LITMIR.BIZ

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is really saying no more but that we are pleased with such objects. But the term is justly applied to works of art, because it means more than being pleased with such an object merely as existing. It imports a peculiar beauty, which is perceived, upon considering the object as fitted to the use intended.

      It must be further observed to avoid obscurity, that the beauty which arises from the relation of an object to its end, is independent of the end itself, whether good or bad, whether beneficial or hurtful: it arises from considering its fitness to the end purposed, whatever that end be.

      When we take the end itself under consideration, there is discovered a beauty or ugliness of a higher kind than the two former. A beneficial end strikes us with a peculiar pleasure; and approbation belongs also to this feeling. Thus, the mechanism of a ship is beautiful, in the view of means well fitted to an end. But the end itself, of carrying on commerce and procuring so many conveniencies to mankind, exalts the object, and heightens our approbation and pleasure. By an end, I mean what it serves to procure and bring about, whether it be an ultimate end, or subordinate to something farther. Considered with respect to its end, the degree of its beauty depends on the degree of its usefulness. Let it be only kept in view, that as the end or use of a thing is an object of greater dignity and importance than the means, the approbation bestowed on the former rises higher than that bestowed on the latter.

      These three orders of beauty may be blended together in many different ways, to have very different effects. If an object in itself beautiful be ill fitted to its end, it will, upon the whole, be disagreeable. This may be exemplified in a house regular in its architecture and beautiful to the eye, but incommodious for dwelling. If there be in an object an aptitude to a bad end, it will, upon the whole, be disagreeable, though it have the second modification of beauty in perfection. A constitution of government formed with the most perfect art for enslaving the people, may be an instance of this. If the end be good but the object not well fitted to the end, it will be beautiful, or ugly, as the goodness of the end, or unfitness of the means, is prevalent. Of this instances will occur at first view, without being suggested.

      The foregoing modifications of beauty and deformity, apply to all objects, animate and inanimate. A voluntary agent produceth a peculiar species of beauty and deformity, which may be distinguished from all others. The actions of living creatures are more interesting than the actions of matter. The instincts and principles of action of the former, give us more delight than the blind powers of the latter; or, in other words, are more beautiful. No one can doubt of this fact, who is in any degree conversant with the poets. In Homer every thing lives: even darts and arrows are endued with voluntary motion. And we are sensible, that nothing animates a poem more than the frequent use of this figure.

      Hence a new circumstance in the beauty and deformity of actions, considered as proceeding from intention, deliberation, and choice. This circumstance, which is of the utmost importance in the science of morals, concerns chiefly human actions: for we discover little of intention, deliberation, and choice, in the actions of inferior creatures. Human actions are not only agreeable or disagreeable, beautiful or deformed, in the different views above mentioned, but are further distinguished in our perception of them, as fit and meet to be done, or as unfit and unmeet. These are simple perceptions, capable of no definition. But let any man attentively examine what passeth in his mind, when the object of his thought is an action proceeding from deliberate intention, and he will soon discover the meaning of these words, and the perceptions which they denote. Let him reflect upon a signal act of generosity to a person of merit, relieving him from want or from a cruel enemy: let him reflect on a man of exemplary patriotism bearing patiently rank oppression, rather than break the peace of society. Such conduct will not only be agreeable to him, and appear beautiful, but will be agreeable and beautiful, as fit and meet to be done. He will approve the action in that quality, and he will approve the actor for his humanity and disinterestedness. This distinguishing circumstance intitles the beauty and deformity of human actions to peculiar names: they are termed moral beauty and moral deformity. Hence the morality and immorality of human actions; founded on a faculty termed the moral sense.

      It gives no clear notion of morality, to rest it upon simple approbation, as some writers do. I approve a well constructed plough or waggon for its usefulness. I approve a fine picture or statue for the justness of its representation; and I approve the maker for his skill. I approve an elegant dress on a fine woman; and I approve her taste. But such approbation is far from being the same with that which is occasioned by human actions deliberately done in order to some end. If the end be beneficial, the action is approved as right and fit to have been done: if hurtful, it is disapproved as wrong and unfit to have been done. None of these qualities are applicable to the instances first given.ⁱⁱ

      Of all objects whatever, human actions are the most highly delightful or disgustful, and possess the highest degree of beauty or deformity. In these every circumstance concurs: the fitness or unfitness of the means, the goodness or badness of the end, the intention of the actor; which give them the peculiar character of fit and meet, or unfit and unmeet.

      Thus we find the nature of man so constituted, as to approve certain actions, and to disapprove others; to consider some actions as fit and meet to be done, and others as unfit and unmeet. What distinguisheth actions to make them objects of the one or the other perception, will be explained in the following chapter. And with regard to some of our actions, another circumstance will be discovered, different from what have been mentioned, sounding the well known terms of duty and obligation, directing our conduct, and constituting what in the strictest sense may be termed a law. With regard to other beings, we have no data to discover the laws of their nature, other than their frame and constitution. We have the same data to discover the laws of our own nature; and over and above, a peculiar sense of approbation or disapprobation, termed the moral sense. And one thinge xtremely remarkable will be explained afterwards, that the laws which are fitted to the nature of man and to his external circumstances, are the same that we approve by the moral sense.

CHAPTER III

       Duty and Obligation

      Though these terms are of the utmost importance in morals, I know not that any author hath attempted to explain them, by pointing out those principles or perceptions which they express. This defect I shall endeavour to supply, by tracing these terms to their proper source, without which the system of morals cannot be complete; because these terms point out to us the most precise and essential branch of morality.

      Lord Shaftesbury, to whom the world is greatly indebted for his inestimable writings, has clearly and convincingly made out, “that virtue is the good, and vice the ill of every one.”¹ But he has not proved virtue to be our duty, other ways than by showing it to be our interest; which comes not up to the idea of duty. For this term plainly implies somewhat indispensable in our conduct; what we ought to do, what we ought to submit to. Now, a man may be considered as foolish for acting against his interest; but he cannot be considered as wicked or vitious. His Lordship indeed, in his essay upon virtue,^* approaches to an explanation of duty and obligation, by asserting the subordinancy of the self-affections to the social. But though he states this as a proposition to be made out, he drops it in the subsequent part of his work, and never again brings it into view.

      Hutcheson, in his essay upon beauty and virtue,^* founds the morality of actions on a certain quality of actions, that procures approbation and love to the agent. But this account of morality is also imperfect, as it makes no distinction between duty and simple benevolence. It is scarce applicable to justice; for the man who, confining himself strictly to it, is true to his word and avoids harming others, is a just and moral man, is in titled to some share of esteem; but will never be the object of love or friendship. He must show a disposition to the good of mankind, of his friends at least and neighbours, he must exert acts of humanity and benevolence; before he can hope to procure the affection of others.

      But it is chiefly to be observed, that in this account of morality, the terms obligation, duty, ought and should, have no distinct meaning; which shows, that the entire foundation of morality is not taken in by this author. It is true, that toward

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