The Complete Arthur Conan Doyle Collection - Arthur Conan Doyle

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distrust of the woman took possession of me. It may be that this was foolish prejudice and superstition upon my part, and that I involuntarily contorted her future doings and sayings to fit into some half-formed wild theory of my own. This has been suggested to me by others as an explanation of my narrative. They are welcome to their opinion if they can reconcile it with the facts which I have to tell.

      I went round with my friend a few days afterwards to call upon Miss Northcott. I remember that, as we went down Abercrombie Place, our attention was attracted by the shrill yelping of a dog--which noise proved eventually to come from the house to which we were bound. We were shown upstairs, where I was introduced to old Mrs. Merton, Miss Northcott's aunt, and to the young lady herself. She looked as beautiful as ever, and I could not wonder at my friend's infatuation. Her face was a little more flushed than usual, and she held in her hand a heavy dog-whip, with which she had been chastising a small Scotch terrier, whose cries we had heard in the street. The poor brute was cringing up against the wall, whining piteously, and evidently completely cowed.

      "So Kate," said my friend, after we had taken our seats, "you have been falling out with Carlo again."

      "Only a very little quarrel this time," she said, smiling charmingly. "He is a dear, good old fellow, but he needs correction now and then." Then, turning to me, "We all do that, Mr. Armitage, don't we? What a capital thing if, instead of receiving a collective punishment at the end of our lives, we were to have one at once, as the dogs do, when we did anything wicked. It would make us more careful, wouldn't it?"

      I acknowledged that it would.

      "Supposing that every time a man misbehaved himself a gigantic hand were to seize him, and he were lashed with a whip until he fainted"--she clenched her white fingers as she spoke, and cut out viciously with the dog-whip--"it would do more to keep him good than any number of high-minded theories of morality."

      "Why, Kate," said my friend, "you are quite savage to-day."

      "No, Jack," she laughed. "I'm only propounding a theory for Mr. Armitage's consideration."

      The two began to chat together about some Aberdeenshire reminiscence, and I had time to observe Mrs. Merton, who had remained silent during our short conversation. She was a very strange-looking old lady. What attracted attention most in her appearance was the utter want of colour which she exhibited. Her hair was snow-white, and her face extremely pale. Her lips were bloodless, and even her eyes were of such a light tinge of blue that they hardly relieved the general pallor. Her dress was a grey silk, which harmonised with her general appearance. She had a peculiar expression of countenance, which I was unable at the moment to refer to its proper cause.

      She was working at some old-fashioned piece of ornamental needlework, and as she moved her arms her dress gave forth a dry, melancholy rustling, like the sound of leaves in the autumn. There was something mournful and depressing in the sight of her. I moved my chair a little nearer, and asked her how she liked Edinburgh, and whether she had been there long.

      When I spoke to her she started and looked up at me with a scared look on her face. Then I saw in a moment what the expression was which I had observed there. It was one of fear--intense and overpowering fear. It was so marked that I could have staked my life on the woman before me having at some period of her life been subjected to some terrible experience or dreadful misfortune.

      "Oh, yes, I like it," she said, in a soft, timid voice; "and we have been here long--that is, not very long. We move about a great deal." She spoke with hesitation, as if afraid of committing herself.

      "You are a native of Scotland, I presume?" I said.

      "No--that is, not entirely. We are not natives of any place. We are cosmopolitan, you know." She glanced round in the direction of Miss Northcott as she spoke, but the two were still chatting together near the window. Then she suddenly bent forward to me, with a look of intense earnestness upon her face, and said--

      "Don't talk to me any more, please. She does not like it, and I shall suffer for it afterwards. Please, don't do it."

      I was about to ask her the reason for this strange request, but when she saw I was going to address her, she rose and walked slowly out of the room. As she did so I perceived that the lovers had ceased to talk and that Miss Northcott was looking at me with her keen, grey eyes.

      "You must excuse my aunt, Mr. Armitage," she said; "she is odd, and easily fatigued. Come over and look at my album."

      We spent some time examining the portraits. Miss Northcott's father and mother were apparently ordinary mortals enough, and I could not detect in either of them any traces of the character which showed itself in their daughter's face. There was one old daguerreotype, however, which arrested my attention. It represented a man of about the age of forty, and strikingly handsome. He was clean shaven, and extraordinary power was expressed upon his prominent lower jaw and firm, straight mouth. His eyes were somewhat deeply set in his head, however, and there was a snake-like flattening at the upper part of his forehead, which detracted from his appearance. I almost involuntarily, when I saw the head, pointed to it, and exclaimed--

      "There is your prototype in your family, Miss Northcott."

      "Do you think so?" she said. "I am afraid you are paying me a very bad compliment. Uncle Anthony was always considered the black sheep of the family."

      "Indeed," I answered; "my remark was an unfortunate one, then."

      "Oh, don't mind that," she said; "I always thought myself that he was worth all of them put together. He was an officer in the Forty-first Regiment, and he was killed in action during the Persian War--so he died nobly, at any rate."

      "That's the sort of death I should like to die," said Cowles, his dark eyes flashing, as they would when he was excited; "I often wish I had taken to my father's profession instead of this vile pill-compounding drudgery."

      "Come, Jack, you are not going to die any sort of death yet," she said, tenderly taking his hand in hers.

      I could not understand the woman. There was such an extraordinary mixture of masculine decision and womanly tenderness about her, with the consciousness of something all her own in the background, that she fairly puzzled me. I hardly knew, therefore, how to answer Cowles when, as we walked down the street together, he asked the comprehensive question--

      "Well, what do you think of her?"

      "I think she is wonderfully beautiful," I answered guardedly.

      "That, of course," he replied irritably. "You knew that before you came!"

      "I think she is very clever too," I remarked.

      Barrington Cowles walked on for some time, and then he suddenly turned on me with the strange question--

      "Do you think she is cruel? Do you think she is the sort of girl who would take a pleasure in inflicting pain?"

      "Well, really," I answered, "I have hardly had time to form an opinion."

      We then walked on for some time in silence.

      "She is an old fool," at length muttered Cowles. "She is mad."

      "Who is?" I asked.

      "Why, that old woman--that aunt of Kate's--Mrs. Merton, or whatever her name is."

      Then I knew that my poor colourless friend had been speaking to Cowles, but he never said anything more as to the nature of her communication.

      My companion went to bed early that night, and I sat up a long time by the fire, thinking over all that I had seen and heard. I felt that there

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