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"Le jardin des supplices", de Octave Mirbeau. Publié par Good Press. Good Press publie un large éventail d'ouvrages, où sont inclus tous les genres littéraires. Les choix éditoriaux des éditions Good Press ne se limitent pas aux grands classiques, à la fiction et à la non-fiction littéraire. Ils englobent également les trésors, oubliés ou à découvrir, de la littérature mondiale. Nous publions les livres qu'il faut avoir lu. Chaque ouvrage publié par Good Press a été édité et mis en forme avec soin, afin d'optimiser le confort de lecture, sur liseuse ou tablette. Notre mission est d'élaborer des e-books faciles à utiliser, accessibles au plus grand nombre, dans un format numérique de qualité supérieure.

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"Le Calvaire", de Octave Mirbeau. Publié par Good Press. Good Press publie un large éventail d'ouvrages, où sont inclus tous les genres littéraires. Les choix éditoriaux des éditions Good Press ne se limitent pas aux grands classiques, à la fiction et à la non-fiction littéraire. Ils englobent également les trésors, oubliés ou à découvrir, de la littérature mondiale. Nous publions les livres qu'il faut avoir lu. Chaque ouvrage publié par Good Press a été édité et mis en forme avec soin, afin d'optimiser le confort de lecture, sur liseuse ou tablette. Notre mission est d'élaborer des e-books faciles à utiliser, accessibles au plus grand nombre, dans un format numérique de qualité supérieure.

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"La 628-E8", de Octave Mirbeau. Publié par Good Press. Good Press publie un large éventail d'ouvrages, où sont inclus tous les genres littéraires. Les choix éditoriaux des éditions Good Press ne se limitent pas aux grands classiques, à la fiction et à la non-fiction littéraire. Ils englobent également les trésors, oubliés ou à découvrir, de la littérature mondiale. Nous publions les livres qu'il faut avoir lu. Chaque ouvrage publié par Good Press a été édité et mis en forme avec soin, afin d'optimiser le confort de lecture, sur liseuse ou tablette. Notre mission est d'élaborer des e-books faciles à utiliser, accessibles au plus grand nombre, dans un format numérique de qualité supérieure.

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Clara is a sadist and hysteric, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion—the narrator. Her hysterical orgasm and resulting exhaustionis a curious exploration of pain and pleasure and made this novel a trulyerotic BDSM masterpiece! Excerpt: "One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind…"

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The novel presents itself as the diary of Mademoiselle Célestine R., a chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn! Excerpt: "To-day, September 14, at three o'clock in the afternoon, in mild, gray, and rainy weather, I have entered upon my new place. It is the twelfth in two years. Of course I say nothing of the places which I held in previous years. It would be impossible for me to count them. Ah! I can boast of having seen interiors and faces, and dirty souls. And the end is not yet. Judging from the really extraordinary and dizzy way in which I have rolled, here and there, successively, from houses to employment-bureaus, and from employment-bureaus to houses, from the Bois de Boulogne to the Bastille, from the Observatory to Montmartre, from the Ternes to the Gobelins, everywhere, without ever succeeding in establishing myself anywhere, the masters in these days must be hard to please. It is incredible…"

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The Calvary is a largely autobiographical novel, in which Mirbeau romanticizes his devastating affair with a woman of dubious morals, Judith Vinmer, who appears as «Juliette Roux» in the novel. The story is narrated in the first person by the main character, the antihero Jean Mintie, who has literary ambition and the potential to become a good writer, is incapable of overcoming his sexual obsessions. Victimized by a woman and reduced to a state of humiliated impotence, he tries to transform his suffering into an impulse to create. His redemptive passion is modeled on the Passion of Christ! Excerpt: "I was born one evening in October at Saint-Michel-les-Hêtres, a small town in the department of Orne, and I was immediately christened by the name of Jean-François-Marie-Mintié. To celebrate in a fitting manner my coming into this world, my godfather, who was my uncle, distributed a lot of dainties, threw many coppers and other small coins to a crowd of country boys gathered on the church steps. One of them, while struggling with his comrades, fell so awkwardly on the sharp edge of a stone that he broke his neck and died the following day. As for my uncle, when he returned home he contracted typhoid fever and passed away a few weeks later. My governess, old Marie, often related these incidents to me with pride and admiration."

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"The Calvary" is a largely autobiographical novel, in which Mirbeau romanticizes his devastating affair with a woman of dubious morals, Judith Vinmer, who appears as «Juliette Roux» in the novel. The story is narrated in the first person by the main character, the antihero Jean Mintie, who has literary ambition and the potential to become a good writer, is incapable of overcoming his sexual obsessions. Victimized by a woman and reduced to a state of humiliated impotence, he tries to transform his suffering into an impulse to create. His redemptive passion is modeled on the Passion of Christ. "The Torture Garden" begins with material stemming from articles on the 'Law of Murder' discussed in the «Frontispiece» («The Manuscript»).Clara is a sadist and hysteric, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion—the narrator. Her hysterical orgasm and resulting exhaustion is a curious exploration of pain and pleasure and made this novel a truly erotic BDSM masterpiece! "The Diary of a Chambermaid"presents itself as the diary of Mademoiselle Célestine R., the chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn.

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"Le Journal d'une Femme de Chambre", de Octave Mirbeau. Publié par Good Press. Good Press publie un large éventail d'ouvrages, où sont inclus tous les genres littéraires. Les choix éditoriaux des éditions Good Press ne se limitent pas aux grands classiques, à la fiction et à la non-fiction littéraire. Ils englobent également les trésors, oubliés ou à découvrir, de la littérature mondiale. Nous publions les livres qu'il faut avoir lu. Chaque ouvrage publié par Good Press a été édité et mis en forme avec soin, afin d'optimiser le confort de lecture, sur liseuse ou tablette. Notre mission est d'élaborer des e-books faciles à utiliser, accessibles au plus grand nombre, dans un format numérique de qualité supérieure.

Подробнее

Clara is a sadist and hysteric, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion—the narrator. Her hysterical orgasm and resulting exhaustionis a curious exploration of pain and pleasure and made this novel a trulyerotic BDSM masterpiece! Excerpt: "One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind…"

Подробнее

"The Calvary" is a largely autobiographical novel, in which Mirbeau romanticizes his devastating affair with a woman of dubious morals, Judith Vinmer, who appears as «Juliette Roux» in the novel. The story is narrated in the first person by the main character, the antihero Jean Mintie, who has literary ambition and the potential to become a good writer, is incapable of overcoming his sexual obsessions. Victimized by a woman and reduced to a state of humiliated impotence, he tries to transform his suffering into an impulse to create. His redemptive passion is modeled on the Passion of Christ. "The Torture Garden" begins with material stemming from articles on the 'Law of Murder' discussed in the «Frontispiece» («The Manuscript»).Clara is a sadist and hysteric, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion—the narrator. Her hysterical orgasm and resulting exhaustion is a curious exploration of pain and pleasure and made this novel a truly erotic BDSM masterpiece! "The Diary of a Chambermaid"presents itself as the diary of Mademoiselle Célestine R., the chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn.

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