The Element Encyclopedia of Secret Signs and Symbols - Adele Nozedar

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number of cosmic unity. This is the magical number that, in sacred geometry, is the basis of temple construction.

      The square shape of the board symbolizes the stability of the Earth and its four corners, the directions and the elements.

      Superficially, chess might seem to be a relatively straightforward game, a simple series of different moves ascribed to each of the pieces. However, its complexities are only really revealed when the player is so familiar with the rules that he or she can carry them out automatically. Chess is plainly connected to war strategy and the ability to surprise the opponent. A good player will understand the need to sacrifice pieces in order to gain a greater advantage. Although the pawn may appear to be valueless, it is arguably one of the most important pieces on the board, and certainly the most prolific. We even use the word “pawn” to describe a person that we think is insignificant.

      In Ingmar Bergman’s film The Seventh Seal, the knight, Antonius Block, invites the hooded figure of Death to join him in a game, despite the fact that Death warns him that he cannot win. Effectively, chess owes as much to chance as choice, and further underlines the dilemma between the concepts of fate versus free will. The knight knows that he will die, yet he persists in playing the game. Stanley Kubrick, too, believed that his skill as a chess player gave him the discipline to think rationally and to see the bigger picture, an invaluable skill for a film director. The detachment and lack of emotion required by the talented player is synonymous, for many, with an idealized, Zen approach to life.

      For the Celts, the game of chess was called “intelligence of the wood.” It was the game of kings and the stakes were high. The game therefore symbolizes the intellect of the king, despite the fact that the most versatile piece on the board is the queen.

      CHI ROH

      See Labarum.

      CHNOUBIS

      The Chnoubis is a hybrid creature, with the head of a lion and the tail of a serpent. It was carved onto

      stones for use as an amulet, providing protection against poisons in particular. Amulets featuring the Chnoubis date back to the first century and it is supposed that this odd-looking creature may be related to Abraxas, whose image was used in a similar way.

      CHOKU REI

      A symbol of Reiki healers, the Choku Rei is comprised of a spiral that culminates in a hooked stick. It looks a little like the treble clef used in musical notation. The symbol is used by Reiki healers to increase the power available to them, and to help focus this energy. The meaning of Choku Rei is “place the power of the Universe here.” Healers draw the sign mentally in the air as a form of meditation, generally before and after giving a treatment.

      CICATRIX

      A cicatrix is a scar, but not just any scar. It refers to a very specific incision that is scored onto the body and carries secret symbols pertaining to the person’s religious or magical beliefs. A very painful process called scarification leaves these raised marks on the skin. Until the end of the nineteenth century, Maori men had ritual scarring all over their faces in order that they might look more frightening to the enemy. A cicatrix acts as a permanent amulet that is an inherent part of the person. Its purpose is similar to that of the tattoo; the pain involved in the process is an important rite of passage. Ritual scarring is popular among dark-skinned people because a tattoo is not particularly visible against the skin.

      CIMARUTA

      In Italian, this means the “sprig of rue.” It is an amulet, made of silver in honor of female energy in the form of the Goddess, comprising a

      model of a sprig of rue with various charms in its three branches. The Cimaruta is a very old charm, which evolved from an Etruscan magical amulet. It dates back as far as 4500 BC, although there are more contemporary versions such as the stylized one illustrated here. The charms featured generally include a crescent Moon, a key, stars, daggers, and flowers; different regions of Italy produced their own specific symbols. Also known as the Witch Charm, the Cimaruta is favored by witches, and to see one in someone’s home might indicate the spiritual persuasion of the owner. It is worn either as a pendant or might be hung over a doorway, a possible reason for the Cimaruta being double-sided. When used in this way as an ornament the Cimaruta is usually quite large in size.

      The three silver branches of the Cimaruta relate to the notion of the Triple Goddess. The charm itself takes on all the significance of the rue plant as being both protective and a tool of witches, used to cast spells and throw hexes.

      CIRCLE

      See First signs: Circle.

      CLADDAGH

      The Claddagh is a popular symbol, often incorporated into the design of rings, and worn by people as an attractive piece of ornamentation although they may not know what it symbolizes.

      Traditionally used as a wedding ring, the Claddagh is so-called because it was originally made in a Galway fishing village of the same name in seventeenth-century Ireland. However, the elements of the design are much older, stretching back into pre-Christian Celtic history. The Romans had a popular ring design, the Fede, which featured clasped hands. “Fede” means “fidelity.”

      CLOTHING

      Of all the animal kingdom, man is unique in that he wears clothes. In the Bible, Adam and Eve don fig leaves to cover the newly discovered sexual parts that are a reminder of the lower animal nature. Once we had managed to protect our modesty and keep ourselves warm, our attention turned to the use of clothes as an outward sign of status or of certain religious observances. As secret symbols, clothes have an elaborate history, especially when they are connected to religious beliefs; sacred texts from all religions are full of instructions as to the nature of certain clothes and how they should be worn. This section doesn’t claim to be an extensive analysis of these ideas, but serves merely to point out the meanings of some of the most common items of apparel.

      CAPE

      The cape has a simple design. At its most basic, it is a piece of cloth with a hole in the middle. Often worn by members of the clergy, when it is called a “chasuble,” the cape shares the same symbolism as the arc or dome that it represents; the vault of the Heavens. This suggests the idea of ascendance. The wearer of the cape becomes a living representation of the Axis Mundi.

      CLOAK

      As well as being a symbol of religious asceticism, the cloak is the garment of kings. In addition, the word “cloak” has become synonymous with the notion of hiding something; the invisibility cloak is a very ancient idea. The God, Lugh, had such a cloak that enabled him to pass unnoticed through the entire Irish army in order to rescue his son. Effectively, though, the cloak makes the wearer invisible without any need for magical intervention. A cloak, especially a hooded one, is a mask for the body, covering the wearer from head to foot. A cloak can help someone change his or her identity while at the same time confirming it. In the Bible, St. Martin gives half his cloak to the beggar. This is not only a material gesture but also a symbol of his charitable nature.

      The Khirka, a specific type of cloak, originally meant a scrap of torn material. However, its unworldly nature made it an appropriate garment for the

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