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door to the McCrary cut.”

      The man with the white collar glared about as he chewed the end of his cigar. “He’s gone crazy,” he shouted, again closing the door to the mine.

      Cracked McGregor died in the mine, almost within reach of the door to the old cut where the fire burned. With him died all but five of the imprisoned miners. All day parties of men tried to get down into the mine. Below in the hidden passages under their own homes the scurrying miners died like rats in a burning barn while their wives, with shawls over their heads, sat silently weeping on the railroad embankment. In the evening the boy and his mother went up the hill alone. From the houses scattered over the hill came the sound of women weeping.

      For several years after the mine disaster the McGregors, mother and son, lived in the house on the hillside. The woman went each morning to the offices of the mine where she washed windows and scrubbed floors. The position was a sort of recognition on the part of the mine officials of the heroism of Cracked McGregor.

      Nance McGregor was a small blue-eyed woman with a sharp nose. She wore glasses and had the name in Coal Creek of being quick and sharp. She did not stand by the fence to talk with the wives of other miners but sat in her house and sewed or read aloud to her son. She subscribed for a magazine and had bound copies of it standing upon shelves in the room where she and the boy ate breakfast in the early morning. Before the death of her husband she had maintained a habit of silence in her house but after his death she expanded, and, with her red-haired son, discussed freely every phase of their narrow lives. As he grew older the boy began to believe that she like the miners had kept hidden under her silence a secret fear of his father. Certain things she said of her life encouraged the thought.

      Norman McGregor grew into a tall broad-shouldered boy with strong arms, flaming red hair and a habit of sudden and violent fits of temper. There was something about him that held the attention. As he grew older and was renamed by Uncle Charlie Wheeler he began going about looking for trouble. When the boys called him “Beaut” he knocked them down. When men shouted the name after him on the street he followed them with black looks. It became a point of honour with him to resent the name. He connected it with the town’s unfairness to Cracked McGregor.

      In the house on the hillside the boy and his mother lived together happily. In the early morning they went down the hill and across the tracks to the offices of the mine. From the offices the boy went up the hill on the farther side of the valley and sat upon the schoolhouse steps or wandered in the streets waiting for the day in school to begin. In the evening mother and son sat upon the steps at the front of their home and watched the glare of the coke ovens on the sky and the lights of the swiftly-running passenger trains, roaring whistling and disappearing into the night.

      Nance McGregor talked to her son of the big world outside the valley and told him of the cities, the seas and the strange lands and peoples beyond the seas. “We have dug in the ground like rats,” she said, “I and my people and your father and his people. With you it will be different. You will get out of here to other places and other work.” She grew indignant thinking of the life in the town. “We are stuck down here amid dirt, living in it, breathing it,” she complained. “Sixty men died in that hole in the ground and then the mine started again with new men. We stay here year after year digging coal to burn in engines that take other people across the seas and into the West.”

      When the son was a tall strong boy of fourteen Nance McGregor bought the bakery and to buy it took the money saved by Cracked McGregor. With it he had planned to buy a farm in the valley beyond the hill. Dollar by dollar it had been put away by the miner who dreamed of life in his own fields.

      In the bakery the boy worked and learned to make bread. Kneading the dough his arms and hands grew as strong as a bear’s. He hated the work, he hated Coal Creek and dreamed of life in the city and of the part he should play there. Among the young men he began to make here and there a friend. Like his father he attracted attention. Women looked at him, laughed at his big frame and strong homely features and looked again. When they spoke to him in the bakery or on the street he spoke back fearlessly and looked them in the eyes. Young girls in the school walked home down the hill with other boys and at night dreamed of Beaut McGregor. When some one spoke ill of him they answered defending and praising him. Like his father he was a marked man in the town of Coal Creek.

      CHAPTER II

      One Sunday afternoon three boys sat on a log on the side of the hill that looked down into Coal Creek. From where they sat they could see the workers of the night shift idling in the sun on Main Street. From the coke ovens a thin line of smoke rose into the sky. A freight train heavily loaded crept round the hill at the end of the valley. It was spring and over even that hive of black industry hung a faint promise of beauty. The boys talked of the life of people in their town and as they talked thought each of himself.

      Although he had not been out of the valley and had grown strong and big there, Beaut McGregor knew something of the outside world. It isn’t a time when men are shut off from their fellows. Newspapers and magazines have done their work too well. They reached even into the miner’s cabin and the merchants along Main Street of Coal Creek stood before their stores in the afternoon and talked of the doings of the world. Beaut McGregor knew that life in his town was exceptional, that not everywhere did men toil all day black and grimy underground, that not all women were pale bloodless and bent. As he went about delivering bread he whistled a song. “Take me back to Broadway,” he sang after the soubrette in a show that had once come to Coal Creek.

      Now as he sat on the hillside he talked earnestly while he gesticulated with his hands. “I hate this town,” he said. “The men here think they are confoundedly funny. They don’t care for anything but making foolish jokes and getting drunk. I want to go away.” His voice rose and hatred flamed up in him. “You wait,” he boasted. “I’ll make men stop being fools. I’ll make children of them. I’ll–” Pausing he looked at his two companions.

      Beaut poked the ground with a stick. The boy sitting beside him laughed. He was a short well—dressed black—haired boy with rings on his fingers who worked in the town poolroom, racking the pool balls. “I’d like to go where there are women with blood in them,” he said.

      Three women came up the hill toward them, a tall pale brown-haired woman of twenty-seven and two fairer young girls. The black-haired boy straightened his tie and began thinking of a conversation he would start when the women reached him. Beaut and the other boy, a fat fellow, the son of a grocer, looked down the hill to the town over the heads of the newcomers and continued in their minds the thoughts that had made the conversation.

      “Hello girls, come and sit here,” shouted the black-haired boy, laughing and looking boldly into the eyes of the tall pale woman. They stopped and the tall woman began stepping over the fallen logs, coming to them. The two young girls followed, laughing. They sat down on the log beside the boys, the tall pale woman at the end beside red-haired McGregor. An embarrassed silence fell over the party. Both Beaut and the fat boy were disconcerted by this turn to their afternoon’s outing and wondered how it would turn out.

      The pale woman began to talk in a low tone. “I want to get away from here,” she said, “I wish I could hear birds sing and see green things grow.”

      Beaut McGregor had an idea. “You come with me,” he said. He got up and climbed over the logs and the pale woman followed. The fat boy shouted at them, relieving his own embarrassment by trying to embarrass them. “Where’re you going—you two?” he shouted.

      Beaut said nothing. He stepped over the logs to the road and began climbing the hill. The tall woman walked beside him and held her skirts out of the deep dust of the road. Even on this her Sunday gown there was a faint black mark along the seams—the mark of Coal Creek.

      As McGregor walked his embarrassment left him. He thought it fine that he should be thus alone with a woman. When she had tired from the climb he sat with her on a log beside the road and talked of the black-haired boy. “He has your ring on his finger,” he said, looking at her and laughing.

      She held her hand pressed tightly against her side and closed her eyes. “The climbing hurts me,” she said.

      Tenderness took hold of Beaut. When they

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