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the recently published and excellent Ozumo Rikishi Meikan (Volume 1), published by Kyodo Tsushinsha and edited by Naofumi Mizuno and Toshiharu Kyosu. I also referred to another recent publication entitled Showa-Heisei no Ninki Rikishi 100 Nin, which was edited by Shotaro Funaki and published by Nihon Spotsu Shuppansha. Finally, in my discussions of two legendary yokozuna in Chapter 9, Futabayama and Taiho, I turned to Baseball Magazine-sha's remarkable series Showa no Mei Yokozuna: Volume 1, "Futabayama," and Volume 2, "Taiho," edited respectively by Tsuneo Ikeda and Ikuo Ikeda. Mention should also be made here of the invaluable assistance supplied by the staff of the Sumo Museum, located in the complex that plays host to sumo in Tokyo, the Ryogoku Kokugikan. These people have always been generous with their time and talent in answering a variety of questions over the years, and their input helped to make this a better book.

      In the original edition, the author took great pains to find a happy medium between the use of Japanese terminology and English equivalents. This is part of an ongoing debate in the field of sumo coverage, and I have altered usage in the text to reflect the direction this debate is taking. Certain English equivalents are still acceptable; "ring" for dohyo and "referee" for gyoji, for example. Where these translations are acceptable they are used freely. The most noteworthy change from the original text is in the use of the English-language term "wrestler." If sumo was nothing more than a combative sport, the use of this term would be justifiable. However, as you read this book, I hope you will discover just how much more than a sport sumo really is. This is one reason why the Japanese term for today's practitioners of the game, rikishi, is used wherever possible. The men in sumo themselves hate to be referred to by the term "wrestler" and there is a solid trend in English-language coverage to make rikishi the standard. (More on this choice of terminology in Chapter 2.)

      Finally, as the original author mentioned in the first edition, this is not meant to be a complete guide to sumo. As the term "pocket guide" implies, this book is meant to be a broad overview, offering a taste or general understanding of what sumo is all about. For regular coverage of all aspects of sumo, Sumo World, the world's only English-language magazine specializing in sumo, is the best source around.

      With the advent of satellite broadcasting in Japan, English-language coverage of each day of every tournament is now available on a greater scale than ever before, complements of NHK, Japan's public broadcasting corporation. In North America and Europe, contact your local cable companies for further information on whether these broadcasts are available in your area.

      One of the things I enjoy so much about sumo, besides the fact that it is one of the most exciting spectator sports around, is its depth. There is always more to know, always more to discover in its rituals, traditions, and history. And for those students of Japanese culture looking for a unique route to some serious insights into what the Japanese people are all about, you would be surprised by what you can find in a study of Japan's national sport. But whatever your reasons for wanting to take a closer look at sumo, I hope this book serves you as a solid first step in the direction of achieving a greater understanding of an athletic/cultural endeavor that is as remarkable as it is unique.

      A banzuke, the official list of tournament participants.

      CHAPTER 1

      As Old as the Nation

      Wrestling seems to have been around almost as long as a civilized mankind has. You can find it in most every culture in one form or another. The fact that there are only so many different ways in which you can grapple with an opponent guarantees that similar styles of wrestling will develop in completely unrelated cultures. This holds true for Japan's national sport, sumo, as well. You can find sumo-like sports in places as far apart as Egypt, Senegal. and Switzerland.

      In Japan's case, the sport is as old as the nation itself, appearing in the country's creation mythology. This does not mean that it developed uninfluenced by outside forces. Japan's close ties to ancient China and the various kingdoms of what became known as the Korean peninsula ensured that there would be some impact of their versions of the sport on this country's brand of wrestling. However, sumo is generally considered to be one of the two truly indigenous aspects of Japanese culture, along with the Shinto religion to which it is closely tied. In fact, sumo finds its roots firmly planted in the soil of this ancient faith.

      Shinto is an animistic religion closely tied to Japanese rice culture. It is filled with a pantheon of deities, and the Japanese imperial line traces its origins to the most powerful of them. Sumo as a religious function is referred to as shinji-zumo and it can still be found today as part of festival activities held at many Shinto shrines around the country. At the time of its origin, it was closely tied to the Japanese rice culture. Matches were performed at a local shrine to determine how good or bad a given harvest would be. As the national polity began to take shape under the suzerainty, or overlordship, of the imperial household, these matches were performed before the ruling emperor or empress to determine the outcome of the country's harvest, thus making shinji-zumo an event of national importance. By the Nara period (646-794) this had become an annual court event.

      The next incarnation in sumo's long journey to what it has become today took place during the Heian period (794-1185). While it was still being practiced primarily as a religious service related to the rice harvest and, by this time, as an offering to the gods to obtain their protection of the nation, it was also performed as a court entertainment called sumai no sechie. This new usage of sumo as entertainment was an important step toward it becoming a sport.

      These events were held to mark the changes of season and became national affairs with scouts being sent out across the land to find the most powerful competitors the country had to offer. Many of the best wrestlers of the day were farmers by trade. Since these court-organized competitions were held at some of the busiest times of the year down on the farm, it was not uncommon for a competitor to enter the capital city of Kyoto hog-tied and at swordpoint. In spite of this press-gang approach to recruiting, sumo's ties to the highly formalized lifestyle of the Heian court, coupled with its religious origins, would lead it to develop into a sport steeped in ritual.

      The passing of the Heian period saw an end to the political control of the nation by the imperial court and, as such, its influence on the development of sumo. The Kamakura period (1185-1336) saw the beginning of the rule of the samurai, who embraced sumo with enthusiasm. To them, it was a perfect form of hand-to-hand combat as well as an excellent training tool. They did not ignore sumo's entertainment value though, and regularly held competitions as a way of passing the time between battles.

      The loss of political influence by the imperial court also led to an equal decline in its wealth. One of the things that suffered as a result of this was the court's ability to hold spectacular ceremonial events on a grand scale, including sumai no sechie. Although shinji-zumo events were still being held at the grassroots level and the samurai were also practicing sumo on a regular basis, this turn of events led to a three hundred-odd year slump for sumo on the national stage. It was still a part of Japanese life, but no one was holding sumo tournaments with the same kind of national significance as those held by the Heian court.

      All this was to change with the rise to power of the first great shogun, Oda Nobunaga. A rough-and-tumble kind of guy who climbed up the ranks from fairly humble beginnings, Nobunaga liked his entertainment on the working-class side. One of his favorite pastimes was, naturally, sumo. In 1578 he gathered fifteen hundred men from across the land for a major one-day sumo competition. Sumo was once again a national pastime with what was to become regular performances before the powers that be.

      During that protracted downturn in sumo's fortunes as a government-supported entity, it was evolving once again, this time on the local level. It was then, during the Muromachi period (1336-1568), that sumo took one more major step toward becoming a professional sport with the development of something called kanjin-zumo. These events involved bouts designed to raise money for improvements or repairs to the many temples

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