ТОП просматриваемых книг сайта:
Painted Oxen. Thomas Lloyd Qualls
Читать онлайн.Название Painted Oxen
Год выпуска 0
isbn 9781938846786
Автор произведения Thomas Lloyd Qualls
Жанр Зарубежная классика
Издательство Ingram
The young wanderer is looking for an answer to a question he has not yet asked. While he travels, he meets many people, each of whom has wisdom to share. But because the young man is looking for a grand treasure, he cannot see the small gifts he finds along the way. As such, he does not yet understand the true nature of the universe.
At one time or another we are all called to leave the safety of our homes, the certainty of what we know, the illusions of who we are. Not everyone will heed this call, of course. And those who do will risk losing themselves completely. But if we choose to ignore the invitation, we risk never knowing who we might have become. We risk dying without knowing what it is to live.
The monk, too, has left his home. Though he travels not from city to city, but through far more inhospitable territory, over mountains, across valleys, beside river gorges, and along sheer cliffs. He wears little more than his saffron robes. What land and stream cannot provide for him in order to survive, he carries on his back. The sound he hears as he awakes in his shelter—nothing more than a woolen robe stretched between low-lying tree limbs—signals the eighth straight day of torrential rains. At least the rain keeps at bay the snakes and large predators.
He seeks the hidden heart of the world. This journey is his life’s work, and he must be disciplined. Unlike the younger man in his dream, the monk must resist the urge to wander. He must not allow himself to become lost. And he must not succumb to the allure of despair. He must protect the spark of truth that lives inside him.
Prometheus stole fire from the gods. We are the heirs of that divine spark. Used wisely, the spark fuels one’s journey and lights the way. Treated carelessly, the spark consumes its owner and everything in its path.
****
Long ago, when he, too, was a young man, his master explained that there are three worlds in which we live. There is the waking world, the spirit world, and the dream world. The waking world is that which we believe is real, and yet it is mostly illusion. Because we cannot see it, the spirit world is the one we believe is fantasy, and yet it is the most real. And then there is the dream world, the least understood of the three. The dream world is the bridge between the other two. The secrets of the spirit world are brought to the waking world over the dream world’s bridge. Though this is far from an easy task. The dream world’s stories are told in a language that is hard to understand. And they are written in ink that is difficult to read in the waking world.
He heeds his master’s words: A dream is not to be taken lightly. A dream is a powerful ally, coming to your aid. A magic tale, written in invisible ink. A golden thread, tying together the worlds.
5
Praeda
You are at a yard sale. Tables are set up on a sprawling, lush green that covers an entire hillside. Not the typical fold-up, garage sale variety tables, but substantial pieces of furniture, antiques. Some more ornate than others, each covered with some type of cloth, from tattered linen to rich velvet. Candles, feathers and books are arranged on every surface. Along with all manner of stones and jewels. Each table is surrounded by buyers and sellers, bartering. Scattered among the tables are makeshift living rooms. Handwoven rugs from India and Afghanistan, rolled out on the grass, set the frame for each open room. Each space is anchored by colorful high-back chairs, couches, and settees arranged in clusters. People of all size and skin color sit together in these outdoor rooms, chatting enthusiastically, smoking from hookahs, drinking tea. You wander curiously through this mélange and then across the grass to the edge of the green where there is a steep cliff, overlooking a meandering river. The edge of the river is littered with broken bits of terra cotta, a living history of countless cups of chai.
You turn back to the gathering on the green and in a blink you are sitting in a dark purple chair, speaking to an old woman in pale blue robes, who hands you a cup of tea and asks you if you can see. Of course I can see, you think. But before you can answer out loud, she leans towards you and points her index finger to the middle of your forehead, then touches the spot lightly. The instant she does, a hole in your forehead opens up and the solid surface that was your skin ripples around her finger like water. At the same time, you see thousands of people in white robes standing about on an invisible plane, which stretches out beyond the horizon. One of them, a beautiful woman with sparkling green eyes and brilliant red hair, stands in front of you and bends down to speak. Like what you see? She says. And before you can answer, the old woman removes her finger and you are back in the outdoor living room.
Unceremoniously, the old woman asks what you have to trade. You look at your empty hands and think for a second. This, you say, as a deck of cards materializes in your right hand and you send an arc of cards through the air and into your open left hand, bridging the space between.
Card tricks, she huffs, and waves you off.
You shrug, finish your tea and excuse yourself. She doesn’t understand, you say to yourself. Sight is not the same thing as vision.
Without bridges, there are no connections. Without bridges, there are only chasms. Without bridges, there are only longings. We cannot wait for the land to flatten and the stream to narrow before we seek to cross.
6
Charybdis
Life moves but it is hard to say in which direction. Maybe it only crosses dimension. Maybe nothing is linear. Maybe all is perfectly still and there is only the traverse of the mind, in a spiral, through parallel worlds. Maybe what we see is only a trick of the brain. Maybe time only exists because of clocks, their hands moving around a fixed center to keep us focused, aging. Or maybe it’s all a dream.
I wake up as the plane touches down in the dark at Indira Gandhi International Airport in New Delhi. There’s nothing like air travel to scramble context. Climb inside a giant metal tube in one world and step out hours later into a completely different reality. It’s a lot like dreaming, but in reverse.
In a dream, it’s the dream world that is foreign (even if it makes some sense while you’re there), but you wake up to a familiar world. When you travel to the other side of the planet, the world you wake up in is the one that doesn’t make sense. Absolutely everything is different, the people, their clothes, their voices, and their skin. The streets are not recognizable, nor the vehicles and buildings that line them. The air you breathe smells and feels different. And there are even colors that never cross borders. I was told, by others who had been here, that nothing could prepare me for India. If air travel is crossing dimensions, going to India is traveling through time.
I walk off the plane tired, stiff, and probably still a little drunk. Though reality is so skewed I can’t really tell. I wait on the concrete platform with the crowd of other passengers. After about half of them have claimed their bags, I start to get that feeling. That unmistakable mixture of hope and fear. Even if the airlines have never lost a single bag of yours, what if you’re in India when it finally happens. After almost all the good people waiting have spotted and retrieved their luggage, my backpack finally shows up. I do my best to act like I was never worried, collect it and head towards a doorway where I see others exiting.
After a twelve-hour flight, in which the numbers of passengers alone means the restrooms are practically inaccessible, I need to make a brief stop before the next line. Since I don’t read Hindi, I’m careful to watch which door the men are coming out. Inside the doorway there are tiny rooms with holes in the floor and buckets of water set beside the holes. This has been explained to me. Pour with the right, wipe with the left. I balance my backpack carefully in one corner while I attend to one part of being human which, even in the relaxed standards of the twenty-first century, isn’t considered part of polite conversation. The simple act of defecation, its absolute ubiquity, its undeniable unpleasantness, along with its inescapable necessity, ought to keep us from thinking too highly of ourselves. It ought to lend towards humility and compassion for our fellow humankind. But somehow it doesn’t. Especially in Western society, where we are numbed to these things through our surgical sterilization of almost everything. (I confess I did bring hand-sanitizer with me,