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       Henry Festing Jones

      Castellinaria, and Other Sicilian Diversions

      Published by Good Press, 2019

       [email protected]

      EAN 4064066210762

       PREFACE

       CASTELLINARIA

       CHAPTER I CHANGES IN THE TOWN

       CHAPTER II FESTA RIMANDATA

       PALERMO

       CHAPTER III MARIONETTISTS AT HOME

       CHAPTER IV MALAGIGI

       CHAPTER V ARGANTINO

       CHAPTER VI THE ESCAPE FROM PARIS

       CATANIA

       CHAPTER VII THE BUFFO’S HOLIDAY

       TRAPANI

       CHAPTER VIII THE NASCITA

       MOUNT ERYX

       CHAPTER IX THE COMPARE

       CHAPTER X COMPARE BERTO

       CHAPTER XI BERTO’S WEDDING

       TRABONELLA

       CHAPTER XII SULPHUR

       CHAPTER XIII OMERTÀ AND THE MAFIA

       CHAPTER XIV MALA VITA

       CASTELLINARIA

       CHAPTER XV THE CARDINALESSA

       CHAPTER XVI THE CORPORAL

       EARTHQUAKE ECHOES

       CHAPTER XVII TOTÒ CARBONARO

       TURIDDU BALISTRIERI

       RAILWAY PORTERS

       GIUSEPPE PLATANIA

       GIULIO ADAMO

       CECÈ LUNA

       FUGITIVES AND VICTIMS

       THE SLOPES OF ETNA

       CHAPTER XVIII LAVA

       CHAPTER XIX S. ALFIO

       CHAPTER XX THE NAKED RUNNERS

       CATANIA

       CHAPTER XXI HOLY WEEK

       ORTIGIA

       CHAPTER XXII O FOUNTAIN ARETHUSE

       NOTES.

       Table of Contents

      It is probable that every book contains, besides misprints, some statements which the author would be glad to modify if he could. In Chapter V of Diversions in Sicily it is stated that the seating arrangements of the marionette theatre in Catania would be condemned by the County Council, which I believe to be correct, but, on visiting the theatre since, I find I was wrong in saying that there are no passages; I did not see them on my first visit because the audience hid them.

      Again, in Chapter XVI it is stated that Giovanni Grasso enters in the third act of La Morte Civile, whereas he enters in the second act. I have since seen the play several times, and, though it is tedious, it is not so much so as to justify a spectator in thinking any of its acts long enough for two.

      In Chapter IV I say that the Government makes an annual profit of £3,000,000 sterling out of the lottery, but I do not say whether this profit is gross or net. There is a paragraph in the Morning Post, 12 September, 1911, which states clearly that never since the union of Italy has the State lottery been so productive as in the present year of Jubilee; the gross yield has been £3,715,088, and the net gain, after deducting commissions and prizes, £1,489,180.

      In Chapter XV it is stated that the words of the play in Signor Greco’s marionette theatre in Palermo are always improvised except in the case of Samson. This is incorrect. The words of the long play about the paladins are improvised, but they have in the theatre the MSS. of several religious plays by the author of Samson, who was a Palermitan, Filippo Orioles. All who are interested in the legends, folklore, popular entertainments, superstitions, and traditions of the

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