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       Chapter Ten • WORKING MUSICIAN

       Chapter Eleven • TRIGGER WARNING

       Chapter Twelve • GUITAR STORE BUNNY RANCH

       Chapter Thirteen • HERITAGE, NOT HATE

       Chapter Fourteen • BLUEBIRD & PARNASSUS

       Chapter Fifteen • ALABAMA FEBRUARY

       Chapter Sixteen • VOODOO

       Chapter Seventeen • THE CHILDREN OF YOUR PEOPLE

       Chapter Eighteen • FLORIDA RIVIERA

       Chapter Nineteen • PANAMA BEACHCOMBERS

       Chapter Twenty • CONGREGATION OF ALLIGATORS

       Chapter Twenty-One • LOST IN THE BOOK MINE

       Chapter Twenty-Two • THE POWER OF RECOLLECTION

       Chapter Twenty-Three • LOW-COUNTRY BLUES

       Chapter Twenty-Four • DON’T ASK, DON’T TELL

       Chapter Twenty-Five • MOVING THROUGH ROWLAND

       Chapter Twenty-Six • GENETIC TRASH

       Chapter Twenty-Seven • NAME-DROPPING DC TWO-STEP

       Chapter Twenty-Eight • HOME

       Chapter Twenty-Nine • END OF DISCUSSION

       Epilogue • PIPE & DRAPE

       Acknowledgments

       Resources

      AUTHOR’S NOTE

      While this memoir chronicles an actual month-long United States road trip, I have adjusted some names and identifying details to protect the privacy of family and friends. Where appropriate, these instances are identified within the context of the narrative. Conversations and event sequences are expressed in service to the narrative and to the best of my recollection.

       I tell them those who build

      And master are the ones invariably Merry: Give and take quarter, Create good meals within the slaughter,

       A place for repose and laughter In the consoling beds of being tender

       Excerpt from “Now” by Liam Rector

       PROLOGUE

       The Beginning

      “Just don’t make it one of those douche-y, ‘look-at-me’ confessionals,” Trav requested when this book moved from an idea to words on paper.

      I nodded.

      “And try not to make me sound like a jackass.”

      I nodded again.

      “And make it funny.”

      “Got it,” I said. “A funny memoir about childhood sexual abuse where your character is the opposite of a jackass.” Thinking of the most suave and socially adept figures in film and literature, I suggested modeling Trav’s persona after Humphrey Bogart’s Rick Blaine or Ian Fleming’s James Bond.

      “Magnum, P.I., would be okay, too.”

      This is how the conversation devolved into a review of which fictional good guy Trav would choose to lead a military-style extraction team: MacGyver, Thomas Magnum, Michael Knight, James Bond, or Cordell Walker.

      After some debate, MacGyver won.

      “Would your answer change if the A-Team was an option?”

      “Obviously.”

      As always, these absurd exchanges make me laugh, but Trav’s extensive knowledge of iconic television, literary, and film heroes is no accident. For thirty months from 1988 to 1990, he was unable to sleep because of the sex abuse he saw, heard, feared, and experienced as a student at the American Boychoir School. He sought brave, strong, and honorable male archetypes in fiction because none of those heroes materialized in real life.

      Instead of summoning a talking car or a Walther PPK, Trav began drinking coffee at age eleven to remain alert and vigilant during the nighttime hours.

       CHAPTER ONE

       Between Desire & Piety

      New Orleans is a crooked city, and those comforted by right angles quickly become disoriented. Given that New Orleans sinks, by some estimations, one-half inch each year, a walk down any side street is a study in hodgepodge and a test of one’s inner compass. Exteriors are plastered behind balconies that list and buckle. Cars dodge uneven cobblestone and brick potholes. Grave markers, too, settle into the ground, swallowed up by the damp earth.

      “Northern Caribbean climate,” a tour guide explained, and I noted the situational irony that we had left Maine to escape the stormy weather, but instead of feeling warm Caribbean sun on our faces, we huddled in knitted hats and rubbed our hands together, wishing we had packed mittens.

      It was a metaphor for our marriage—not what I expected—and I avoided extending the metaphor as we stood in the crumbles of the St. Louis Cemetery during one of the coldest and wettest February days on record. I stared at the statue whose lap Dennis Hopper scaled during the acid-fueled filming of Easy Rider, imagining the sensation of being cradled in those smooth, white marble arms. Homer Plessy’s French-inscribed monument stood farther back, not far from the incongruity of actor Nicolas Cage’s pre-purchased modern pyramid.

      “So much history,” I whispered, and drew another connection to our marriage. It was impossible not to lament the beautifully sculpted maze of tombs slowly shifting even deeper below sea level, and I felt as depressed as the stones themselves.

      Imagine a husband who winces when touched. Even the smallest physical gesture is a loaded experience. While many people try not to think about their husbands’ past sex lives, for partners like me that avoidance gets multiplied by a thousand. I understood Trav would likely have had experiences before we met. It was part, I reasoned, of a healthy self.

      I was not prepared for childhood sexual trauma, and it is difficult to reconcile the strong, broad-shouldered, muscular, and tattooed man I married existing in such a vulnerable state, immersed in a culture of sexual manipulation and violence.

      After the cemetery tour, I licked a thick powdered-sugar coating from a hot beignet at Café Du Monde as the rain pelted the café’s outdoor-seating tent flaps. A woman at the next table pulled the price tags from fuzzy striped socks she had just purchased and then removed her shoes to slip them over her bare, pink feet. The servers, mostly elderly men and women, hustled in their paper caps, and the uniforms seemed as sad and undignified as the shivering saxophone player’s cold fingers producing a tinny version

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