pinned me against a wall and put a gun to my head, I’d probably admit to being whatever you wanted me to be. And of course, putting a gun to my head is exactly what I’d expect from someone like you. Confirmation is a show about the gulf between beliefs that we can’t talk across. About our knee-jerk dismissal of the opposing viewpoint. About the echo chamber of agreement and validation we live in. About the way we choose only to see the evidence that proves we’re right. Working with research into the phenomenon of Confirmation Bias, and a conversation with political extremism, Confirmation is an attempt to have an honourable dialogue, real and imagined, across that gulf. Not to debate the viewpoints, but to find out how we come to believe what we believe, and how, from a common starting point, we can end up so far apart. A new solo show from a multi Fringe First winning team: Written and Performed by Chris Thorpe (Unlimited Theatre, Third Angel), Developed and Directed by Rachel Chavkin (The TEAM).

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‘Everyone falls at the same rate. Isn’t that amazing? Everyone. Everything. A fat man. A little baby. A brick, a piece of paper, a penny. Amazing. Once acceleration gets a hold of you velocity just goes all fuckin’ nuts’ Dot doesn't hate her father, she just wants to explode him out of his office tower to shake things up. Set him off. See what happens. And get an "A" on her science project… Daring to challenge the law of physics, Dot interviews her flailing father and neurotic mother, as their world crashes to the ground. Just imagine. Your life in six seconds.

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