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Ali vs. Inoki. Josh Gross
Читать онлайн.Название Ali vs. Inoki
Год выпуска 0
isbn 9781942952206
Автор произведения Josh Gross
Жанр Биографии и Мемуары
Издательство Ingram
The same year Rikidōzan began his journey up the difficult sumo ranks, Isamu Takeshita became the third president of the Japan Sumo Association. Fluent in English, Takeshita enjoyed quite a life. A half century before passing away at the age of eighty, Takeshita set up President Theodore Roosevelt with a judo and jiu-jitsu partner, Yamashita Yoshiaki, who at the president’s request taught technique at the U.S. Naval Academy, where he interacted with an assortment of styles including catch-as-catch-can wrestlers. In fact, the pinning of Yoshiaki led the Naval Academy to hire a wrestler rather than a jiu-jitsu man to teach young midshipmen. Still, Takeshita’s diplomatic transaction blazed a trail for four Kanō Jigorō students, including the supremely influential Mitsuyo Maeda, throughout the Americas in the early 1900s. Their efforts created the conditions for the proliferation of Japanese submission arts that are essential to the way the world understands and applies martial arts today.
Takeshita made five trips to the United States between the Teddy Roosevelt and Franklin Delano Roosevelt administrations. During a summer radio broadcast from San Francisco in 1935, six years before the attack on Pearl Harbor, he proclaimed, “No Japanese warship has ever crossed the Pacific except on a mission of peace. No Japanese soldier has ever come to these shores except on a similar mission.” Yet the retired admiral, who received a Distinguished Service Medal from the United States for his actions in the Japanese Imperial Navy during World War I, played a significant role in militarizing Japanese youth and sports in the ramp-up to war in the Pacific.
Joseph Svinth, for the Journal of Combative Sport, noted, “The fascistization of Japanese sport was among [Takeshita’s] duties in these positions, and during the late 1930s Takeshita was responsible for organizing regular foreign exchanges with Germany’s Hitler Youth.”
Takeshita’s considerable influence and fondness for sumo helped it grow into a national sport, but even he fell short in shielding the country’s indigenous wrestling style from the impact of war. As the empire churned in the years leading up to the attack on Pearl Harbor, Japanese life was essentially co-opted by the military. School-aged children were prescribed a physical education curriculum that translated directly to war fighting. Sporting arts were derided as unnecessary, and budō—the martial ways, specifically the Japanese martial arts spirit—was consigned to hand-to-hand fighting. The central authority for Japanese martial arts, the Dai Nippon Butoku Kai, was controlled by the Imperial Army, which promoted boxing because of the belief it engendered the right kind of spirit, while downplaying Kanō Jigorō’s Kodokan judo, which was thought to be too sporting. Kendo and sumo were simply impractical. Boxers such as Tsuneo “Piston” Horiguchi remained busy competing, and, like some sumotori, participated in war bond drives. Athletes in the East and West were useful for this sort of thing, as manipulating sports into effective propagandist tools was hardly new.
Dwindling resources, intensifying attacks from American B-29 Superfortress bombers around Tokyo, and a closely guarded military project halted sumo competition ahead of the summer tournament of 1944. Young battering ram Rikidōzan was close to touching its upper echelon before he and his stable were pulled into the war effort, apparently assigned to factory work during this time. Stories exist that he punched American prisoners of war whose output in forced labor camps wasn’t sufficient, though the veracity of the reports is unclear. Other rikishi, such as members of the Tatsunami stable, provided labor services like digging up pine roots that produced oil used for fighter plane fuel.
As responsible as anything for the abbreviated sumo season was a secret Japanese initiative with the goal of producing 10,000 bomb-dropping balloons, the Fu-Go Weapon, capable of hitting the continental United States directly from Japan or from warships in the Pacific. According to a 1973 report for the Smithsonian Institution by Robert C. Mikesh, Tokyo’s main sumo stadium, the Ryōgoku Kokugikan, was among several sports arenas, music halls, and theaters the military used to inflate and test thirty-three-foot-diameter balloons designed to deliver a payload of four incendiary bombs and one thirty-two-pound antipersonnel bomb. The Japanese hoped after catching strong winds from the west, America’s wooded areas would explode in raging forest fires, tying up critical resources and causing a panic among the civilian population.
For logistical, morale, and propaganda reasons, the American military worked with the media to keep information of potential balloon damage from reaching Japan, all the while stunting a potential hysteria on the West Coast. On May 5, 1945, Elsie Mitchell, age twenty-six, and five children from her husband’s church—Edward Engen, Jay Gifford, and Joan Patzke, all thirteen years old; Dick Patzke, age fourteen; and Sherman Shoemaker, eleven years old— were killed during a fishing and picnic excursion near Bly, Oreg., when a balloon did as intended. These casualties, the only ones in the United States that were a direct result of foreign enemy action, prompted the U.S. government to cease its censorship on the topic.
The U.S. Army also responded to the balloon threat via the Firefly Project. Conscientious objectors (group CPS-103) and the first all-black battalion of paratroopers, the 555th Parachute Infantry Battalion, better known as the Triple Nickles, were dispatched to the Pacific Northwest in case these fire balloons lived up to their billing. Despite the precaution, the 555th wasn’t called to smoke jump into a balloon-produced fire. There was concern among military brass that the Japanese might float germ or chemical warfare to American shores, but from November 4, 1944, to August 8, 1945, two small brush fires and a momentary loss of power at a plant in Hanford, Wash., were the only recorded incidents of property damage, according to the Smithsonian Institution report.
The situation at Hanford Engineering Works, however, could have been catastrophic. Uranium slugs for the atomic bomb that destroyed Nagasaki, Rikidōzan’s adopted hometown, were produced there and the balloon bomb triggered the reactor’s safety mechanism. The fail-safe system had not been tested, and everyone was relieved when it worked as designed. The reactor remained cool enough not to collapse or explode—ensuring the Fu-Go Weapon would be remembered as no more than a missed Hail Mary attempt by Japan to turn the tide of the war.
The end of hostilities and subsequent allied occupation did not immediately return Japanese life, including the martial arts, to their premilitarized social order. The Supreme Commander for the Allied Powers, General Douglas MacArthur, instituted numerous edicts, among them directives aimed at removing and excluding militaristic and ultranationalist persons from society. Schools that briefly resuscitated martial arts instruction after the end of the war stopped, and the Dai Nippon Butoku Kai was shuttered. The tangled mess resulted in a purge of people apparently sympathetic to the defeated Japanese Empire, many of whom were seemingly connected to the Butokukai that had been corrupted under the fascist regime. This was the crux of the General Headquarters budō ban that lasted until 1950—not the shelving of martial arts, per se, just their perversion.
Under Takeshita’s leadership, sumo was not targeted by the Allied Powers’ budō prohibition. Speaking on the seventieth anniversary of the end of the war, Sokichi Kumagai, seventeen years a top-ranking sumo referee, or gyōji, told the Mainichi, a major daily Japanese newspaper, that he received word to reconvene with his stable and get touring again soon after Japan’s surrender. “The biggest problem was securing enough food for the wrestlers, who were all voracious eaters,” Kumagai said. The tour was called komezumo, or “rice sumo,” and in lieu of money, spectators were required to offer a payment of rice. “At the time we toured in groups of related stables,” Kumagai told the paper, “and all the groups toured in areas where rice farming was common.”
Soon enough the sumo association issued a notice that a Grand Sumo Tournament would be held in Tokyo in November 1945. Though his reputation remained strong and positive, and he was unaffected by the Butoku