Across The Wall: A Tale of the Abhorsen and Other Stories - Garth Nix

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begin with a thinly sketched scene, character, situation or some combination of all three, which just appears in my head. For example, I might suddenly visualise a huge old mill by a broad river, the wheel slowly turning, with the sound of the grinding stones underlaid by the burble of the river. Or I might think of a character, say a middle-aged man who has turned away from the sorcery of his youth because he is afraid of it, but who will be forced to embrace it again. Or a situation might emerge from my subconscious, in which a man, or something that was once a man, is looking down on a group of travellers from a rocky perch, wondering whether he/it should rob them.

      All these beginnings might come together into the story of a miller, once a sorcerer, who is transformed into a creature as the result of a magical compact he thought he had evaded. So he must leave his settled life and become a brigand, in the hope of finding, on one of the magicians or priests he robs on the road, the one item of magical apparatus that can return his human shape.

      Or they might not come together. I have numerous notes for stories, and many partly begun stories, that have progressed no further. Some of these fragments might be used in my novels, or at least be the seeds of some elements in one. A few ideas will progress and grow and become stories, complete in themselves. The great majority of my jotted-down ideas, images and scraps of writing will never become anything more than a few lines in a black-and-red notebook.

      The stories in this collection are the ones that got past the notes stage, that became a few paragraphs, then a few pages, and somehow charged on downhill to become complete. They represent a kind of core sample taken through more than fifteen years of writing, from the callow author of twenty-five who wrote “Down to the Scum Quarter” to the possibly more polished forty-one-year-old writer of “Nicholas Sayre and the Creature in the Case”.

      Fortunately, you have been spared some even earlier efforts, including the heavily T H White-influenced short story I published in my school magazine at fifteen, and even my very first professional short story sale, which felt like a great triumph for me at nineteen years old but now looks rather out of place with my later works.

      I hope you find some stories here that you will enjoy, or wonder about, or that linger uncomfortably in the mind when you wish they didn’t. But if your favourite story is “The Coin Shower”, please do not write and tell me that my writing has been going downhill ever since I was six.

      GARTH NIX

      December 1, 2004

      Sydney, Australia

      Table of Contents

       Cover Page

       Title Page

       Dedication

       introduction to Under the Lake

       Under the Lake

       introduction to Charlie Rabbit

       Charlie Rabbit

       introduction to From the Lighthouse

       From the Lighthouse

       introduction to The Hill

       The Hill

       introduction to Lightning Bringer

       Lightning Bringer

       introduction to Down to the Scum Quarter

       Down to the Scum Quarter A Fantasy Solo Adventure

       introduction to Heart’s Desire

       Heart’s Desire

       introduction to Hansel’s Eyes

       Hansel’s Eyes

       introduction to Hope Chest

       Hope Chest

       introduction to My New Really Epic Fantasy Series

       My New Really Epic Fantasy Series

       introduction to Three Roses

       Three Roses

       introduction to Endings

       Endings

       Keep Reading

       Frequently Asked Questions

       introduction to The Prologue that Never Was

       Prologue

       Also by Garth Nix

       About the Publisher

       introduction to Nicholas Sayre and the Creature in the Case

      Ihave explored Ancelstierre and the Old Kingdom a little in my novels Sabriel, Lirael and Abhorsen, and in the process I have found out (for that’s often what it feels like, even though I’m the one making it up) quite a lot about these lands, the people and creatures that inhabit them, and their stories.

      But there is much, much more that I don’t know about, and will never know about unless I need it for a story. Unlike many fantasy writers, I don’t spend a lot of time working out and recording tons of background detail about the worlds that I make up. What I do is write the story, pausing every now and then to puzzle out the details or information that I need to know to make the story work. Some of that background material will end up in the story,

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