LITMIR.BIZ

Indwelling the Forsaken Other is a critical reading of Jurgen Moltmann's ethics of discipleship. While Moltmann's notable turn to the inner life of the Trinity as a source for his reflections on the life of the church is influential, it is not without problems. The call emerging from Moltmann's reflection upon Trinitarian life–to copy God in our relationships–may offer some general direction for our actions; however, it also raises several questions. Two important questions for this work are, In what way are we to copy God? and What conditions make it possible to copy God? Moltmann's answers to these questions are insufficient, and consequently he fails to protect the difference between Creator and creation in his analogia relationis. As a result, the ethical direction of Moltmann's work seems to be increasingly muddied and, at best, paradoxical.

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This book seeks to explore the concept of divine judgment in Christian eschatology. It contends that this judgment is salvific rather than destructive. This notion can be described aphoristically as iudicandus est salvandus («to be judged is to be saved»). The provocation to Christian eschatology is that human beings are not saved from judgment, but are saved within it. The exploration begins defining the context and moves into a review of the symbols and problems of judgment through a reappraisal of De novissimis («concerning the last things»), the last section found in traditional works of Christian dogmatics. This is followed by a critical engagement with the soteriological optimism posited by four twentieth- and twenty-first century theologians: Sergei Bulgakov, Hans Urs von Balthasar, J. A. T. Robinson, and Marilyn McCord Adams. The event of the judgment is then defined as the event of absolute recognition: that it is within the eschatic recognition of God, the self, and the other that transformation and glorification of human persons occur in a way that avoids a dual outcome of salvation and damnation. The book concludes by proposing that we may approach divine judgment with faith, hope, and love–not only for ourselves, but for the human race as a whole.

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God's invitation to join in the love feast of Holy Communion resounds at the very heart of the Christian faith and life. But how are Christians faithfully to gather together in relational bonds of love–in particular, through our daily bread and common cup–amidst a global market economy sustained by social and ecological violence? Drawing on the holiness-communitarian and agrarian-ecological traditions, Rooted and Grounded in Love provides a systematic theological affirmation of holiness as divine wholeness in examining our present industrial agro-economy while also promoting a practical vision for how Christians might participate in the emergence of a more ecologically sustaining, economically charitable, and politically just food system.

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The theology of the cross is indisputably a trendy concept today. Numerous seminars, books, and dissertations tackle the topic. But The Theology of the Cross in Historical Perspective demonstrates that theology of the cross is no passing fancy. Theologies of the cross appear at the beginnings of the church, in the sixteenth-century reformations of the church, and in the more contemporary modernization of the church. Without theologies of the cross, what the church is called to be and to preach becomes unclear. So then, what is the theology of the cross?
Anna Madsen surveys the theology of the cross in the thinking of Paul and Luther. She also outlines several important twentieth-century contributions to the subject. On the basis of her analysis, Madsen suggests that the theology of the cross reveals God to be found even in death. In death, after all, boundaries disappear. The theology of the cross assures Christians that God is present in the death of sin and in the realities of suffering and uncertainty. Given that it announces God's presence, the theology of the cross is ultimately a theology of grace, freedom, and trust.

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Contemporary literature has, for several decades and in various guises, been dominated by questions of identity and the self. It has been forgotten that, until the Enlightenment, theological reflection emphasized the close connectedness of the self with God; knowledge of God is essential to knowledge of the self; and vice-versa, correct knowledge of the self is a necessary correlate to true knowledge of God. This has been called the double knowledge.
Writing God and the Self examines two literary texts and lives as representative of two antithetical positions. The first, represented by Samuel Beckett's life and his Three Novels, is that the self is independent of God; the second, represented by C. S. Lewis and Till We Have Faces, is that God and the self are intimately connected. Beckett's radical apophaticism about God is shown to be tied to his extreme apophaticism about the self, whereas Lewis's sense of selfhood is demonstrated to be integrally connected to his sense of a personal and self-transcending God.
Other voices–Augustine, Teresa of Avila, Charles Taylor, Rowan Williams, Mark McIntosh and Vladimir Lossky–join the chorus of theologians, psychologists, and other thinkers, past and present, that contribute to this exploration of what Christian theology has to say about the insistent problem of the self. Taken together, all these voices articulate a powerful vision of selfhood in relation to God that is desperately needed today.

