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David Herbert Richards Lawrence (1885-1930) was an English novelist, playwright, essayist, poet, literary critic and painter who published under the name D. H. Lawrence. He is valued by many as a visionary thinker and significant representative of modernism, as well as one of the finest writers in English literature. After the traumatic experience of World War I, Lawrence began what he termed his «savage pilgrimage,» a time of voluntary exile, where he escaped with his wife from England and spent the remainder of his life travelling. In 1921, Lawrence joined the British literary tradition of writing a travelogue. He and his wife, Frieda, embarked on a journey to Sardinia for its promise of unspoiled primitiveness and lack of many tourists. «Sea and Sardinia» records Lawrence's voyage to Sardinia, revealing his response to the new landscape and inhabitants of this part of the Mediterranean. It is also a self-revealing journal in which Lawrence's passions, rages, and perspectives get frequent work-out.

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D. H. Lawrence, in full David Herbert Lawrence (1885-1930), was an English author of novels, poems, plays, short stories, essays and travel books. He is valued by many as a visionary thinker and significant representative of modernism, as well as one of the finest writers in English literature. His novels «Sons and Lovers» (1913), «The Rainbow» (1915), and «Women in Love» (1920) made him one of the most influential English writers of the 20th century. Much is said of Lawrence's fiction, but many have forgotten about his remarkable travel writing. «Twilight in Italy» is a small book of travel essays, worth reading for the light they throw on the context of Lawrence's work. The novel takes us on a foot tour of the Alps all the way down into the Verdant Gardens and the sun-soaked plazas of Italy. Lawrence gives us small stories here and there that not only share a sense of place, but also relate the experience of a real traveler.

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David Herbert Lawrence (1885-1930) was a versatile and visionary author of novels, short stories, poetry, essays and translations whose reputation has been overshadowed by early censorship and sensationalist memoirs of the 1930s and 40s. He rejected Victorian prudishness and promoted the idea of sexual liberation in a Utopia he wished to see take form. This led to works that were viewed as obscene and pornographic by both literary critics and government officials alike, in what was still a largely Victorian society. His 1920 novel, «The Lost Girl», which has experienced a recent resurgence in popularity, was awarded the James Tait Black Memorial Prize the year it was published. It tells the story of Alvina Houghton, a girl from a middle-class English family who must navigate between a life of safety and propriety in England, and one of sensual desire, awakening and freedom in Naples with a vaudeville performer named Ciccio.

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First published in 1920, D. H. Lawrence’s “Women in Love” is the sequel to his 1915 novel “The Rainbow” and is widely considered one of his best works and one of the most important English novels of the twentieth century. “Women in Love” continues to follow the Brangwen family, focusing on the lives and loves of sisters Gudrun and Ursula Brangwen. Living in the Midlands of England during the 1910’s, Ursula is a teacher and Gudrun is an artist. The sisters meet two men who live nearby, Rupert Birkin and Gerald Crich, the four find that they have much in common and the sisters soon get involved with them romantically. Rupert and Ursula are at first friends, but develop a loving relationship and eventually become engaged. Gudrun pursues a romantic relationship with Gerald, a local industrialist, but their romance is stormy and tumultuous and ultimately ends in tragedy. Controversial during its time for its frank depictions of sexuality and the destructiveness of relationships and jealousy, “Women in Love” is a modern and powerful story of love and human imperfections set against the backdrop of the social turmoil of the First World War. This edition includes a biographical afterword.

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First published in 1913, “Sons and Lovers” is D. H. Lawrence’s provocative semi-autobiographical novel. The work is based in part on his own family, his mother married a miner like the matriarch of the novel and consequently felt constrained by being relegated to a working class life. The story reflects the struggles of Paul Morel, an artist who cannot reciprocate love for other women while under the influence of his stifling mother. Unconsciously taught to despise his father and eschew other women, Paul comes even further under his mother’s psychological grip after the death of his older brother. When he eventually does fall in love, the results of his confused affection and desire are painful for all concerned. What follows is a tragic struggle for Paul between the desire for a normal loving relationship and the innate sense of love and fidelity he feels for his mother. While “Sons and Lovers”, for its Oedipal allusions and conflict with contemporary views on sexuality, was considered scandalous when first published, it has come to be regarded as one of Lawrence’s greatest works, his earliest masterpiece. This edition is printed includes an introduction by Mark Schorer and a biographical afterword.

