LITMIR.BIZ

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men trying to out-macho each other in the pursuit of a young woman was utterly gruesome.

      My mother behaved with great dignity throughout the whole business, which lasted for about four years. We none of us knew what was going to happen; Dad could be mulish in his single-mindedness. The extraordinary thing was that though he was a national figure, the press did not expose this affair; there was none of that intrusiveness into public personalities’ private lives masquerading as investigative journalism to which we’ve since become accustomed.

      All this took its toll on Dad’s health. He was by now a man in his mid-fifties, and having to behave with the ardour of an ageing Lothario as well as working seven days a week put intolerable pressure on his system. He would work all week in some theatre or other, dash down to London for his weekly radio show and then travel to another town for the start of the following week’s engagements. I think that deep down he hated himself for the way he was behaving towards my mother; he loved her deeply but couldn’t resist the flattery implied by the attentions of a younger woman. Eventually, in 1955, he performed one time too many, did a show, took his bow, came off stage and collapsed. He was rushed to hospital with a suspected heart attack; in fact, he’d had a nervous breakdown. The doctors insisted that he needed three months’ complete rest. We were relieved his condition was not more serious but the problem was what would happen to his band. Dad cared for them and worried about them. In fact, my cousin Laurie, a member of the band, took over as temporary leader so they were able to meet their immediate touring engagements.

      The Sunday broadcast was a different matter. I phoned Jim Davidson at the BBC to discuss the crisis. To my astonishment he said, ‘Why don’t you do the broadcast? In fact, do the lot. There are only three left before the summer break.’ When I recovered my equilibrium, I realised his proposal made sense. 1 often went to the broadcasts and indeed contributed to the scripts. I knew the band, they knew me, and I could rely on them absolutely to see me through. And this solution would put my father’s mind at rest. He had been worrying about his radio show and loathed the prospect of the BBC’s own house band taking over the slot. There was also the fact that I would be no threat to him. He behaved towards the band like a benevolent headmaster and he would see me not as a successor but as just the head prefect filling in while the beak was away.

      Aided by an excellent scriptwriter who made jokes about Dad’s absence and my ineptitude, and bolstered by the good-natured badinage of the band, I made a modest success of the three broadcasts. So much so that Dad’s agent, Leslie Grade, rang me and said that Moss Empires, who had booked the band for the summer, would be happy to stick to the original schedule if I would carry on waving my arms around in time to the music. I agreed because this meant the band would be paid and Dad could enjoy a worry-free break in the south of France.

      My first engagement with the band was at the Theatre Royal, Portsmouth on a Saturday evening, an easy start because at the weekend the place was sure to be packed. I made a deal with the leading saxophonist that he would beat time discreetly with his instrument while I gave the audience the impression that I was in charge. After a fairly chaotic rehearsal, I left the theatre and walked across the road to a café opposite. As I was tucking into a meal, I happened to look up and saw people queuing to get into the theatre. God Almighty! It suddenly struck me that what I was about to do was sheer lunacy. I’d never even been on the stage before, let alone faced an audience who had the highest expectations of a Billy Cotton Band show. ‘What are you doing?’ I asked myself desperately, barely avoiding the urge to bang my head on the table top.

      I remember virtually nothing about the show that followed, so it must have gone well. Indeed, I went home to Boo with a feeling of euphoria which lasted all of twenty-four hours until I drove up to the band’s next engagement in Peterborough. As I was to discover, a rainy Monday night in middle England is an entirely different proposition from Saturday by the sea. The place was only a third full, and in the front were the serried ranks of local landladies who’d been given complimentary tickets in the hope they would recommend the show to their guests. These dragons sat there glowering, arms folded, daring us to entertain them. If you want a really super-critical audience, hand out free tickets. When punters have to pay for their tickets, they are on your side because they have a vested interest in enjoying themselves, otherwise their money’s been wasted. So I waved my arms around like crazy and babbled away, desperate to get some reaction from the audience. The band members, meanwhile, smiled cynically – they’d seen it all before. It certainly made me realise what my father had gone through in the lean years before he became famous.

      To discomfort me even more, in a box surrounded by her acolytes there was Cissie Williams, the chief booker for Moss Empires. She was an awesome figure in the entertainment industry, able to make and break the career of performers by giving or withholding work or by placing them either in big London theatres or remote regional flea-pits. At the interval, she appeared in my dressing-room and I preened myself, fully expecting her to utter some words of congratulation or encouragement – after all, I’d taken over the band at short notice and, in all modesty, I thought I was doing rather well. Instead she snapped, ‘You are contracted to do fifty minutes and you only did forty-five’ – which was true, simply because we couldn’t include the number Dad always sang at the end of the show. I thought quickly and said, ‘I’ll ask Alan Breeze to sing “Unchained Melody”,’ a big hit at the time. She nodded, said, ‘Give my regards to your father,’ and swept out.

      Alan Breeze, the band’s male vocalist, had been with my Dad for years and was the on-stage butt of his humour. He had a pronounced stutter which became worse in moments of stress. I told him the form and ensured the band had the music of ‘Unchained Melody’ on their stands. The following evening as the act came to its climax, we struck up the opening chords of the song and on came Alan Breeze, who looked at me desperately and muttered something I didn’t quite catch. We waited for him to take his cue and nothing happened; Alan just stared at me like a startled rabbit. We reached the end of the introductory chords. Dead silence. Having learned a thing or two from watching my father exchanging badinage with Alan, I turned to the audience and said jocularly, ‘I think we’ve got a problem here.’ Then with a great melodramatic gesture I picked up Alan by his collar and with a big smile on my face for the benefit of the audience, hissed at him, ‘What the hell’s going on?’ Spluttering and stuttering, he whispered, ‘I … I … I’ve f-f-forgotten the w-w-words!’ I could have killed him with my bare hands. Everybody knew the lyrics of ‘Unchained Melody’ – for a time they were more familiar than the words of ‘God Save the Queen’. By enlisting the audience to sing along with Alan, I got us through the show and aged twenty-five years in five minutes.

      Then we moved on to Brighton, where to my utter delight our takings for the week were up on the same period in the previous year when Dad was in charge of the band. I couldn’t wait to give him the good news: I thought it would aid his recovery if he knew how well things were going. Fat chance. He hated being upstaged, even by his own son.

      One evening during the interval between houses at the Hippodrome Theatre, I went down to the bar and saw there a famous Brighton resident, the comedian Max Miller. Miller had done a memorable season with my Dad at the London Palladium which I attended virtually every evening because I admired his stand-up so much. Whether he was the greatest comedian of his day was a matter of argument, but he was indisputably the meanest. He had never been known to put his hand in his pocket and buy a drink, so I was not surprised to see him sitting staring glumly into an empty glass. We exchanged pleasantries and then I offered to buy him a drink. He was very grateful. We talked some more. ‘Can I refill your glass?’ I asked. He was beside himself with gratitude. Later: ‘Another one?’ I enquired. He overwhelmed me with thanks. Eventually I had to get back to business, but as I left, the barman called me over and he said, ‘Thanks very much for standing Max those rounds. If you hadn’t, I’d have had to do it. Every night he comes in here and just stands silently at the bar until I offer him a drink.’ Mean he might have been, but when he died Max left his entire estate to a home for unmarried mothers.

      We ended our run with a week in Dublin. The Thursday happened to be St Patrick’s Day, which meant there were only two bars open in the entire city: one was at the Dog Show and the other at the Theatre Royal, where we were playing. Though the Billy Cotton Band was

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