Collecting Japanese Antiques - Alistair Seton

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Kenzo was a leading abstract painter of the time, while Higashiyama Kai'i painted magical hillsides. He was given commissions by temples and palaces.

      Dozens of artists headed for the West, especially Paris, where Foujita (Fujita Tsuguharu) stayed for decades, was admired for his whites and fine line, became a Christian, and even made church murals. The poetic Takehisa Yumeji succeeded there too and is drooled over now by Japanese girls.

      Fig. 86 Kuniyoshi,"Go Players," woodblock print, triptych, 1853. Photo courtesy Mita Arts Gallery.

      Fig. 87 Toyokuni Ill (1786-1864), "Sumō (Kimenzan vs. Shiranui)," triptych woodblock print, 1857. Photo courtesy Mita Arts Gallery.

      Fig. 88 Shunchō (later Hokushō, fl. 1822-32),"Nakamura Utaemon Ill's seven roles in one play," Osaka print, 1823. Ōban harimaze prints like this hint of the extent of Osaka people's infatuation with Utaemon. Photo courtesy Peter Ujlaki

      Fig. 89 Shunbaisai Hokuei,"Nakamura Utaemon IV as Sumō Wrestler," surimono style ōban, 1837. Shunbaisai was a leading Osaka print figure, active 1824-37. This may have been his last print as his death is announced along the right edge. Photo courtesy Peter Ujlaki.

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