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D. H. Lawrence’s controversial 1915 novel “The Rainbow” is the story of three generations of the Brangwen family. While it may be considered tame by today’s standards, due to its frank treatment of human sexuality, “The Rainbow” was banned and Lawrence was prosecuted on an obscenity charge in England when it was first published. The novel follows the lives and loves of the Brangwen family in the Midlands of England, at the borders of Nottinghamshire and Derbyshire, from the 1840s to 1905. The story begins with Tom Brangwen, from a family of many sons, and his love for Lydia, a Polish refugee and widow. The novel then focuses on Will Brangwen, one of Tom’s nephews and his destructive marriage to Anna, Lydia’s daughter from her first marriage. The final, longest, and most sensational part of the book follows Will and Anna’s daughter, Ursula, and her search for fulfillment and freedom in the conformist society around her. Ursula is a truly modern woman, a passionate and sexual person who is struggling to find meaning and connection in the changing and increasingly urban landscape around her. Through richly personal characterizations, “The Rainbow” deals profoundly with the complex nature of human relations. This edition includes a biographical afterword.

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From one of the 20th century's preeminent novelists and poets comes this passionate tale of romance amid the chaos of modern life. D. H. Lawrence's compelling account of two couples' search for romantic fulfillment is steeped in an edgy eroticism bordering on violence. The literary world reacted with shock upon its 1921 publication: nearly a century later, the novel's psychological penetration continues to captivate readers.Women in Love reintroduces two sisters, Ursula and Gudrun Brangwen, who initially appeared in Lawrence's previous novel, The Rainbow (1915). Ursula's relationship with Rupert Birkin, an introspective and misanthropic school inspector, is contrasted with that of Gudrun and Gerald Crich, an overbearing industrialist. Set in a coal-mining town in the English Midlands, their stories explore the disastrous effects of industrialization on the psyche and suggest that rebirth can be achieved only through emotional intensity.Composed at the height of the author's powers, Women in Love is the novel that Lawrence considered his masterpiece (the characters of Rupert and Ursula are widely regarded as Lawrence's depiction of himself and his wife, Frieda). Rich in symbolism and lyric prose, it offers a complex meditation on the meaning of love in a changing world.

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Seven of the best Lawrence stories, each turning on some facet of sexual feeling, attitude, or convention. «The Prussian Officer» focuses on an aristocratic captain's homoerotic obsession for his young orderly. «The Shadow in the Rose Garden» and «The White Stocking» deal with sexual jealousy. «Daughters of the Vicar» brilliantly describes two exceedingly class-conscious mating rituals. «The Christening,» «Second Best» and «Odour of Chrysanthemums» etch memorable portraits of a family’s shame at an illegitimate birth, a country courtship, and a brutish marriage abbreviated by death. Note.

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One of the major works of fiction written during the twentieth century, D. H. Lawrence's last novel is an erotic celebration of life. Described by <I>The</I>&nbsp;<I>New York Times</I> as «our time's most significant romance,» the controversial book was banned, burned, and the subject of a landmark obscenity trial. Printed privately in Florence in 1928, it was not published in Great Britain until 1960, after having long scandalized society with its sexually explicit descriptions of lovemaking, its bold use of four-letter words that were considered vulgar, and a storyline in which the lovers were of different social stations.<BR>Lawrence's classic tale of love and discovery pits the paralyzed and callous Clifford Chatterley against two major characters: Constance, his wife &#8212; a lonely, indecisive woman trapped in a sterile marriage &#8212; and her persuasive lover, Oliver Mellors, the robust and blunt-spoken gamekeeper of her husband's estate. The lyrical tale of their passionate, adulterous love affair has transported generations of readers into a world filled with natural beauty and seething with human emotion. A masterfully written opus, this extraordinary love story is essential reading for any study of twentieth-century literature.

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D. H. Lawrence was an English writer who, unfortunately, only truly became accepted as a literary genius after his death in 1930. While he was best known for his novels and short stories like «Lady Chatterly's Lover,» «Sons and Lovers,» and «The Captain's Doll,» Lawrence was also an adept poet who wrote over 800 poems during his lifetime. At the beginning of his career, his poems were infused with pathetic fallacy and continual personification of flora and fauna. Like many of the Georgian poets, Lawrence's style was overly verbose and archaic, meant as a tribute to the previous Georgian period. However, the tragedy of World War I changed Lawrence's style dramatically. He wanted to break free from the overused stereotypes of the time and instead focus on finding new and more eloquent ways of expressing poetry. The author began experimenting with free verse and often revised past works in order to strip away the dated tropes he used as a less experienced writer. While Lawrence wrote during the Modernist period, his poems do not exhibit the same style as the famous Modern poets. He celebrated impulses and felt that each poem had to be deeply personal to its author. The collection of «Selected Poems» collects together the poems from the following volumes: «Love and Other Poems,» «Amores,» «Look! We Have Come Through!,» «New Poems,» «Bay,» and «Tortoises.»

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