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many centuries with different and earlier completeness among different people.’ And he added: ‘I would that we had more of it left – something of the same sort that belonged to the English.’ An exciting notion; and perhaps he was already thinking of creating that mythology for England himself.

      He spent Christmas 1912 with his Incledon relatives at Barnt Green near Birmingham. As usual in that family, the season was enlivened with theatricals, and this time Ronald himself wrote the play that they performed. It was called ‘The Bloodhound, the Chef, and the Suffragette’. Later in life he professed to despise drama, but on this occasion he was not only the author but the leading actor, playing ‘Professor Joseph Quilter, M.A., B.A., A.B.C., alias world-wide detective Sexton Q. Blake-Holmes, the Bloodhound’, who is searching for a lost heiress named Gwendoline Goodchild. She meanwhile has fallen in love with a penniless student whom she meets while they are living in the same lodging-house, and she has to remain undiscovered by her father until her twenty-first birthday in two days’ time, after which she will be free to marry.

      This piece of family nonsense was even more topical than the Incledons realised. Not only was Ronald due to celebrate his own twenty-first a few days after the performance, but he also intended to reunite himself with Edith Bratt, for whom he had waited for nearly three years, and who he was quite certain had waited for him. As the clock struck midnight and marked the beginning of 3 January 1913, his coming of age, he sat up in bed and wrote a letter to her, renewing his declaration of love and asking her: ‘How long will it be before we can be joined together before God and the world?’

      But when Edith wrote in reply, it was to say that she was engaged to be married to George Field, brother of her school-friend Molly.

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