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Ajulu, Neville Alexander, Charles Anson, Kader Asmal, Ismail Ayob, Beryl Baker, Fikile Bam, Niël Barnard, John Battersby, David Beresford, Guy Berger, Hyman Bernadt, George Bizos, Tony Bloom, Alex Boraine, Pieter Botha, Pik Botha, P.W. Botha, Lakhtar Brahimi, Christo Brand, Jules Browde, Gordon Bruce*, Brian Bunting, Mangosuthu Buthelezi, Amina Cachalia, Andrew Cahn, Luli Callinicos, Arthur Chaskalson, Frank Chikane, Colin Coleman, Keith Coleman, Jeremy Cronin, Eddie Daniels, Apollon Davidson, F.W. de Klerk, Ebbe Demmisse, Robin Denniston, Helena Dolny, John Dugard, Barend du Plessis, Tim du Plessis, Dick Endhoven, Ivan Fallon, Barry Feinberg, Ilse Fischer, Maeve Fort, Amina Frense, Phillippa Garson, Mark Gevisser, Angus Gibson, Frene Ginwala, Pippa Green, James Gregory, Louisa Gubb, Adrian Hadland, Anton Harber, Tony Heard, Rica Hodgson, Bantu Holomisa, Evelyn Holtzhausen, John Horak, Verna Hunt, Charlayne Hunter-Gault, Zubeida Jaffer, Joel Joffe, R.W. Johnson, Shaun Johnson, Pallo Jordan, Ronnie and Eleanor Kasrils, Mark Katzenellenbogen, Liza Key, Martin Kingston, Horst Kleinschmidt, Mavis Knipe, Wolfie Kodesh, Alf Kumalo, Terror Lekota, Hugh Lewin, Tom Lodge, Raymond Louw, Enos Mabuza, Graca Machel, Winnie Madikizela-Mandela, Peter Magubane, Stryker Maguire, Arthur Maimane, Evelyn Mandela, Maki Mandela, Parks Mankahlana, Barbara Masekela, Nathaniel Masemola, Kaiser Matanzima, Don Mattera, Joe Matthews, Govan Mbeki, Thabo Mbeki, Iqbal Meer, Irene Menell, Roelf Meyer, Raymond Mhlaba, Abdul Minty, Joe Mogotsi, Ismail Mohammed, Popo Molefe, Eric Molobi, Ronnie Momoepa, Ruth Mompati, Murphy and Martha Morobe, Shaun Morrow, Mendi Msimang, Mary Mxadana, Beyers Naude, Joel Netshitenzhe, Lionel Ngakane, Carl Niehaus, Wiseman Nkhuhlu, Kaizer Nyatsumba, Andre Odendaal, Chloe O’Keefe, Marie Olivier, Dullah Omar, Harry Oppenheimer, Tony O’Reilly, Aziz Pahad, Essop Pahad, Sophie Pedder, Benjamin Pogrund, Cyril Ramaphosa, Narissa Ramdani, Mamphela Ramphele, Dolly Rathebe, Bryan Rostron, Anthony Rowell, John Rudd, Albie Sachs, Peter Saraf, Raks Seakhoa, Jeremy Seekings, Ronald Segal, Michael Seifert, Wally Serote, Tokyo Sexwale, Lazar Sidelsky, Mike Siluma, Albertina Sisulu, Elinor Sisulu, Zwelakhe Sisulu, Gillian Slovo, Mungo Soggott, Roger Southall, Allister Sparks, Tim Stapleton, Hendrik Steyn, John Sutherland, Helen Suzman, Tony Trew, Ben Turok, Desmond Tutu, Philip van Niekerk, Xolisa Vapi, Ben Verster, Esther Waugh, Enid Webster, Leon Wessels, General Johan Willemse, Moegsien Williams, Jacob Zuma.

      And to the following in London and elsewhere abroad:

      Heribert Adam, David Astor, Mary Benson, Rusty and Hilda Bernstein, Betty Boothroyd, Lord Camoys, Cheryl Carolus, Lady (Lynda) Chalker, John Colvin, Ethel de Keyser, David Dinkins, John Doubleday, Richard Dowden, Marcus Edwards, Eleanor Emery*, Sir Patrick Fair-weather, Michael Gavshon, Dennis Goldberg, Denis Healey, Sir Edward Heath, Denis Herbstein, Eric Hobsbawm, George Houser*, Trevor Huddleston, Lord (Bob) Hughes, Paul and Adelaide Joseph, Glenys Kinnock, Brian Lapping, Colin Legum, Martin Leighton*, Freda Levson, Anthony Lewis, John Longrigg*, Trevor Macdonald, Sir Kit McMahon, Shula Marks, Jacques Moreillon, Lionel Morrison, Lady (Emma) Nicholson, Robert Oakeshott, Thomas Pakenham, Nad Pillay, Vella Pillay, Elaine Potter, Sir Charles Powell, Lord Renwick, Jon Snow, Lady (Mary) Soames, George Soros, Richard Stengel, John Taylor, Noreen Taylor, Michael Terry, Stanley Uys, Randolph Vigne, Per Wastberg, Brian Widlake*, Donald Woods, Ann Yates, Andrew Young, Michael Young.

