LITMIR.BIZ

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my city, my home, be like when war came? What would happen? What would be destroyed?

      But the possibility of the regime changing, of it falling, seemed unthinkable, unfathomable. I knew what democracy should be, but I couldn’t imagine how we would live it, how things would change, how life would be with freedom thrust upon us.

      I wanted war to mean we could think freely, speak freely, offer opinion.

      I wanted war to mean choice would come.

      I wanted war to mean Mama would return home again.

      I heard Papa talking to her sometimes, though he never would admit it to me, or to Uncle Aziz, and definitely not to Auntie Hana. He’d tell Mama about his work, the paper he was writing, his students. He’d whisper about the Ba’ath party, sharing with her why he joined, why he had no choice. “It was for protection,” he’d say. “To protect my job and our daughter. A member in name only. I do nothing for them,” he’d whisper. “Nothing.”

      He’d tell her how her sister Hana was doing, how grumpy she’d become and what a nuisance her children were. He’d tell her about me and I would hear the pauses in his speech, waiting for her reply yet knowing it would never come.

      Why? I wondered. Why do this to yourself ? The one time he talked to me about her, in the days when I still dared to ask, he insisted she was still alive. Countless times I’d seen him emptying out her jewellery box, and I knew he was looking for her necklace, that necklace with the green stone and filigreed gold, but even I knew he would never find it, because she always wore it and would’ve been wearing it, I’m sure, on that day she disappeared.

      That necklace, wherever it was, was wherever Mama was.

      When she’d been gone a year I walked into their bedroom and found him standing in front of her open wardrobe, his face pressed against her clothes, his hands holding them to his cheeks and nose and mouth. I moved around to see what he was doing and listened to his heavy breathing as he sucked in the last of her scent before it faded completely from the fabric. He turned and saw me, and for the first time in my life I saw tears in my papa’s eyes and stuttering down his face. When I stepped forward to hold him, he growled at me to go.

      After that she became a taboo subject in his presence.

      Her clothes still hang in the wardrobe.

      Or did. Until the bomb.

      I opened a new sketchbook, pressing down the white pages, smoothing my fingers along the inside of the spine. I picked up a pencil and held it over the paper, the tip trembling in my fingers. I wanted to make a record of this war, if it arrived. I wanted to remember how things were, what things looked like, draw the buildings in my city that had inspired my dream to be an architect.

      Yet I wished I could put my thoughts on paper too, take my worries out of my head, stop them spinning and bouncing around and making me feel sick. Maybe then, I thought, I could sleep at night and my chest wouldn’t burn during the day, and I wouldn’t feel dizzy at the prospect of bombs and troops, and my head wouldn’t hurt with the worry of what might happen.

      And I knew the door behind me was locked, but I felt the danger still, faceless, invisible, knowing every secret I held in my head. A lifetime, seventeen years, of being allowed no opinion but the right one, had left me with a fear of expression and a caution to my own thoughts. Could I really write them down? What if it was found? What would happen to me? To Papa? Nobody would know and nobody would ever find out, because we would disappear and nobody would dare to ask where, why or how.

      I picked up the sketchbook and stepped from the house. The sun was bright on my eyes and the wind blew around my clothes. I’ll sketch the buildings while they stand, I thought, the people while they breathe, and the city while it lives.

      And I wandered around alone, stopping here and there, sketching things that caught my eye, things I wanted to capture while they still existed. I stopped at a market, breathing in the different smells; the fruit, the spices, the tobacco the men smoked, and I sketched the face of a young boy helping his mama, catching a look of cheekiness behind his tight-lipped grin.

      I paused to watch a coppersmith, a skinny man with glasses, wipe sweat from his balding head before continuing to beat away at a huge copper pot.

      At a row of shops my pencil dashed across the paper; the shapes of the bold signs, the darkened windows, the arches above.

      But everywhere I went I saw him. Posters of him, paintings; holding guns, smiling at his people, surrounded by tanks, waving to crowds. Saddam. His presence loomed over us; his mirrored sunglasses hiding his eyes, yet reflecting ours, and our fear. Everywhere I went, I felt him watching.

      I found myself at Al-Mustansiriya University, sketching the straight lines of the roof, the patterns on its beige walls, the blackness inside its massive arches. I remembered Papa talking about it, how old it was.

      How many people have walked through its doors, I wondered, in all these hundreds of years it’s been standing? How many more will in the future? Will I? Could I? And I thought of all the people who were students here, or lecturers, or staff, and all the other people in this city; every one a husband, wife, son, daughter, brother, sister, friend, colleague, teacher, pupil, of someone, somewhere.

      Every one, loved by some one.

      And I realised that every person in the city would be thinking the same thing, would be wishing, hoping, praying that they wouldn’t lose anyone they loved, or they cared for, or even just knew.

      But how many would? How many people would be crying in the morning? How much grief would it take, to fill this place of five million people?

      I strolled towards home, but there were too many thoughts and worries in my head. I didn’t want to be inside. I didn’t want to be alone.

      I headed towards the river, a place where I knew some friends would be, and together we lounged on the bank, hiding in the shade; everyone solemn. Some had left the country already; those whose families could afford it, or those with relatives abroad, and already it felt like there were holes in our group. Friends missing who would probably never return, yet alive at least. I hoped.

      These were friends I’d known for years; friends, it seemed, I’d never not known, and for a moment I watched their faces and a fear hit me that we might never be together again.

      With a sigh I turned towards the river and took out my sketchbook. On a clean page the river took shape, flowing away in the distance; grey, concrete bridges spanning it; hotels and high rises reaching up into the pale sky; clumped grasses sprouting near its banks; palm trees, walkways, streets bustling with traffic. Flat and dusty. Sun bleached and muted.

      I stopped drawing and stared into the distance, imagining the palace, just visible, watching us. I glanced away from it, in case it caught me staring, in case it read the thoughts that shouldn’t have been in my head. I daren’t draw it, daren’t even look at it. Could only just dare to think about it.

      I’d heard whispers about its swimming pools. I closed my eyes and felt the heat envelop me.

      If that palace is ever empty, I dared to think, I will walk along its marble floors in heeled shoes, the noise bouncing off the walls and announcing my presence. I will stroll outside to the swimming pool, slip off my shoes and dive into the cool water. I will swim to the centre and float on my back staring up at the sky, the bluest sky in the world. And I will listen to the silence.

      I opened my eyes and my mouth to share this thought, but couldn’t say the words. Not even to my best friend Layla.

      The words weren’t even stuck in my throat. They daren’t get that far. They daren’t even form.

      

      It was February and the minutes and hours and days and weeks forced us ever closer to the inevitability of which no one spoke.

      I

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