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going back?’

      ‘Never! After my husband died and they took away everything I owned, I vowed never to look at my village again. I will never go back.’

      We were standing in the main bazaar of Vrindavan. Rickshaws were rattling past us along the rutted roads, past the tethered buffaloes and the clouds of bees swarming outside the sweet shops. Behind us rose the portico of the Shri Bhagwan Bhajan ashram. Through its door came the sound of bells and clashing cymbals and the constant rising, falling eddy of the widows’ incessant chant: ‘Hare Ram, Hare Krishna, Hare Ram, Hare Krishna …’ Occasionally, above the chant of two thousand women, you could hear snatches of the soaring Bengali verses of the lead singer:

      Mare Keshto rakhe ke?

      Rakhe Keshto mare ke?

      Whom Krishna destroys, who can save?

      Whom he saves, who can destroy?

      It was ten in the morning and Kanaklatha had just finished her four-hour shift. In her hand she held her reward: a knotted cloth containing a single cupful of rice and her two rupees. ‘We try to remember what we are chanting,’ said Kanaklatha, following my gaze, ‘but mostly we carry on so that we can eat. When we fall ill and cannot chant, the ashram doesn’t help: we just go hungry.’

      Kanaklatha said she had got up at four thirty, as she did every day. She had bathed and dressed her Krishna idol, spent an hour in prayer before it, then performed her ablutions at the ghat. Then from six until ten she chanted her mantras at the ashram. After that, a day of begging in the bazaars of Vrindavan stretched ahead.

      ‘I stay with my mother,’ said Kanaklatha. ‘She is ninety-five. My father died when I was sixteen and she came here then. We have to pay a hundred rupees [£2] rent a month. It is my main worry in life. Now I’m two months in arrears. Every day I ask Govinda to help us make ends meet. I know he will look after us.’

      ‘How can you believe that after all you’ve been through?’

      ‘If Govinda doesn’t look after us who will?’ said Kanaklatha. ‘If I didn’t believe in him how could I stay alive?’

      The widow looked straight at me: ‘All I want is to serve him,’ she insisted. ‘Whatever we eat and drink is his gift. Without him we would have nothing. The way he wants things to be, that is how they are.’

      ‘Come,’ she said, her face lighting up. ‘Come and see my image of Govinda. He is so beautiful.’

      Without waiting to see if I would follow, the old lady hobbled away along the street at a surprising pace. She led me through a labyrinth of lanes and alleys, past roadside shrines and brightly-lit temples, until eventually we reached a small courtyard house near the ghats. There, on the floor of a cramped, dark, airless room, lay Kanaklatha’s mother. She was shaven-headed and smeared with ash like her daughter, but she was toothless and shrunken, lying curled up like an embryo on a thin cotton sheet. Around her were scattered a few pots and pans. Kanaklatha squatted on the floor beside her and gently stroked her head.

      ‘My mother was a strong woman,’ she said. ‘But she had a haemorrhage two years ago and after that she just withered away. Now she just lies on this bed. If I could afford to give her just one glass of fruit juice she would be better than she is. I want her to die without pain, but I am consumed by the thought that if something bad happens we could not afford medical treatment.’

      ‘It is all fate.’ It was the mother speaking. ‘When we were young we never imagined this would be our end.’

      ‘We were a landowning family,’ explained Kanaklatha. ‘Now we have to beg to survive. Even now I’m full of shame when I beg, thinking I am from a good family. It is the same with all the widows. Our usefulness is past. We are all rejects. This is our karma.’

      ‘Only Govinda knows our pain and misery,’ said her mother. ‘No one else could understand.’

      ‘Yet compared to some of the others …’

      ‘What do you mean?’ I asked.

      ‘Some of the other widows. At least we are together. But many women I know were thrown out of their houses by their own children. When their sons discover that they are begging on the streets of Vrindavan they are forbidden from writing to their grandchildren.

      ‘We haven’t committed a crime,’ said the old lady. ‘Why should we go through all this?’

      ‘Sometimes I think even sati would have been preferable to the life of a widow,’ said Kanaklatha. ‘At the time, burning on my husband’s pyre seemed horrible. But after living through so much pain and misery, I wonder whether sati would not have been the better option. Now all I want is to serve Govinda and my mother, and spend the rest of the time in prayer. Here, come inside, see my little Krishna.’

      Kanaklatha indicated that I should step over her mother. She pointed to the end of her tiny room. There, raised up on a wooden bench beside a small paraffin stove stood a pair of small brass idols of Krishna, each dressed in saffron dolls’ clothes. One figure showed Krishna as a child; the other as a youth, dancing with a flute in his hands.

      ‘Look at his beauty!’ said Kanaklatha. ‘Every day I bathe him and change his clothes and give him food. Krishna is my protector. He cannot resist the entreaties of any woman.’

      She walked over to the shrine and bowed her head before the images.

      ‘Sometimes when I am asleep he comes to me,’ she said. ‘I tell him my sorrows and he tells me how to cope. But the moment I awake, he disappears …’

      That evening, in a nearby temple, I met Kanaklatha’s landlord, a Brahmin priest named Pundit Krishna Gopal Shukla.

      ‘If those women die tomorrow,’ he said, spitting on the floor, ‘I will have to bear the expense of cremation. It should be the ashram’s responsibility. They get so much money from pilgrims. I do so much for these widows already. I rent them a room. I even give them free water.’

      According to Shukla, the widows’ ashrams in Vrindavan were increasingly set up by Delhi businessmen as a means to launder black money. They would give donations to their ashrams and receive receipts stating that they had given much larger amounts, which would be written off against tax. As far as the ashram owners were concerned, the widows were just a means to a financial end, a quick route to a clever tax dodge.

      There was no doubting the very considerable funds the ashrams of Vrindavan receive. One medium-sized one attracted donations by undertaking to erect an inscribed marble plaque recording the name of any devotee who gave at least two thousand rupees (£40), and promising that the widows would sing bhajans for the donor ‘for the next seven generations’. The resulting plaques covered not only every wall in the hangar-sized building, but also its floor and ceiling. Many of the donors turned out to be British Hindus: next to plaques recording donations from Agra, Varanasi and Calcutta were a number from rather less exotic centres of Hindu culture such as Southall, Northolt and Leicester.

      ‘They treat the old women very badly,’ said Shukla. ‘They show them no respect. They give them less than the minimum on which they can survive. Some of the ashrams even demand a down-payment from the widows when they first arrive. They say it is to cover the cost of their cremation, but after a death they simply put the woman’s body in a sack and throw it in the Jumna.’

      Shukla walked with me along the parikrama, through the crowded streets of the town. As we walked, we passed long lines of widows, all shaven-headed and with begging-bowls stretched towards us.

      ‘My family have been priests in Vrindavan for many generations,’ said Shukla as we walked. ‘The town used to be very beautiful. But now it has expanded and become very dirty and polluted. Before, people came here and they found peace. Now they just find corruption and mental pollution.’

      I asked the priest about the stories that appeared occasionally in the Indian press claiming that the ashram managers

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