LITMIR.BIZ

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the journals I kept and filled through the undivided, seamless days of those marvelous summers. The remainder of the book consists of digressions and excursions into ideas and places that border in varied ways upon that central season in the canyonlands.

      This is not primarily a book about the desert. In recording my impressions of the natural scene I have striven above all for accuracy, since I believe that there is a kind of poetry, even a kind of truth, in simple fact. But the desert is a vast world, an oceanic world, as deep in its way and complex and various as the sea. Language makes a mighty loose net with which to go fishing for simple facts, when facts are infinite. If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument. What I have tried to do then is something a bit different. Since you cannot get the desert into a book any more than a fisherman can haul up the sea with his nets, I have tried to create a world of words in which the desert figures more as medium than as material. Not imitation but evocation has been the goal.

      Aside from this modest pretension the book is fairly plain and straight. Certain faults will be obvious to the general reader, of course, and for these I wish to apologize. I quite agree that much of the book will seem coarse, rude, bad-tempered, violently prejudiced, unconstructive – even frankly antisocial in its point of view. Serious critics, serious librarians, serious associate professors of English will if they read this work dislike it intensely; at least I hope so. To others I can only say that if the book has virtues they cannot be disentangled from the faults; that there is a way of being wrong which is also sometimes necessarily right.

      It will be objected that the book deals too much with mere appearances, with the surface of things, and fails to engage and reveal the patterns of unifying relationships which form the true underlying reality of existence. Here I must confess that I know nothing whatever about true underlying reality, having never met any. There are many people who say they have, I know, but they’ve been luckier than I.

      For my own part I am pleased enough with surfaces – in fact they alone seem to me to be of much importance. Such things for example as the grasp of a child’s hand in your own, the flavor of an apple, the embrace of friend or lover, the silk of a girl’s thigh, the sunlight on rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the wind – what else is there? What else do we need?

      Regrettably I have found it unavoidable to write some harsh words about my seasonal employer the National Park Service, Department of the Interior, United States Government. Even the Government itself has not entirely escaped censure. I wish to point out therefore that the Park Service has labored under severe pressure from powerful forces for many decades and that under the circumstances and so far it has done its work rather well. As governmental agencies go the Park Service is a good one, far superior to most. This I attribute not to the administrators of the Park Service – like administrators everywhere they are distinguished chiefly by their ineffable mediocrity – but to the actual working rangers and naturalists in the field, the majority of whom are capable, honest, dedicated men. Pre-eminent among those I have known personally is Mr. Bates Wilson of Moab, Utah, who might justly be considered the founder of Canyonlands National Park. He cannot be held responsible for any of the opinions expressed herein, but he is responsible for much of what understanding I have of a country we both love.

      A note on names. All of the persons and places mentioned in this book are or were real. However for the sake of their privacy I have invented fictitious names for some of the people I once knew in the Moab area and in a couple of cases relocated them in space and time. Those who read this will, I hope, understand and forgive me; the others will not mind.

      Finally a word of caution:

      Do not jump into your automobile next June and rush out to the canyon country hoping to see some of that which I have attempted to evoke in these pages. In the first place you can’t see anything from a car; you’ve got to get out of the goddamned contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbush and cactus. When traces of blood begin to mark your trail you’ll see something, maybe. Probably not. In the second place most of what I write about in this book is already gone or going under fast. This is not a travel guide but an elegy. A memorial. You’re holding a tombstone in your hands. A bloody rock. Don’t drop it on your foot – throw it at something big and glassy. What do you have to lose?

      E. A.

       April 1967

       Nelson’s Marine Bar

       Hoboken

       Epigraph

      Give me silence, water, hope

      Give me struggle, iron, volcanoes

      – Neruda

       The First Morning

      This is the most beautiful place on earth.

      There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farm house two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio or Rome – there’s no limit to the human capacity for the homing sentiment. Theologians, sky pilots, astronauts have even felt the appeal of home calling to them from up above, in the cold black outback of interstellar space.

      For myself I’ll take Moab, Utah. I don’t mean the town itself, of course, but the country which surrounds it – the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky – all that which lies beyond the end of the roads.

      The choice became apparent to me this morning when I stepped out of a Park Service housetrailer – my caravan – to watch for the first time in my life the sun come up over the hoodoo stone of Arches National Monument.

      I wasn’t able to see much of it last night. After driving all day from Albuquerque – 450 miles – I reached Moab after dark in cold, windy, clouded weather. At park headquarters north of town I met the superintendent and the chief ranger, the only permanent employees, except for one maintenance man, in this particular unit of America’s national park system. After coffee they gave me a key to the housetrailer and directions on how to reach it; I am required to live and work not at headquarters but at this one-man station some twenty miles back in the interior, on my own. The way I wanted it, naturally, or I’d never have asked for the job.

      Leaving the headquarters area and the lights of Moab, I drove twelve miles farther north on the highway until I came to a dirt road on the right, where a small wooden sign pointed the way: Arches National Monument Eight Miles. I left the pavement, turned east into the howling wilderness. Wind roaring out of the northwest, black clouds across the stars – all I could see were clumps of brush and scattered junipers along the roadside. Then another modest signboard:

      WARNING: QUICKSAND

      DO NOT CROSS WASH

      WHEN WATER IS RUNNING

      The wash looked perfectly dry in my headlights. I drove down, across, up the other side and on into the night. Glimpses of weird humps of pale rock on either side, like petrified elephants, dinosaurs, stone-age hobgoblins. Now and then something alive scurried across the road: kangaroo mice, a jackrabbit, an animal that looked like a cross between a raccoon and a squirrel – the ringtail cat. Farther on a pair of mule deer started from the brush

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