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      Anak Agung Gede Soberat, Padangtegal, The Battle of Majapahit against the Chinese (Tatar) Invaders, 1933, tempera on cloth (styled on the model of Gobelin hangings), 93.5 x 310 cm, National Museum of Ethnography, RMV 2673-2.

      Anak Agung Gede Soberat, Padangtegal, Rerajahan Kala Sungsang, 1930s, ink and paint on paper, 42.5 x 30.5 cm, Tropenmuseum, Amsterdam, coll. nr. 1646-48.

      Ida Bagus Made Jatasura, Batuan, Palebon, Cremation, 1936, ink and paint on paper, 50.5 x 75 cm, Tropenmuseum, Amsterdam, coll. nr. 1103-4.

      Published by Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd

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      Copyright © 2012 Adrian Vickers

      All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission from the publisher.

      Library of Congress Cataloging-in-Publication Data

      Vickers, Adrian, 1958-

       Balinese art: paintings and drawings of Bali, 1800-2010/

       by Adrian Vickers.

       p. cm.

       Includes bibliographical references.

       ISBN: 978-1-4629-0998-8 (ebook)

       1. Painting, Balinese. 2. Drawing, Balinese. I. Title.

       ND1026.6.B34V53 2011

       759.9598’6209034--dc23

      2011022780

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      I Ketut Kasta, Peliatan, Arja, 1990s, oil on canvas, 140 x 99 cm, Agung Rai Museum of Art (photo Gustra).

CONTENTS
Introduction and Acknowledgements 9
01 Understanding Balinese Painting and Drawing 12
02 Traditions: Classical Art of Bali 66
03 Traditions: Pre-War Modernists 110
04 The Rebirth of Balinese Painting 162
05 Bali and Indonesian Art 208
Notes 244
Bibliography 248
Index 252

      I Wayan Bendi, Batuan, Bali Island, 1985, acrylic on Dutch paper, 52.5 x 74.5 cm, Singapore Batuan Collection (photo Ken Cheong).

      Introduction and Acknowledgements

      This book began as a conversation with Eric Oey many years ago, in which he suggested that I write a book on Balinese art. I have worked closely with Balinese artists since 1978, in particular with I Nyoman Mandra of Kamasan and Ida Bagus Made Togog of Batuan, when I was living in their villages between late 1978 and the end of 1983. It has taken many years to assemble the resources to produce this book, although in the meantime I have written another one (unpublished) on the painting of Sanur village, and several other studies on Balinese and Indonesian cultural history that deal with matters related to painting. An important part of the development of this book has been the support and friendship of Leo Haks, with whom I have worked closely since the 1990s. Over the last decade, I have also had the pleasure of conversations and collaboration with Thomas Freitag. Parts of this book have been adapted from earlier publications, but most is new work, produced as part of a project to document

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