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Homespun Tales. Wiggin Kate Douglas Smith
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Автор произведения Wiggin Kate Douglas Smith
Жанр Зарубежная классика
Издательство Public Domain
“Good name for him yet,” came in acid tones from the sink. “He’s still steppin’ an’ fetchin’, only it’s Rose that’s doin’ the drivin’ now.”
“I’m not driving anybody, that I know of,” answered Rose, with heightened color, but with no loss of her habitual self-command.
“Then, when he graduated from errants,” went on the crafty old man, who knew that when breakfast ceased, churning must begin, “Steve used to get seventy-five cents a day helpin’ clear up the river—if you can call this here silv’ry streamlet a river. He’d pick off a log here an’ there an’ send it afloat, an’ dig out them that hed got ketched in the rocks, and tidy up the banks jest like spring house-cleanin’. If he’d hed any kind of a boss, an’ hed be’n trained on the Kennebec, he’d ‘a’ made a turrible smart driver, Steve would.”
“He’ll be drownded, that’s what’ll become o’ him,” prophesied Mrs. Wiley; “specially if Rose encourages him in such silly foolishness as ridin’ logs from his house down to ourn, dark nights.”
“Seein’ as how Steve built ye a nice pigpen last month, ‘pears to me you might have a good word for him now an’ then, mother,” remarked Old Kennebec, reaching for his second piece of pie.
“I wa’n’t a mite deceived by that pigpen, no more’n I was by Jed Towle’s hencoop, nor Ivory Dunn’s well-curb, nor Pitt Packard’s shed-steps. If you hed ever kep’ up your buildin’s yourself, Rose’s beaux would n’t hev to do their courtin’ with carpenters’ tools.”
“It’s the pigpen an’ the hencoop you want to keep your eye on, mother, not the motives of them as made ‘em. It’s turrible onsettlin’ to inspeck folks’ motives too turrible close.”
“Riding a log is no more to Steve than riding a horse, so he says,” interposed Rose, to change the subject; “but I tell him that a horse does n’t revolve under you, and go sideways at the same time that it is going forwards.”
“Log-ridin’ ain’t no trick at all to a man of sperit,” said Mr. Wiley. “There’s a few places in the Kennebec where the water’s too shaller to let the logs float, so we used to build a flume, an’ the logs would whiz down like arrers shot from a bow. The boys used to collect by the side o’ that there flume to see me ride a log down, an’ I’ve watched ‘em drop in a dead faint when I spun by the crowd; but land! you can’t drownd some folks, not without you tie nail-kags to their head an’ feet an’ drop ‘em in the falls; I’ve rid logs down the b’ilin’est rapids o’ the Kennebec an’ never lost my head. I remember well the year o’ the gre’t freshet, I rid a log from—”
“There, there, father, that’ll do,” said Mrs. Wiley, decisively. “I’ll put the cream in the churn, an’ you jest work off’ some o’ your steam by bringin’ the butter for us afore you start for the bridge. It don’t do no good to brag afore your own women-folks; work goes consid’able better’n stories at every place ‘cept the loafers’ bench at the tavern.”
And the baffled raconteur, who had never done a piece of work cheerfully in his life, dragged himself reluctantly to the shed, where, before long, one could hear him moving the dasher up and down sedately to his favorite “churning tune” of
Broad is the road that leads to death,
And thousands walk together there;
But Wisdom shows a narrow path,
With here and there a traveler.
III. The Edgewood “Drive”
Just where the bridge knits together the two little villages of Pleasant River and Edgewood, the glassy mirror of the Saco broadens suddenly, sweeping over the dam in a luminous torrent. Gushes of pure amber mark the middle of the dam, with crystal and silver at the sides, and from the seething vortex beneath the golden cascade the white spray dashes up in fountains. In the crevices and hollows of the rocks the mad water churns itself into snowy froth, while the foam-flecked torrent, deep, strong, and troubled to its heart, sweeps majestically under the bridge, then dashes between wooded shores piled high with steep masses of rock, or torn and riven by great gorges.
There had been much rain during the summer, and the Saco was very high, so on the third day of the Edgewood drive there was considerable excitement at the bridge, and a goodly audience of villagers from both sides of the river. There were some who never came, some who had no fancy for the sight, some to whom it was an old story, some who were too busy, but there were many to whom it was the event of events, a never-ending source of interest.
Above the fall, covering the placid surface of the river, thousands of logs lay quietly “in boom” until the “turning out” process, on the last day of the drive, should release them and give them their chance of display, their brief moment of notoriety, their opportunity of interesting, amusing, exciting, and exasperating the onlookers by their antics.
Heaps of logs had been cast up on the rocks below the dam, where they lay in hopeless confusion, adding nothing, however, to the problem of the moment, for they too bided their time. If they had possessed wisdom, discretion, and caution, they might have slipped gracefully over the falls and, steering clear of the hidden ledges (about which it would seem they must have heard whispers from the old pine trees along the river), have kept a straight course and reached their destination without costing the Edgewood Lumber Company a small fortune. Or, if they had inclined toward a jolly and adventurous career, they could have joined one of the various jams or “bungs,” stimulated by the thought that any one of them might be a key-log, holding for a time the entire mass in its despotic power. But they had been stranded early in the game, and, after lying high and dry for weeks, would be picked off one by one and sent downstream.
In the tumultuous boil, the foaming hubbub and flurry at the foot of the falls, one enormous peeled log wallowed up and clown like a huge rhinoceros, greatly pleasing the children by its clumsy cavortings. Some conflict of opposing forces kept it ever in motion, yet never set it free. Below the bridge were always the real battle-grounds, the scenes of the first and the fiercest conflicts. A ragged ledge of rock, standing well above the yeasty torrent, marked the middle of the river. Stephen had been stranded there once, just at dusk, on a stormy afternoon in spring. A jam had broken under the men, and Stephen, having taken too great risks, had been caught on the moving mass, and, leaping from log to log, his only chance for life had been to find a footing on Gray Rock, which was nearer than the shore.
Rufus was ill at the time, and Mrs. Waterman so anxious and nervous that processions of boys had to be sent up to the River Farm, giving the frightened mother the latest bulletins of her son’s welfare. Luckily, the river was narrow just at the Gray Rock, and it was a quite possible task, though no easy one, to lash two ladders together and make a narrow bridge on which the drenched and shivering man could reach the shore. There were loud cheers when Stephen ran lightly across the slender pathway that led to safety—ran so fast that the ladders had scarce time to bend beneath his weight. He had certainly “taken chances,” but when did he not do that? The logger’s life is one of “moving accidents by flood and field,” and Stephen welcomed with wild exhilaration every hazard that came in his path. To him there was never a dull hour from the moment that the first notch was cut in the tree (for he sometimes joined the boys in the lumber camp just for a frolic) till the later one when the hewn log reached its final destination. He knew nothing of “tooling” a four-in-hand through narrow lanes or crowded thoroughfares,—nothing of guiding a horse over the hedges and through the pitfalls of a stiff bit of hunting country; his steed was the rearing, plunging, kicking log, and he rode it like a river god.
The crowd loves daring, and so it welcomed Stephen with bravos, but