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       Also by Simon Garfield

      Expensive Habits

      The End of Innocence

      The Wrestling

      The Nation’s Favourite

      Mauve

      The Last Journey of William Huskisson

      Our Hidden Lives

      We Are at War

      Private Battles

      The Error World

      Mini

      Exposure

      Just My Type

      On the Map

      To the Letter

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      Published in Great Britain in 2015 by Canongate Books Ltd, 14 High Street,

      Edinburgh EH1 1TE

       www.canongate.tv

      This digital edition first published in 2014 by Canongate Books

      Letters copyright © Peter Barker and Irena Souroup, 2015

      Introduction and selection © Simon Garfield, 2015

      Afterword © Bernard Barker, 2015

      Epilogue © Irena Barker, 2015

      Every effort has been made to trace copyright holders and obtain their permission for the use of copyright material. The publisher apologises for any errors or omissions and would be grateful to be notified of any corrections that should be incorporated in future reprints or editions of this book.

      The moral rights of the authors have been asserted

       British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available on

      request from the British Library

      ISBN 978 1 78211 567 0

      eISBN 978 1 78211 568 7

      Typeset in Minion Pro by Cluny Sheeler

      Only on paper has humanity yet achieved glory, beauty, truth, knowledge, virtue, and abiding love.

       George Bernard Shaw

      Contents

       Introduction by Simon Garfield

       The Letters

       1: A Smashing Reply

       2: More Than Is Good for Me

       3: Into the Blouse

       4: Nuts

       5: Untapped Resources

       6: Not Bournemouth

       7: Error of Judgement Regarding Salmon

       8: Do Mention Marriage

       9: What Is Truth?

       10: Janet or Christopher

       11: Serving Hatch

       12: In My Arms

       Afterword by Bernard Barker

       Epilogue by Irena Barker

       Editor’s Note

      Introduction

      In the autumn of 1943, a 29-year-old former postal clerk from north London named Chris Barker found himself at a loose end on the Libyan coast. He had joined the army the year before, and was now serving in the Royal Corps of Signals near Tobruk. He saw little action: after morning parade and a few chores he usually settled down to a game of chess, or whist, or one of the regular films shipped in from England. His biggest worries were rats, fleas and flies; the war mostly seemed to be happening elsewhere.

      Barker was self-educated, a bookish sort. He fancied himself as the best debater in his unit, and he wrote a lot of letters. He wrote to his family and former Post Office colleagues, and an old family friend called Deb. He wrote about the local food and customs, and the occasional trip away from camp with his brother Bert. On Sunday, 5 September 1943, he found a spare hour to write to a woman named Bessie Moore. Bessie had also been a Post Office counter clerk, and was now working in the Foreign Office as a Morse code interpreter. They had once attended a training course together at Abbey Wood in south-east London, a time she recalled with greater fondness and precision than he did. Before the war they had written to each other about politics and union matters, and about their ambitions and hopes for the future. But it had always been a platonic relationship; Bessie was stepping out with a man called Nick, and Chris’s first letter to Bessie from Libya regarded them as an established couple. Bessie’s reply, which took her several weeks to compose and almost two months to arrive, would change their lives forever.

      We do not have this letter, but we may judge it to be unexpectedly enthusiastic. By their third exchange, it was clear to both of them they had ignited a fervour that would not easily be extinguished. In under a year, the couple were planning marriage. But there were complications, such as not actually seeing each other, or remembering quite what the other looked like. And then there were other obstacles: bombs, enemy capture, illness, comical misunderstandings, disapproval from friends, fear of the censor.

      More than 500 of their letters survive, and this book distils the most alluring, compelling and heart-warming. It is a remarkable correspondence, not least because it captures an indefatigable love story. There is no holding back, and the modern reader is swept along in a gushing sea of yearning, lust, fear, regret and relentlessly candid emotion. Perhaps only those with steel hearts will fail to acknowledge an element of their own romantic past in this passionate tide. But there is so much more to enjoy, some of it banal, much of it humorous (that is, humorous to us, while evidently vital to them), all of it composed with a deft and elegant touch.

      The vast majority of these letters are from Chris; most of Bessie’s were burnt by Chris to save space in his kitbag and conceal their intimacy from prying eyes. But she is present on almost every page, Chris responding to her most recent observations as if they were talking in adjacent rooms. We follow their transactions with the eagerness of a soap opera fan; the main villain is the war itself, closely followed by those they berate for keeping them apart. The erratic nature of the postal service as Chris moves from North Africa to hotspots in Greece and Italy is another bugbear, though it is also a constant wonder that the letters got

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