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to see him fasten his pants and slip into his bomber jacket. Hooking her bag over her shoulder, she looked him straight in the eye.

      “I can’t see you anymore, Patrick.”

      “WHERE’S DEVON?” Annabel asked the hostess standing at her post inside the doorway of Three Mings, Devon Lee’s restaurant in the heart of Houston’s Rice Village.

      “Good evening, Poe,” the young hostess replied, having grown used to hearing people call Annabel by the nickname. “Your brother went upstairs twenty minutes ago. Should I ring the gallery?”

      Annabel shook her head. “I’ll find him, thank you.”

      She walked back out into the frosty night air and around to the side of the stand-alone building that sat on a quiet street off of University Drive.

      The second story of Three Mings was an exclusive gallery where local artists’ work was displayed, shown only on private tours and sold in silent auctions. A watercolorist himself, Devon also rented studio space to a few select clients.

      After walking through the mazelike hallway of low ceilings and hardwood floors, off which narrow alcoves were lit strategically to enhance the work displayed, Annabel found her brother in a hushed discussion with an Indian artist whose specialty was exquisitely detailed henna body art.

      Annabel stepped back to allow them the privacy to finish their conversation. Devon glanced up, his eyes crinkling at the corners as he smiled, and raised his hand to signal he’d only be a minute. Annabel turned to the wall behind her and took in the collection of photographs framed and grouped in a collage.

      One photo in particular drew her attention, as always. The subject was costumed as a Japanese geisha, complete with shimada-mage hairstyle, white cream makeup and red lipstick she knew was infused with safflower extract.

      The hair, she also knew, in this case was a wig, a katsura, but the makeup—from the application of the bintsuke-abura, the oil-wax combination allowing the white pigment to adhere, to the drawing of the thinly arched eyebrows in black and the added touch of red to brows and lids—had taken laborious hours to apply.

      Annabel knew because it was her face, her eyes into which she was staring.

      “That photo gets more attention than any other in the gallery, you know,” Devon said, having silently walked up behind her.

      “Considering the subject matter, I should think so.”

      “You really are wicked.” He nodded toward the imprint of a woman’s lips on the white canvas of Annabel’s creamed-and-powdered cheek. “And your eyes always give you away.”

      She looked again at the photo, knowing it was the mischievous twinkle captured in her eyes as much as the kiss on her face that had garnered this particular photo so much attention. She had a session next week with Luc Beacon, the same photographer, and was anxious to discover who the client was and what they were looking for.

      Right now she had more pressing matters on her mind, however, and turned her back on the display. “Devon, I’m in trouble.”

      Her brother shook his head knowingly. “Man trouble, no doubt.”

      “What makes you say that?” she asked, raising her chin ever so slightly. She knew her expression hadn’t given anything away; she’d purposefully kept her face calm.

      Devon lifted one sharp brow over eyes blessed with dark paintbrush lashes. “Your legs are bare.”

      She pointed the toe of one pump, glanced at her smooth ivory skin before rolling her eyes. “He hates my panty hose.”

      Arms crossed over his chest, Devon rocked back on the heels of his Italian leather loafers and stared down from his two-inch height advantage. “I’m surprised you wear them. I’ve always taken you for the garters-and-stockings type.”

      “Judging by your vast experience with women?” Annabel twisted her mouth.

      Her brother shook his head. “Judging by the only thing I’ve ever seen hanging over your shower rod.”

      Annabel blew out a huff of breath. “I had the flu. I don’t usually leave them out.”

      “Annie, lighten up. I don’t give a damn if you leave stockings out year-round.” He narrowed his gaze, his jaw taut.

      “Don’t call me Annie.”

      His sigh was sibling patience personified as he slipped his hand beneath her arm and guided her through the hallway maze and into his office. Once inside, he waited until she’d settled on his black leather love seat before closing the door to join her.

      He faced her, one arm along the seat’s padded back. “Look at you. Arms crossed. Legs crossed. Whoever your mystery lover is, he’s obviously chipping away at your walls of Jericho or you wouldn’t be on the defensive.”

      She kept all her body parts crossed, but did stop swinging her foot. “I am not on the defensive. I’m simply irritated.”

      “Because of a pair of panty hose?”

      “No.” She was irritated because when it came to Patrick Coffey, she’d lost the disciplined control she’d spent a lifetime honing. “The caterer I hired for your New Year’s Eve showing lost her best cook to a competitor and isn’t sure she can manage her schedule without him.”

      Devon continued to stare, lifting that one sharp brow the way he always did to signal he had a saint’s fortitude when it came to waiting out her moods.

      “I would think that might concern you,” she finally said.

      “I trust you implicitly.” His expression shifted, settled in a concerned frown. “But I am worried.”

      She exhaled what she could of her tension. “Don’t be. I’ll handle it.”

      “I’m not worried about the caterer. I’m worried about you.”

      She glanced away, studied the vase of yellow calla lilies centered on a red-lacquered accent table and flanked by scrolls of painted tigers rendered in Sumi ink and color on silk. The austerity of Devon’s office usually fit her tack-sharp mood. Tonight, she simply bristled further.

      “When you come to me and say you’re in big trouble, I worry.” Devon pushed up from the love seat and crossed the small room to lean on the corner of his matching black desk. The distance gave him the edge he needed; the position gave him the upper hand. “You haven’t been yourself for several weeks now.”

      She waved off his concern with the flutter of one hand, wondering why she’d come here when she knew he wouldn’t let her hide from his probing questions or continue to deceive herself that she was equipped to handle Patrick Coffey.

      Then again, maybe that was exactly the reason she had come, she mused ruefully, getting to her feet. She needed the wake-up call to tell her she was doing the right thing in sending him away. “I was dealing with the stress of finals. Of course I haven’t been myself.”

      Devon shook his head. “I’ve seen you stressed from finals. This is different. In your words, big trouble.”

      He was right, of course. How she’d even managed finals with Patrick disrupting her schedule, not to mention her concentration…Even now he was on her mind, and she just couldn’t have that. He was getting too close; she was letting him in. She was giving in, when she’d determined that he had to go.

      Turning her back on her brother, she made her way from the love seat to the window, opening the miniblinds and peering into the darkness for the second time tonight, as if she’d find her answers outside of herself rather than within.

      Her sigh of admission was heavier than she’d intended. “Yes. It’s a man.”

      “Glad to hear it.”

      She allowed herself a private smile. Her brother’s reaction was no surprise. Over the years, he’d made his feelings on her dearth of personal

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