LITMIR.BIZ

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in my white eyelet evening uniform for dinner, an elderly housemother reprimanded me for wearing seamless stockings, presumably because they made me look bare-legged. After my days in Harlem, I was infuriated by her pettiness. It was 1960, however, and it did not enter my mind to rebel against the rules. My plan was to go to another school.

      That year I was taking a creative writing elective. It meant so much to me that I have saved my notebook from the class, as well as the classic grammar we were given, The Elements of Style, by E. B. White and William Strunk, Jr. The first page of the notebook has a quotation by Joseph Conrad about the purpose of writing, undoubtedly dictated by our teacher, white-haired and soft-spoken Miss Kellogg, English department chair and Bryn Mawr alumna, whom Miss Hillard had hired in 1925. On the second page, I dutifully wrote down more time-honored rules about writing, and then, as in any working writer’s notebook, I used the rest of the ruled pages for essay and story ideas as well as bits of dialogue and description. I have never forgotten the excitement of a homework assignment from that class: taking a topic from a basket in the schoolroom, and then writing about it for half an hour. I must have loved that exercise in extemporaneous writing because it was an invitation to voice.

      As I wrote, the act of writing enabled me to sublimate my desires and summon the patience to postpone what I imagined was really living. A few weeks after returning from New York, but well before spring vacation, I announced to my diary, “I’m staying. What’s one year out of a lifetime?” I found a roommate and applied for a summer program with the Quakers. And I wrote. The extreme contrast between Harlem and Middlebury called for comprehension, and it fueled my words. It was then when I intuited that I had the mind set of a writer, and the inclination to be more of an observer than a participant. The pleasure of expressing myself on paper was enhanced the following June, when one of my essays about Harlem was published under my byline in the school literary magazine, The Lantern.

      Senior year was surprisingly happy. In October, I loved thinking hard in the mornings and playing tennis vigorously in the afternoons. As always, I found my classes intellectually exciting, or mentally “invigorating,” as I put it in my diary, and I was doing well in all of them except for French. I also noted that “being away from the world gives you a chance to think about things.” Since everyone’s femaleness was taken for granted, it was downplayed, and we were free to dream outside the narrow gender expectations of the era. In November, I was thrilled when President Kennedy was elected, and I planned to join his Peace Corps. And, despite my Unitarian reservations about the Anglican liturgy, I liked what I called the “peace and beauty” of the lovely little chapel with its large arched window, especially at Christmastime, when it was full of sweet-smelling greenery. That winter I contentedly worked on a paper for Miss Dillingham’s senior ethics seminar about nonviolence in the civil rights movement. When the pond froze, the ice hockey was exhilarating. In Introduction to Philosophy, Mr. Schumacher asked us to write about what we wanted in life, and, at a time when few women I knew had careers, I wrote in turquoise ink that I wanted two of them: to be a writer and a social worker. That school year had its disappointments, too. After getting permission from Miss Dillingham to drop mathematics after sophomore year, I was disappointed when I did poorly on my math SAT. She told me it didn’t matter, since I was going to major in history or political science. But I was right to be worried, and I did not get into the college of my choice.

      At Ohio Wesleyan, I stayed away from sororities after so many years at girls’ schools. But after being mocked in a mostly male history class when speaking up, I gravitated to literature classes with more female students and became an English major. If women did not make history, I told myself, they had at least written novels for centuries. Literature was as close to a female sensibility as I could find in academia at that time before women’s studies courses. After graduating, I went to work for a daily newspaper in Providence before moving to New York. It was a struggle to write on my own, until I left Newsweek after six years to write a book. After it was published, I moved from Manhattan, eventually settling into a small historic house (called “the Academy,” since part of it had once been a schoolhouse) on a village green in northwestern Connecticut. Without really realizing it, I had found a place like Middlebury, where I developed a pattern of writing in the mornings and walking or gardening or researching or running errands in the afternoons, not unlike the rich rhythm of life I had learned so long ago at Westover.

      Working in the archive on this book, I was alternately surprised, amused, saddened, and almost always interested in what I was finding. I interviewed alumnae, administrators, trustees, and teachers, including my former English teacher, Miss Newton, who amazed me by saying she not only remembered me but also recalled my total absorption and involvement in classroom discussions. This demanding teacher had wanted me to think harder in her Nineteenth Century Literature class, so I was glad to give her a copy of my first book and get a nice note from her about it. I decided that she and my other teachers had not used feminist language in the 1950s because it was risky and, besides, many of them were living the lives of liberated women anyway. Being in Middlebury and returning to my own and others’ reunions, I got to know the school again. It was gratifying to see the way it had transformed itself through the decades into a place that is better than before—more informal, more open, and much more diverse—while still offering excellence in the classroom. While Miss Dillingham had endorsed a kind of tough love, I learned that Ann Pollina has brought great warmth to Westover, and it is what she calls “a place with heart.” As always, students get used to expressing themselves and being smart and strong. It is without question a good place for girls.

      Reading letters and diaries of other alumnae and listening to their stories, I understand that we shared much, but that we experienced it differently. Sometimes it seems as if we went to different schools. My Westover is unlike anyone else’s, yet, like everyone else, I feel a sense of possessiveness about it. Inevitably, this history of our school is about what I read and remembered as well as what others revealed to me and reminded me about. And, as I learned about our school’s past, I learned more about myself. At times I was sorry for that struggling teenager, but I was glad to discover in my student file that Miss Dillingham had had a better opinion of me than I had of myself. Looking back, I’m grateful that my Real Life was delayed for a few years so that I could imagine the life I really wanted to live.

      L. L.

      Sharon, Connecticut

      ACKNOWLEDGMENTS

      MANY MORE PEOPLE THAN I CAN EVER THANK PERSONALLY HAVE helped me bring this book into being. Archivist Maria Allen’s assistance has been invaluable. Over the years, she has collected not only memorabilia and other materials but also many stories from alumnae, and it was wonderfully helpful when she sent out a mailing to all the alumnae from the Dillingham decades asking for more of them. She has aided me in innumerable other ways, from showing me around the archive to arranging initial meetings with her classmate, Adele Ervin, and her friend, the late John Ferguson. Adele, the school’s first alumnae secretary, has enriched this history through our talks and by giving me a box of vivid and important letters. During his boyhood in Middlebury, John knew his mother’s close friends—Mary Hillard, Helen LaMonte, and Lucy Pratt—so his reflections, and the letters and papers he gave me, were very revealing.

      Maria did not ask me to write this book before proposing the idea to Ann Pollina, who immediately endorsed it. It has been a pleasure to get to know Ann and hear about her exciting ways of educating girls. She has enthusiastically assisted me in every way, giving steadfast support, a number of interviews, any documents I asked for, and allowing me to go where the truth has taken me. My first interview with Joseph Molder, long before I began this book, was followed by another four of them, the last at his lakefront home in Middlebury. True to character, he was always thoughtful, insightful, and honest with me about the goings-on at Westover during three decades.

      I am grateful to the nearly one hundred people who have graciously shared their memories and insights with me in person, by telephone, letter, and e-mail. The oldest was Mary Willcox Wiley ’18, and the

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