LITMIR.BIZ

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that women did when they got together. But then they didn’t know the white middle-class London suburbs where I was brought up! By the time I left France I was desperate to stay but the academic year was over, my contract was finished and I had to go back to Exeter to complete my degree. And there were no belly dancers there. So the sparkly scarf that the girls had given me as a leaving present was put in a drawer, where I almost forgot about it.

      After leaving university I hadn’t a clue what to do next so gave in to my mother’s persistent pestering to do a secretarial course. How I hated it! But thanks to my newly acquired secretarial skills – and the fact that my star sign was compatible with that of my new manager – I got my first job: Promotions Assistant with a well-known London publisher.

      It was 1987 and part of my job – pre-Internet – was to scour the papers for reviews of books by our authors. One day, as I was flicking through the Sunday Times, a headline caught my eye: ‘Belly Dance Classes for Health and Relaxation’. They were being run by Tina Hobin at Pineapple Dance Studios, just around the corner from the office! So began the second chapter of my dance story …

      I dusted off the hip-scarf, started going to regular classes, and immediately became hooked. And I wasn’t alone. I had fallen among fellow addicts who, like me, just couldn’t get enough of the intoxicating music, sensual dancing – and the dressing up, of course! The more we danced and studied, the more we realised how much there was to learn, so we went to as many classes and workshops as we could to improve our technique and extend our repertoire.

      We started practising our shimmies and hip-drops at each others’ houses, sharing cassettes of Arabic music with each other, and eagerly devouring clips of the stars of Egyptian dance on VHS – video cassettes copied so many times that the picture was grainy and the dancer barely distinguishable. But it didn’t matter; we loved what we could see, and those stars, Samia Gamal, Tahia Carioca and Fifi Abdou, became our idols.

      A friend asked me to dance at her father’s birthday party, which had an Arabian Nights theme.

      ‘Oh no, I’m just a beginner,’ I protested, ‘I’m really not good enough.’

      ‘But Yvette, you’ll be great,’ Sarah pleaded. ‘Just dance for a bit and then get everyone to join in. It is Dad’s fiftieth, after all. There must be some consolation for being that old!’ I had to agree that 50 was pretty ancient, so how could I refuse?

      I enlisted my mother to help me make a costume. Before she got married, she had been a seamstress with a London couture house and had been constantly in demand from friends and family to create dresses for weddings, christenings and other special occasions. She would make the off-cuts into stylish creations for me and I would dance around my bedroom, wafting chiffon scarves and spinning as fast as I could to make my skirts swirl. My dressing-up box was legendary in my school. And, thanks to Mum, I acquired a life-long passion for silk, chiffon and other fine fabrics. No drip-dry crimplene for me! Although my mother was completely bemused by my passion for belly dance and viewed sequins and spangles as rather ‘vulgar’ and ‘showy’, between us we came up with an eye-catching pink two-piece (known in Arabic as a bedlah). The bra and hip-belt took me weeks to decorate with jewels and swathes of bugle bead fringing and, when combined with nine yards of chiffon skirt that floated and swirled as I danced, the result was a labour of love that made me feel like a princess.

      The night of the party didn’t start well. I was so anxious that I got lost, drove the wrong way down a one-way street and nearly collided with a van. Thinking that the other driver was going to get out and punch me, I reversed at speed, driving my car into a large oak tree. When I arrived, Sarah’s house was much bigger than I expected; and there were dozens of cars outside. So much for the ‘small, intimate gathering’ Sarah had promised me! By the time I plucked up the courage to ring the door-bell I was in quite a state. My hairpiece had dislodged, my make-up was halfway down my face, I’d lost one earring and I looked wild-eyed and slightly unhinged. The look on Sarah’s face as she opened the door spoke volumes. The sea of Aladdins, sultans and harem girls parted for me and I dashed upstairs to a bedroom to repair the damage.

      Half-an-hour later I emerged, make-up and dignity restored, enveloped in a gold and pink sequined veil. I walked downstairs with all the enthusiasm of a woman about to face a firing squad. I’d given Sarah a tape of the music; I just prayed it would work. And that my costume would remain intact; in rehearsal the day before my bra strap had come unhooked as I practised my shoulder shimmies. The assembled friends and family were all sitting in the ‘large reception room’, the size of a barn. There was a magician on just before me and I could hear the laughter and chorus of ‘Abracadabra’ two floors up in the bedroom. Oh well, I thought, at least everyone seems to be in a party mood.

      As I waited in the hall for the strains of Aziza, my entrance music, I felt a sharp twinge in the pit of my stomach. My hands were shaking so much that I kept dropping my veil. I thought of the legendary Fifi Abdou, one of the stars of Egyptian dance, and my greatest inspiration. What would Fifi do? It was obvious; she would command the stage and have the audience hanging on her every hip-drop. A hush descended. I took a deep breath and made my grand entrance.

      The next 15 minutes are something of a blur. I just remember snatches – the smiling faces, roars of appreciation and applause, plus the pure, unadulterated pleasure that I experienced. Every fibre of my being tingled with energy; I had never felt so alive! I shimmied and sashayed around the room, twirling and spinning with my veil, before draping it over the astonished birthday boy and coaxing him to dance with me. By the end of the second track the whole room were on their feet and I was teaching them to zaghreet – the high-pitched sound of appreciation that Naget and the girls had taught me – and camel walk across the floor. I finally made my exit to a chorus of cheers, and remained in a euphoric daze for several days afterwards. A delighted Sarah told me that my first solo gig had been ‘a triumph!’

      My first performance had been such an intoxicating experience that I was soon hungry for another fix. My new-found sisters and I formed a group and started dancing at school fêtes, retirement homes, shopping centres – basically, anywhere that would have us. We didn’t mind the wet and windy weather, the filthy dance floors, the less than salubrious changing conditions, or even the leery men – we were girls together having a great time! I felt the same sense of sisterhood and sharing that I had with my North African friends.

      I had always loved dancing. As a child I went to ballet classes but I had a ‘sticky-out bottom’ and didn’t fit in. I tried ballroom dancing but felt desperately self-conscious being ‘in hold’ – especially with boys! I liked to put on my favourite pop songs and dance freestyle, choreographing little routines and imagining myself catching the eye of the cameramen on Top of the Pops. That all changed when I reached adolescence, a miserable period that brought exams, stress, self-loathing and the onset of anorexia. Instead of dancing around my bedroom, I cocooned myself in it all day, writing poems about death. Happily, in France my passion for dance had been re-ignited, and better still, I had found a dance style that really suited me. Not only did I love the music, the costumes and the fact that I was continuing a strong female tradition, but my body enjoyed the movements – at times sinuous, at others percussive – and took to them quite naturally. And once I had acquired a repertoire of movements, I could put them together to express the music as I really felt it.

      Through our teacher, Tina, I met a group of other professional dancers and formed an association, MEDA-UK, designed to promote belly dance and give dancers an opportunity to meet up and share information about classes, performances and other activities. For some reason, I was made chairperson. I was only 24 and the least experienced dancer there, but the consensus was that if I worked in publishing I must be quite intelligent, well organised and therefore up to the job. I did tell them that my current responsibilities didn’t extend much beyond filing and tea-making, but it didn’t seem to matter. Or maybe, unlike me, they knew what I was letting myself in for; at times managing such big personalities really put my diplomatic skills to the test. But that certainly proved very handy in later years when dealing with some of my more temperamental authors!

      One of MEDA-UK’s biggest achievements was our charity fundraising. Ironically – given how much support

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