      In this revised paperback edition I have made some corrections and additions to the original text. I am grateful to all those correspondents who have taken the trouble to suggest changes.

      ANTHONY SAMPSON

      London, December 1999

      PROLOGUE

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      The Last Hero

      WESTMINSTER HALL in London, the ancient heart of the Houses of Parliament, is preparing to honour a visiting head of state, in a ceremony which happens only once or twice in a lifetime. The last such guest of honour was General de Gaulle in 1960; this time, in July 1996, it is President Nelson Mandela. The comparison is apt, for both were solitary, lost leaders who came to be seen as saviours of their country. But Mandela’s transformation is much more surprising than de Gaulle’s. In the past, many of the politicians in the audience had regarded him as their enemy, who should never be permitted to lead his country. Many Conservative Members of Parliament had condemned him as a terrorist; the former Prime Minister Lady Thatcher, who is sitting near the front, had said nine years before that anyone who thought the African National Congress was ever going to form the government of South Africa was ‘living in cloud-cuckoo land’. Now cloud-cuckoo land has arrived in Westminster Hall. But the ceremonials in this medieval hall have legitimised many awkward shifts of loyalty over the centuries, whether from Richard II to Henry IV in 1400 or from Charles I to Oliver Cromwell in 1649. And now all recriminations are drowned in a fanfare of trumpets.

      It is like a scene from grand opera, with Beefeaters lining the steps and helmeted guardsmen at the back of the hall. The Lord Chancellor, Lord Mackay of Clashfern, arrives in his robes of state. Then, at last, the tall, lean figure of Nelson Mandela appears and walks shakily down the grand staircase, holding the hand of the Speaker of the House, Betty Boothroyd: she says afterwards it was the most memorable five minutes of her life. The Labour peer sitting in front of me allows tears to flow down his cheek. The band of the Grenadier Guards plays ‘Nkosi Sikelel’ iAfrika’, for decades the hymn of South Africa’s black revolutionaries. The Lord Chancellor makes a modest speech, recalling how this hall has witnessed the slow evolution of democracy, ever since the Magna Carta in 1215, and how Britons and South Africans share the democratic right to one person, one vote. Then he warmly introduces the former revolutionary, who now looks as benign as an old-fashioned English gentleman.

      Mandela speaks slowly, with his usual formal emphasis. Although most guests cannot hear him through the echoing acoustics, it is a tough speech which does not please Lady Thatcher, as she says afterwards. He looks back two hundred years, to when Britain first colonised South Africa and seized the land of his forebears. He reminds his audience how the ANC first petitioned the British parliament eight decades ago, in protest against being left to the mercy of the white rulers of the new Union of South Africa. But now, he says, he comes as a friend of Britain, to the country of allies like William Wilberforce, Fenner Brockway, Archbishop Trevor Huddleston. He goes on to refer to the horrors of racism, whether in South Africa or in Nazi Germany – ‘How did we allow these to happen?’ – and the appalling massacres and miseries in other parts of Africa; but he ends by looking ahead to the closing of the circle, to Britain and South Africa joining hands to construct a humane Africa.

      This is the historic Mandela: the last of the succession of revolutionary leaders in Asia and Africa who fought for their freedom, were imprisoned and reviled, and were eventually recognised as heads of state. But the Afrikaner nationalists were much more ruthless enemies, and he now shows more magnanimity than his predecessors, giving hope both to his own people and to others that they can bridge their own racial chasms. He has become a universal hero at the end of the twentieth century. In a time of vote-counters, spin-doctors and focus groups, he conjures up an earlier age of liberators, war leaders and revolutionaries. To conservative traditionalists he evokes memories of great men who personified their own country; to the liberal left, battered by lost causes, he brings new hope that righteous crusades can still prevail; his three decades in jail cut him off from the surge of materialism and consumerism that swept through the Western world.

      As Mandela goes through the pompous routines of a state visit, he even brings new life to the British monarchy itself, under siege with its own troubles. Some of the audience go straight from Westminster Hall to the Dorchester Hotel, where he is giving a banquet for the Queen. He arrives with her, looking both more regal and more at ease than the monarch as he lopes between the guests. At the end of the lunch he gives another brief speech, reminding the Queen that he’s just a country boy, thanking her for opening all doors to British society and for letting him walk in her garden early in the morning. The Queen’s relaxation in his company is obvious as they talk. ‘She’s got a lot in common with him,’ one courtier explains. ‘You see, they’ve both spent a lot of time in prison.’

      In the evening another Mandela is presented to the young generation: the showbiz idol and friend of pop stars. He is the guest of Prince Charles, together with most of the royal family, for a concert attended by

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