LITMIR.BIZ

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centuries, though how and when remains obscure. Albert Glock worshipped at a church a stone’s throw from this place on the morning of the day he was murdered.

      The Empress Helena died in about 328, in her eighties. Some fifty years after her death, a legend began to circulate about her and her visit to Palestine. It appears in the Ecclesiastical History of Tyrannius Rufinus, written towards the end of the fourth century:

      Helena, the mother of Constantine, a woman of outstanding faith and deep piety, and also of exceptional munificence … was advised by divinely-sent visions to go to Jerusalem. There she was to make an enquiry among the inhabitants to find out the place where the sacred body of Christ had hung on the Cross. This spot was difficult to find, because the persecutors of old had set up a statue of Venus over it, so that if any Christian wanted to worship Christ in that place, he seemed to be worshipping Venus. For this reason, the place was not much frequented and had all but been forgotten. But when … the pious lady hastened to the spot pointed out to her by a heavenly sign, she tore down all that was profane and polluted there. Deep beneath the rubble she found three Crosses lying in disorder. But the joy of finding this treasure was marred by the difficulty of distinguishing to whom each Cross belonged. The board was there, it is true, on which Pilate had placed an inscription written in Greek, Latin and Hebrew characters.

      Helena was unsure that what she had found was the True Cross. To allay her doubts, the bishop of Jerusalem, Macarius, determined that divine proof was needed. He led Helena and her entourage to the house of a woman who was mortally ill with a serious disease. One by one the crosses Helena had found were shown to the sick woman. When the third cross was brought to her, the woman leapt out of bed, cured. This miracle identified the third cross as the True Cross.

      When the queen saw that her wish had been answered by such a clear sign, she built a marvellous church of royal magnificence over the place where she had discovered the Cross. The nails which had attached the Lord’s body to the Cross, she sent to her son. From some of these he had a horse’s bridle made, for use in battle, while he used others to add strength to a helmet, equally with a view to using it in battle. Part of the redeeming wood she sent to her son, but she also left part of it there preserved in silver chests. This part is commemorated by regular veneration to this very day.

      This legend has been woven into later historical narratives as if it were fact, but it is a pious fiction, emanating from the imperially supported church in Jerusalem. (In his account of the life of Constantine, written in about 338, about the time of her death, the Bishop Eusebius, chronicler of the early church in Palestine, mentions Helena’s piety and her commissioning of churches, but says nothing about finding the Cross.) The purpose of the legend is to burnish Constantine’s reputation as a Christian emperor. Note the symbolism in what happened to the nails: incorporated into the Emperor’s helmet (other versions of the legend say diadem or crown) and his horse’s bridle. The sacred power of Christ is incorporated into Constantine’s imperial implements of war and governance, giving supernatural legitimacy to his military and civil authority.

      The legend also enhances the reputation of Jerusalem as the home of sacred relics, and reflects the beginning of a tradition that persists to this day of the search for the physical remains of biblical history as a dimension of Christian spirituality. It establishes the idea of the Holy Land as one of the universal features of the Christian faith: a transcendental geography imposed on the mundane geography of southern Syria. In subsequent centuries, Jerusalem and surrounding sacred sites were the prized destinations of Christian pilgrims, and splinters of Helena’s True Cross and other relics were sold as sacred souvenirs for the pilgrims to take home with them. This account was an advertisement, intended to promote the pilgrimage industry, not a report.

      Helena’s excavation techniques have been improved upon, but her archaeological assumptions have proven remarkably durable, persisting well into an age of scientific rationalism. She knew what she was looking for, and – with divine inspiration – she found it.

      Before Helena’s visit, Christian pilgrimages to Palestine originating from outside the country were unknown. Visiting sacred sites was a local cult, preceding Judaism, Christianity and Islam. The Church’s earliest authorities considered it theologically unnecessary for Christians to tread the land that Jesus’s feet had trodden. Besides, the anti-Christian policy of the Roman authorities that governed Palestine discouraged Christian visitors. After Constantine’s institutionalization of Christianity in the Roman empire, pilgrimage was encouraged as a natural expression of piety. Monasteries and hostels were built to accommodate pilgrims. In the first centuries after Constantine, the numbers of pilgrims travelling to the Holy Land rose and fell in response to changing political conditions in the Mediterranean and the countries through which they were obliged to pass.

      These early pilgrims were either very rich or very determined, as the journey was long, arduous and expensive. Pilgrimages would often take several years to complete. One of the earliest pilgrims to leave a written account was a nun named Egeria, probably from Spain, who visited Palestine in the years 381 to 384. Her narrative, of which only a fragment survives, shows her conducting her pilgrimage as a kind of liturgical ritual. Accompanied by monks, she and her party would offer prayers at every point of interest. She ascended Mount Sinai, where Moses received from God the stone tablets inscribed with the Ten Commandments, as if she were performing the ceremony of the Stations of the Cross.

      Throughout her narrative she describes little that was not related to the network of hundreds of minor and major Christian shrines that by the time of her visit had been established in the region. Where a sacred site had previously been pagan, a Christian legend would be created to absorb it into the new landscape of religious meaning. From her point of view the whole country was like an enormous church. It was a land whose holiness, combined with its unfamiliarity to a European, rendered it unreal: pilgrims depended on local guides and story tellers, who wove inspiring tales of miracles and marvels about the sites on the pilgrim circuit, more or less closely based on familiar stories in the Old and New Testaments, sometimes wholly original. The folkloric impulse to create religious marvels was irresistible: the rock inside the Dome of the Rock in Jerusalem, for example, bears a mark that is interpreted as both the footprint of Christ and the handprint of Muhammad.

      A pilgrimage was not a fact-finding mission. The point was to be amazed. The pilgrim beheld a holy site to enhance the faith that had brought him there, not to remove doubt through the acquisition of data.

      This corpus of religious folklore, which as a whole constituted the holiness of the Holy Land, grew prolifically in the centuries after Constantine, and became part of what it meant to be a Christian. In the case of Jerusalem, the Holy Land’s focal point, the physical city came to be totally overshadowed by an idealized version that bore little resemblance to the original; the sacred geography became stylized and symbolic, existing purely in a realm of spiritual meaning. In maps, Jerusalem was often depicted as a circle, with a round wall enclosing the sacred sites, as if it were one of the celestial spheres. Besides the tomb of Christ and the site of his crucifixion, the Church of the Holy Sepulchre came to include the tomb of Adam (directly underneath the Cross), and the centre of the world itself: the shrine became a model in miniature of the Christian cosmos.

      To increase the pilgrim’s sense of awe, the interior of the Church of the Holy Sepulchre was improved and augmented, with further spiritual power conveyed by ritual and art, and by the hallowed objects that had come into contact with the body of Christ in the course of his passion and crucifixion. A seventh-century account by a monk of the Scottish monastery on the island of Iona (basing his account on what a fellow monk told him) records that the Church of the Holy Sepulchre contained the cup that Jesus used at the last supper (made of silver, with two handles, and large enough to hold ‘a French quart’), the vinegar-soaked sponge that was thrust into Jesus’s mouth by a soldier, the spear that was used to stab him and the cloth that was placed over his body.

      The power of the cult of the Holy Land was such that reverence for the Holy Sepulchre was not extinguished after the church and its contents were systematically destroyed in the year 1009. The demolition was carried out by soldiers based in Ramla acting on the order of the mad Fatimid Caliph Hakim bi Amr Allah, who was waging a particularly eccentric campaign of persecution of Christians and Jews in his dominions, which included Palestine.

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