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Barry Sheene 1950–2003: The Biography. Stuart Barker
Читать онлайн.Название Barry Sheene 1950–2003: The Biography
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isbn 9780007378586
Автор произведения Stuart Barker
Жанр Биографии и Мемуары
Издательство HarperCollins
James Wilson was having only the second outing of his racing career that day on a 204cc Elite-engined Ducati. He recalled, ‘I remember I went up the inside of Sheene at Druids on one lap then went down through Southbank, and then bang, my clutch went and Barry came flying past me. His Bultaco was very quick, but then he locked up as well and crashed, although it wasn’t a bad one. The van took us back to the paddock together and we nattered in the van quite a bit. There was none of this “I’m a hero” kind of stuff. I knew about Barry from the paddock; he was the guy with the long blond hair who was always having a laugh and smoking a fag. He looked like a bloody good rider even back then; he really stood out. I mean, I stood out as well, but I had no help at all while Barry had his mum and dad, his sister and a van filled with all the right stuff. He didn’t have loads of money but he had enough, and he had a wealth of experience because of his family background. I was envious, not jealous, of the help Barry had. I knew then that he was going somewhere because he could ride and he had the right back-up as well.’ Wilson also remembered Sheene drawing attention to himself in the paddock that day, one of the few times anyone can remember him being violent. ‘I remember he punched the lights out of somebody that day because they owed money to Franco. I don’t know if he ever got the money but I doubt if the guy ever went near Barry again.’
Money aside, Frank Sheene must have been wondering what he’d got his son into when he learned that Barry had banged his head quite badly, lost some skin off his hands and cut his lip. Protective racing gear in the late sixties was extremely primitive compared to modern helmets, leathers, gloves and boots; a rider would probably be completely unscathed if he had a similar crash today. As it was, Sheene displayed admirable courage by ignoring his injuries and any psychological effects of the crash, and by refusing to be carted off by the circuit ambulance to hospital for a check-up. Instead he lined up to take part in the 250cc race on his other Bultaco.
Frank hadn’t wanted Barry to go back out again, but, showing the guts and determination that would eventually make him famous, he went out and finished third in the first event he ever completed. In a way, that first race day was a microcosm of Sheene’s career. He rode well, crashed, ignored his injuries and came back to finish strongly, both defiant and jubilant. He proved right from the start that he wasn’t a quitter.
A rostrum position for his first-day’s racing was a great achievement, but an even better result wasn’t very far away. Just one week later, and again at Brands Hatch, Barry took his first race win, and he did it in style by an incredible 12 seconds. And the best was yet to come. Frank had a special 250 Bultaco he had bored out to a larger 280cc capacity, and he wanted to know how it would compare against the machines in the 350 race. As things turned out, the bike didn’t compare – it totally dominated. Beaming with pride, Frank watched his son, and his project bike, finish half a lap ahead of the rest of the field, Barry romping home to take his second victory of the day.
Sheene junior was ecstatic. He might have been shaking with excitement after his first race win, but second time round he was completely overjoyed. Having proved to any doubters that his first victory was no fluke, he suddenly found himself the centre of attention in the paddock as members of the press and fellow racers gathered round to congratulate him. Keener paddock observers realized that the gangly Londoner wearing a cheeky smile from ear to ear was a star in the making. Those who didn’t take notice soon would, because Barry Sheene had finally arrived and motorcycle racing would never be the same again.
‘He was it. He was the main man who everyone had to beat.’
RON HASLAM
After scoring such a resounding double victory in only his second-ever race meeting, in April 1968 Barry Sheene surprised many people by opting out of racing for a few months. Still unconvinced that racing was the proper career path to follow, he decided to take in a second tour of Europe, this time spannering for a rider called Lewis Young. Young was riding Bultacos, which by now Barry knew inside out, and he wisely came to the conclusion that a season following the Grand Prix circus around Europe would teach him more about the motorcycle racing business than a few weekends spent hurtling round British circuits. It might have seemed at the time an odd move to make, but it proved to be a well-judged one. This time, Barry really laid the foundations for his future career by getting to know all the circuits, the travelling routines and the way of life in the paddock, as well as gaining countless contacts all of whom would play a part in his future. The experience was heady and intoxicating, and by the time he returned to England that autumn not only was he 10kg lighter after eating so sparsely and irregularly, he had also decided to race again. Having seen some of the lesser lights who were competing in the Grands Prix, Barry had become convinced that he could beat most of them.
The year 1969 was Barry Sheene’s first full season of racing, and for the job in hand he had three Bultacos (125, 250 and 350cc), all immaculately prepared by himself and Frank. His Ford Thames van wasn’t quite so immaculate but it was good enough for the job. By the end of it he was being celebrated as the best newcomer of the season, having finished second to and 16 points behind established British rider Chas Mortimer in the 125cc British Championship. ‘I seem to remember that I won the 125 British Championship quite early on that year,’ Mortimer recalled, ‘then I went on to do some Grands Prix while Barry finished off the championship.’
That season very nearly became Sheene’s first and last when his hero and friend Bill Ivy was killed during practice for the East German Grand Prix in July. Sheene was devastated and suffered a massive asthma attack upon hearing the news. He hadn’t had a relapse since leaving school, and he never had another again. He seriously considered packing in the racing game after Bill’s death, but eventually managed to come to terms with the tragedy, as all motorcycle racers must do; it had to be chalked down as an accident and life had to go on. Sheene persisted, and went on to become Bill’s natural successor in the paddocks of the world, the cheeky cockney rebel with a playboy lifestyle and a gift for flamboyancy. Ivy would have been proud of him.
It was his natural flamboyancy that led Sheene to design the most famous crash helmet in motorcycle racing history, and it grabbed lots of attention during the 1969 season. While most other riders wore very basic designs on their helmets, if any at all, Barry had Donald Duck emblazoned on the front of his in a bid to attract attention to himself. It worked, and as the design developed over the years it became the most recognizable in the sport. The completed item featured a black background with gold trimmings, the famous number seven on the sides (more of which later) and, for the first time ever in the sport, the rider’s name on the back. ‘It wasn’t intentional,’ Sheene explained. ‘My helmet had gone away to a chap I knew to be painted and it came back with my name emblazoned on the rear. That’s neat, I thought, and I know I turned many heads when I unveiled it for the first time.’ Over the next few decades it became almost compulsory for riders to have their names on the backs of their helmets, and Barry claimed he was the originator of the fashion.
And his fashion sense didn’t stop at helmet designs; he also helped instigate the long-overdue decline in the use of all-black leathers which had so tarnished the image of motorcycle racing. In the twenty-first century motorcycle racing is one of the most colourful sports on the calendar, but it wasn’t always the case, far from it in fact, and Sheene played a large part in the technicolour transformation. In 1972 he ordered a set of white leathers, again largely as a gimmick to get noticed but also as a way of improving the sport’s then drab, greasy image of rough