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The Ninja and Their Secret Fighting Art. Stephen K. Hayes
Читать онлайн.Название The Ninja and Their Secret Fighting Art
Год выпуска 0
isbn 9781462901838
Автор произведения Stephen K. Hayes
Издательство Ingram
Note: Page numbers correspond to the print edition.
I. (Frontispiece) Ninja blends into his surroundings | page |
2. Ancient documents preserving ninja lore | 17 |
3. Scroll depicting a climbing tool | 17 |
4, 5. Old books explaining ninja tactics and symbolism | 19 |
6. Instructions for making lighting apparatus | 20 |
7. Old book showing weapons | 21 |
8. Shuriken | 22 |
9. Shuko | 23 |
10. Tetsubishi | 23 |
II. Wearing the shuko | 23 |
12. Ninja in training | 26 |
13. Mystic hand position | 29 |
14 . Modern reconstruction of the Hakuhojo in Iga | 31 |
15-17. Masaaki Hatsumi demonstrates various techniques | 39, 41, 42 |
18. Unarmed combat training | 49 |
19. Shikan-ken | 50 |
20. Fudo-ken | 51 |
21. Boshi-ken | 52 |
22. Shuto | 53 |
23. Shizen no kamae | 56 |
24. Ichimonji no kamae | 59 |
25. Jumonji no kamae | 62 |
26(a), (b). Practicing the heel stamp | 64 |
27. Hira no kamae | 67 |
28. Kyoketsu-shogei | 71 |
29. Using the kyoketsu-shogei | 71 |
30. Kusari-fundo | 72 |
31, 32. Two ways of gripping the kusari-fundo | 72, 73 |
33. Using the kusari-fundo | 73 |
34. Kusari-gama | 74 |
35 . Gripping the kusari-gama | 74 |
36. Using the kusari-gama | 75 |
37. Kaginawa | 75 |
38. Using the kaginawa | 76 |
39 . The long staff | 80 |
40. Using the short staff | 81 |
41. Canes containing hidden weapons | 85 |
42 (a )-(c). Using a cane with a hidden blade | 86, 87 |
43. Ninja sword and scabbard | 89 |
44 .. Standard two-hand sword grip | 90 |
45. Using the reverse single-hand grip | 91 |
46. Sword against shuko | 92 |
47. Several types of shuriken | 94 |
48 (a ), (b); 49(a ), (b ). Gripping and throwing the shuriken | 95, 96 |
50. Ninja watches from concealing foliage | 101 |
51. Ko ashi | 102 |
52 (a ), (b). Yoko aruki | 103 |
53 (a )-( c). Nuki ashi | 104, 105 |
54. Climbing a tree with the shuko | 107 |
55. Traditional ninja outfit | 109 |
56. Smoke bomb | Ill |
57. Kunoichi displays a mystic hand position | 119 |
58. Concealed storage compartment | 124 |
59. Secret passageway | 125 |
60. Ninja armor | 126 |
61. Rope technique | 128 |
62. Stealing into the stronghold | 129 |
63. Tubes filled with gunpowder simulated rifle fire | 130 |
64(a ), (b). Climbing tools | 131 |
65. Symbolic representation of the five manifestations | 137 |
66. In (yin) and yo (yang) | 149 |
21. Boshi-ken
Having spent one-third of my life practicing the Asian fighting arts, I was honored to be the first American ever accepted as a personal student by the headmaster of the last historically unbroken ninjutsu tradition in Japan. After my initial training sessions in the moonlit Japanese countryside, my feelings of being honored changed to a growing realization that I had at last found the ultimate fighting art and philosophical system for me.
In the winter of 1978, in the midst of my several years in Japan, I began writing this, my first book, documenting the original teachings of these ancient and undiluted warrior ways. All these decades later, I am still proud of this book. It continues to shine valuable illumination on this so often misunderstood martial art.
I must express my gratitude to Masaaki Hatsumi, thirty-fourth headmaster of the Togakure-ryu ninja tradition, for giving me exactly what I wanted those decades ago. I sought answers unheard of in the greater martial arts world I had deliberately left behind. I became part of the ninja dojo when there were just dozens of people training, years before this book and my others made Masaaki Hatsumi world famous and brought thousands of eager students to his door. What I wanted was the lore of the ninja and their secret fighting art. I was rewarded with knowledge impossible to