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The human imagination is a reflection of and a participation in the divine imagination; so mused the romantic poet, philosopher and theologian Samuel Taylor Coleridge. His thinking was intuitive, dense, obscure, brilliant, and deeply influenced by German philosophy. This book explores the development of his philosophical theology with particular reference to the imagination, examining the diverse streams that contributed to the originality of his thought. The second section of this book extrapolates his thinking into areas into which Coleridge did not venture. If God is intrinsically imaginative, then how is this manifested? Can we articulate a theology of the ontology of God that is framed in imaginative and creative terms? Drawing on the groundbreaking work of Huizinga on 'play,' this study seeks to develop a theological understanding of God's playfulness.

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Rewired begins with the claim that contemporary views of Christian spirituality, particularly in the American evangelical tradition, concentrate too exclusively on the interior and individual nature of spiritual experience. Paul Markham argues that a reexamination of the doctrine of religious conversion is needed within American evangelicalism and finds resources for such a model in the Wesleyan theological tradition and from philosophical and scientific insights into a «nonreductive physicalist» view of human nature. In considering «data» from theology and science, this book represents an integrated work in science and religion.

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Priest, Prophet, Pilgrim: Types and Distortions of Spiritual Vocation in the Fiction of Wendell Berry and Cormac McCarthy provides a reading of characters in the novels and short stories of two important contemporary American writers through the lens of spiritual theology. Applying the work of Rowan Williams, Nicholas Lash, and others, Edmondson constructs a theological framework that takes seriously the notion of Christian spirituality not as an invitation to flee from this world, but rather as a way of life that seeks reconciliation and joy within this world, encountering and embracing Godʼs presence within everyday existence, in the contexts of such realities as corporeality, communities, and the created order as a whole.
This framework is then applied to the fiction of two American authors, Wendell Berry and Cormac McCarthy. By comparing these writers, the characters they create, and the worldviews that shape their narratives, Priest, Prophet, Pilgrim demonstrates, in ways that can be applied to other works and other characters, how the reading of fiction can inform the pursuit of the spiritual life.

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Colin Gunton argued that Augustine bequeathed to the West a theological tradition with serious deficiencies. According to Gunton, Augustine's particular construal of the doctrine of God led to fundamental errors and problems in grasping the relationship between creation and redemption, and in rightfully construing a truly Christian ontology. Bradley G. Green's close reading of Augustine challenges Gunton's understanding. Gunton argued that Augustine's supposed emphasis of the one over the many severed any meaningful link between creation and redemption (contra the theological insights of Irenaeus); and that because of Augustine's supposed emphasis on the timeless essence of God at the expense of the three real persons, Augustine failed to forge a truly Christian ontology (effectively losing the insights of the Cappadocian Fathers). For all of Gunton's insights (and there are many), Green argues that Augustine did not sever the link between creation and redemption, but rather affirmed that the created order is a means of genuine knowledge of God, the created order is indeed the only means by which redemption is accomplished, the cross of Christ is the only means by which we can see God, and the created order is fundamentally oriented toward a telos– redemption. Concerning ontology, Augustine's teaching on the imago Dei, and the prominent role that relationship plays in Augustine's doctrines of man and God, provides the kind of relational Christian ontology that Gunton sought. In short, Green argues, Augustine could have provided Gunton key theological resources in countering the modernity he so rightfully challenged.

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The cross of Christ is undeniably central to the Christian faith. But, how can the cruelty and brutality of a two-thousand-year-old Roman cross touch base with a hedonistic world that has been so desensitized towards violence? Within the postmodern setting of a body-obsessed culture, Christianity urgently requires an innovative and stimulating way of understanding the cross and its atoning significance.
At the heart of this book is the Naked Christ–an emblem through which the author draws on the rich resources of the Christian tradition in its portrayal of the cross. He explores how the metaphors of nakedness and clothing can encapsulate aspects of atonement and enable them to be understood within a variety of contemporary contexts. The Naked Christ is a useful resource for anyone seeking fresh ways to express what the cross of Christ means to contemporary culture.

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