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Smoke Gets in Your Eyes. Caitlin Doughty
Читать онлайн.Название Smoke Gets in Your Eyes
Год выпуска 0
isbn 9781782111047
Автор произведения Caitlin Doughty
Жанр Биографии и Мемуары
Издательство Ingram
We pulled up outside the Adamses’ home twenty minutes later with none of the pomp and pageantry of the funeral carriages of old. In lieu of plumed horses in a cortège, it was Chris and me in his twenty-year-old unmarked white van.
Before we went in, I made Chris go over everything again. I wasn’t about to embarrass myself in front of this woman’s husband.
“Don’t worry about it, Cat. A monkey could do this job. I’ll talk you through it.”
As we got closer to the house, it became clear that we would not be dealing with just the woman’s husband. At least fifteen people were milling around outside, eyeing us suspiciously as we walked up the front path to the door. When we walked through the front door we found ourselves in a high-ceilinged living room, where at least forty people were gathered around a woman’s body. Like the scratch of a needle on a skipping record, their voices all went silent at once as the group turned to look at us.
Oh great, I thought, the only two white people here have arrived to take their beloved matriarch away in our roving child-molester van.
Chris, however, didn’t miss a beat. “Hello, folks, we’re here from Westwind Cremation & Burial. Is this Mrs. Adams here?” he asked, gesturing to the dead body in the centre of the room.
It was a pretty safe bet to assume that this was, in fact, Mrs. Adams, but the group seemed to appreciate the question. A man stepped out and introduced himself as Mr. Adams.
Quick to prove myself useful, I asked in a solemn tone, “Were you her husband?”
“Young lady, I am her husband. Not were her husband,” he replied, fixing me with a withering gaze, compounded by the forty other withering gazes from around the room.
This is it, I thought. I’m done. I have shamed myself and my family and all is lost.
However, Chris was, again, unfazed. “Well, I’m Chris, and this is Caitlin,” he said. “Are we ready to take her, here?”
At this point the family usually leaves the room, leaving the funeral-home employees to do whatever they do with the corpse to make it disappear. But this family wanted to watch us. This meant my first time removing a dead body from a home was going to be in front of forty crying people who hated me.
This was the moment I learned the magic of Chris. He began talking me through the process in the same voice he’d told Mike about the day’s elaborate traffic route. He explained how we were going to remove Mrs. Adams as if he were telling the crowd.
“Now we’re going to pull the gurney right alongside the bed, and Caitlin is going to use that handle there to lower her side down. I’m going to take the sheet next to her head and Caitlin is going to take the sheet by her feet and slide it right underneath her. Caitlin is going to pick up her feet onto the gurney in one, two, three. Now she’s going to wrap the second sheet over her and snap her in tightly.”
This continued until Mrs. Adams was swathed and buckled securely to the gurney. The people in the room paid rapt attention to the process, following Chris’s voice step by step. I was grateful that he didn’t expose me as a fraud. I didn’t even really feel like a fraud. The way Chris explained things made me believe I actually knew what I was doing. Surely there had never been a time I hadn’t been an expert body shrouder.
As we wheeled Mrs. Adams out the front door, her son came up to us. He was my age, and his mother was dead. He wanted to lay a flower on the gurney. I didn’t know what to say, so I blurted out, “She must have been a really amazing woman. Trust me, I can just tell about these things.”
This was, of course, a lie. This was my very first house call and I still didn’t know how to properly wrap the body in a sheet, forget measuring the vibe of the room to determine just how “amazing” a dead person was when they were living.
“Um, yeah, thank you,” he said.
Driving away from the house, Mrs. Adams rattling gently in the back, Chris assured me that I hadn’t actually screwed everything up forever. “Look, Cat, we see people at their worst moments. Maybe if someone’s buying a new car, or a new house, they want to be there. But what are they buying from us? Nothing, we’re charging money to take away someone they love. That’s the last thing in the world they want.” This made me feel better.
WESTWIND’S TWO CREMATION MACHINES could handle six bodies (three in each retort) on a typical 8:30–5:00 day—thirty souls a week during busy periods. Each removal took at least forty-five minutes, far longer if the deceased was across the bridge in San Francisco. By all rights Chris and I should have been out fetching bodies constantly. Chris was out constantly, but often just to avoid Mike by volunteering to run petty errands like picking up death certificates and going to the post office. I mostly stayed at Westwind and focused on cremation, since the majority of body pickups didn’t require a number two. Most deaths no longer happen at home.
Dying in the sanitary environment of a hospital is a relatively new concept. In the late nineteenth century, dying at a hospital was reserved for indigents, the people who had nothing and no one. Given the choice, a person wanted to die at home in their bed, surrounded by friends and family. But times have changed, and these days, of the half a million people who die each year in the UK, only 18 per cent die in their home (although 60 per cent say they would like to, given the choice).
The 1930s brought what is known as the “medicalisation” of death. The rise of the hospital removed from view all the gruesome sights, smells, and sounds of death. Whereas before a religious leader might preside over a dying person and guide the family in grief, now it was doctors who attended to a patient’s final moments. Medicine addressed life-and-death issues, not appeals to heaven. The dying process became hygienic and heavily regulated in the hospital. Medical professionals deemed unfit for public consumption what death historian Philippe Ariès called the “nauseating spectacle” of mortality. It became taboo to “come into a room that smells of urine, sweat, and gangrene, and where the sheets are soiled.” The hospital was a place where the dying could undergo the indignities of death without offending the sensibilities of the living.
In my high school, my classmates and I had been told in no uncertain terms that we would not get into college and thus would never get a job and thus would end up unsuccessful and alone if we didn’t serve a certain amount of summer volunteer hours. So the summer between my sophomore and junior years, I signed up to volunteer at Queen’s Medical Center, a hospital in downtown Honolulu. They confirmed I was not a drug user and had decent grades, and gave me a hideous bright-yellow polo shirt and a name tag and told me to report to the volunteer office.
The volunteer department allowed you to select two areas of the hospital to rotate between from week to week. I had no interest in popular choices like the gift shop or the maternity ward. “Get Well Soon” balloons and crying babies seemed like a cloying, sappy way to spend the summer. My first choice was working the front desk at the intensive care unit, imagining a glamorous-nurse-wiping-fevered-brows scenario out of World War II.
The ICU was not the thrill ride I had expected. Turns out, they never called the high school student in from the reception desk to assist the doctors in life-saving procedures. Instead, the job entailed hours of watching incredibly worried families wander in and out of the waiting room to use the restroom and retrieve cups of coffee.
I had more success with my second choice, the distribution department. Working for the distribution department meant passing out mail and memos to different wings of the hospital or wheeling old women out to the front kerb after they were discharged. But it also meant transferring dead bodies from wherever they had expired to the morgue in the basement. I coveted that task. The people who worked full-time in the department may not have understood my enthusiasm, but when there was a “code black” called for a corpse transfer, they would generously wait for me to arrive.
In retrospect, it seems odd that the hospital administration would say, “Sure thing, fifteen-year-old volunteer, you’re on corpse-transfer duty.” I can’t imagine this was something they normally assigned