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music. I thought they looked so cool. And I loved Charlie’s Angels. Jaclyn Smith was my favorite. Of course, Happy Days was a big show for me. I wanted to be like Fonzie.

      I collected Stop N Go gas station mini NFL football helmets, which you could only get by purchasing Stop N Go’s inferior version of a Slurpee. I had to have them all, and as quickly as possible, which meant plenty of brain freezes!

      I wore tight Sassoon pants, corduroys, or Levi’s. Bell-bottoms were at their peak of popularity, and everyone had to have Vans tennis shoes. The cool thing to do was to have them custom-made. You would have to wait a few weeks, but it was worth it. Just having Vans was cool, really. But they cost about $40…Hey, Grandma!

      White moccasins were another hip thing to wear. They were available only in the leather stores at the farmers market. My grandparents would take me to get them. The employees would see us coming in and they would take them down for me, knowing exactly why I was there. They cost like thirty bucks, but my grandma never had a problem buying me new ones once the old pair wore out.

      I also loved playing with yo-yos. This was when I was ten years old. They’re not very popular today, but back then they were pretty common for kids, a must-have toy that was advertised all over TV. I became a pro. Every week, we had these yo-yo contests at our local 7-Eleven store, sponsored by Duncan yo-yos, right in the parking lot. Ricardo and Jackie weren’t into it as much, but they would still come along with me on their bikes. I could do every popular move, and I even made up a few of my own. I was in the running to win every time.

      As a prize, they’d give me a nice yo-yo, like a glow-in-the-dark one. I won at least ten of those things. I rocked at that and always came home excited. In my mind, I was a stud who could be the best at anything I put my mind to, particularly if the girls thought it was cool.

      THE BEGINNING OF THE DRUG SCENE

      As we got older, Ricardo, Jackie, and I became aware of the drug culture that so many other kids were getting into. It was 1977 and a new phrase that epitomized the attitude of the time swept the nation in an Ian Dury and the Blockheads song called “Sex and Drugs and Rock and Roll.” It was in the air and on my mind. My friends and I were very curious about drugs, and it wasn’t long before the fateful day arrived. Jackie and Ricardo must have experimented before me because it all started this way: one day we were all hanging out and Jackie asked if I wanted to get high. Just like that—out of the blue. I knew exactly what he meant. Ricardo had a makeshift pipe he had made out of tinfoil. We walked over to Win-netka Park and sparked up.

      We were sitting in this deserted dugout and I remember the first wave of cannabis hitting my medulla. It was subtle at first, then whoa. The sounds were what tripped me out most. Ricardo’s voice sounded so different, and the colors behind him, different shades of green on the trees, shadows slipping in and out of the backstop. I couldn’t help but feel that was the greatest, most profound fucking moment. I discovered what I thought was heaven on earth that day. I thought that I had found a connection with God. Then I just started cracking up. There was a Taco Bell just across the street from the park, but I couldn’t order anything because I couldn’t stop laughing.

      At the wise old age of eleven, my friends and I entered a new chapter in our lives, and our daily activities changed completely. While we used to bike around, or play catch or whatever, we now smoked weed almost exclusively. We never drank. Jackie began selling weed, so we would always have a supply. After school, we’d be at one of our houses, just watching TV and getting high. Our parents worked, so it was a carefree time. Those were the days; it was summer, no school, just hanging out. Good times with good friends.

      It was also at this time that we had a conversation that I consider to be the most prophetic moment of my life. We were eleven years old, hanging out in Ricardo’s backyard, sitting on his dad’s tractor. It was another gorgeous sunny day in the Southland and we had just finished up a nice fatty. All of a sudden Ricardo goes, “I want to be in construction like my dad.” Then Jackie says, “I want to be a mechanic like my dad.” I looked at both of them and all I could think about was Steve Tyler rocking out, shouting, “Dream on! Dream on!” so I blurted out: “Well, I’m gonna be a rock star!”

      THE CRUX OF THE BISCUIT

      So let me digress for a moment, because this is really important. And while it might not be as sensational as Axl’s chaps or Izzy shooting up or Slash fucking strippers, to me this is more important. It’s revelatory and from the heart.

      Whether you want to be a rock star, or play in the Super Bowl, or go to Harvard, you just got to say it out loud and believe it. That’s it. But you’ve got to have 100 percent unwavering faith in what you’re saying. It’s that simple. I did it, the guy who’s helping me write this book did it, and we both know other people who have done it too. Rock star, Harvard, Super Bowl—believe it and you will be it.

      FIRST GIG

      When I was twelve, I got my first part-time job at the Pioneer Chicken fast-food restaurant, which was right by where my mom worked at Brent’s Delicatessen. I cooked the chicken and I cleaned floors, whatever they needed me to do. I was at that stage where I’d rather have been making some money than going to school. By now, I was in seventh grade at Sutter Junior High School. I hated it, and I wanted out. The first time I ditched, I remember walking out of the school, shaking because I was so scared I was going to get caught. I walked out the gate and crossed the street, and waited for the inevitable shout from a teacher, but nothing happened. That serious lack of school supervision definitely encouraged me to ditch school every day.

      Every morning I’d get on the bus, which only cost like forty-five cents back then; buy a transfer, which was like thirty-five cents; and ride up Winnetka, which was where the school was. But I wouldn’t get off at the school; I would just keep going. The bus would continue down Ventura Boulevard, and I’d get off at the hill in front of Universal Studios.

      I used to hang out in the area where people would come out and shop after riding the tram. They had Frankenstein walking around, and people dressed as cowboys and Indians performing the stunt shows. One time I arrived early and met the villain of their little live performances. He sported a sinister, thin mustache and an all-black outfit and whip. He’d shoot the good guys off their horses and stuff. His name was Lance Reamer, a man in his fifties. He used to go to the restaurant where my mom worked, so I introduced myself as her son and said that she’d told me about him.

      Lance would let me hang out backstage, and I loved it. It had a really cool vibe. Lance never asked me why I wasn’t in school and actually became a good friend. That was when I realized I wanted to be a stuntman. That lasted about a month.

      CUTTING CLASS, SCORING ASS

      I was supposed to be in school, and while cutting out one day, I met another kid ditching classes from another local middle school. His name was Josh. He had shaggy dirty-blond hair and wore a brown leather-fringe jacket. We were just walking around the neighborhood, during an unusually cold drizzly afternoon, when we ran into a pair of twelve-year-old girls, apparently cutting class too.

      Josh had a pack of cigarettes and shared them with us. We all hit it off quickly. One of the girls had the Marcia Brady look: long, straight blond hair. The other had the lengthy, curled-back bangs that Farrah Fawcett made so popular at that time. As we talked and laughed, we made our way over to a construction site. We entered one of the half-built houses and looked around. There was just the stud framing supporting some Sheetrock walls and a ton of that cheap multicolored foam padding you see when you rip up wall-to-wall carpeting.

      The place had a nice homey feel to it, and it was obvious other kids had hung out there. Someone had tipped over one of those big wooden spools for a makeshift table and dragged over a bunch of cinder blocks for seats. There was even a Led Zeppelin mural spray-painted on one of the walls. It was the four symbols for Page, Plant, Bonham, and Jones included on the inner sleeve of the fourth album. On another wall someone had spray-painted a crappy version of

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