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The Emancipated. George Gissing
Читать онлайн.Название The Emancipated
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Автор произведения George Gissing
Жанр Зарубежная классика
Издательство Public Domain
Equally ingenuous was his wife, but with results that argued a shallower nature. Mrs. Bradshaw had the heartiest and frankest contempt for all things foreign; in Italy she deemed herself among a people so inferior to the English that even to discuss the relative merits of the two nations would have been ludicrous. Life "abroad" she could not take as a serious thing; it amused or disgusted her, as the case might be—never occasioned her a grave thought. The proposal of this excursion, when first made to her, she received with mockery; when she saw that her husband meant something more than a joke, she took time to consider, and at length accepted the notion as a freak which possibly would be entertaining, and might at all events be indulged after a lifetime of sobriety. Entertainment she found in abundance. Though natural beauty made little if any appeal to her, she interested herself greatly in Vesuvius, regarding it as a serio-comic phenomenon which could only exist in a country inhabited by childish triflers. Her memory was storing all manner of Italian absurdities—everything being an absurdity which differed from English habit and custom—to furnish her with matter for mirthful talk when she got safely back to Manchester and civilization. With respect to the things which Jacob was constraining himself to study—antiquities, sculptures, paintings, stored in the Naples museum—her attitude was one of jocose indifference or of half-tolerant contempt. Puritanism diluted with worldliness and a measure of common sense directed her views of art in general. Works such as the Farnese Hercules and the group about the Bull she looked upon much as she regarded the wall-scribbling of some dirty-minded urchin; the robust matron is not horrified by such indecencies, but to be sure will not stand and examine them. "Oh, come along, Jacob!" she exclaimed to her husband, when, at their first visit to the Museum, he went to work at the antiques with his Murray. "I've no patience you ought to be ashamed of yourself!"
The Bradshaws were staying at the pension selected by Mrs. Lessingham. Naturally the conversation at dinner turned much on that lady and her niece. With Cecily's father Mr. Bradshaw had been well acquainted, but Cecily herself he had not seen since her childhood, and his astonishment at meeting her as Miss Doran was great.
"What kind of society do they live among?" he asked of Spence. "Tip-top people, I suppose?"
"Not exactly what we understand by tip-top in England. Mrs. Lessingham's family connections are aristocratic, but she prefers the society of authors, artists—that kind of thing."
"Queer people for a young girl to make friends of, eh?"
"Well, there's Mallard, for instance."
"Ah, Mallard, to be sure."
Mrs. Bradshaw looked at her hostess and smiled knowingly.
"Miss Doran is rather fond of talking about Mr. Mallard," she remarked. "Did you notice that, Miriam?"
"Yes, I did."
Jacob broke the silence.
"How does he get on with his painting?" he asked—and it sounded very much as though the reference were to a man busy on the front door.
"He's never likely to be very popular," replied Spence, adapting his remarks to the level of his guests' understanding. "There was something of his in this year's Academy, and it sold at a tolerable price."
"That thing of his that I bought, you remember—I find people don't see much in it. They complain that the colour's so dull. But then, as I always say, what else could you expect on a bit of Yorkshire moor in winter? Is he going to paint anything here? Now, if he'd do me a bit of the bay, with Vesuvius smoking."
"That would be something like!" assented Mrs. Bradshaw.
When the ladies had left the dining-room, Mr. Bradshaw, over his cigarette, reverted to the subject of Cecily.
"I suppose the lass has had a first-rate education?"
"Of the very newest fashion for girls. I am told she reads Latin."
"By Jove!" cried the other, with sudden animation. "That reminds me of something I wanted to talk about. When I was leaving Manchester, I got together a few hooks, you know, that were likely to be useful over here. My friend Lomax, the bookseller, suggested them. 'Got a classical dictionary?' says he. 'Not I!' As you know, my schooling never went much beyond the three R's, and hanged if I knew what a classical dictionary was. 'Better take one,' says Lomax. 'You'll want to look up your gods and goddesses.' So I took it, and I've been looking into it these last few days."
"Well?"
Jacob had a comical look of perplexity and indignation. He thumped the table.
"Do you mean to tell me that's the kind of stuff boys are set to learn at school?"
"A good deal of it comes in."
"Then all I can say is, no wonder the colleges turn out such a lot of young blackguards. Why, man, I could scarcely believe my eyes! You mean to say that, if I'd had a son, he'd have been brought up on that kind of literature, and without me knowing anything about it? Why, I've locked the book up; I was ashamed to let it lay on the table."
"It's the old Lempriere, I suppose," said Spence, vastly amused. "The new dictionaries are toned down a good deal; they weren't so squeamish in the old days."
"But the lads still read the books these things come out of, eh?"
"Oh yes. It has always been one of the most laughable inconsistencies in English morality. Anything you could find in the dictionary is milk for babes compared with several Greek plays that have to be read for examinations."
"It fair caps me, Spence! Classical education that is, eh? That's what parsons are bred on? And, by the Lord, you say they're beginning it with girls?"
"Very zealously."
"Nay—!"
Jacob threw up his arms, and abandoned the effort to express himself.
Later, when the guests were gone, Spence remembered this, and, to Eleanor's surprise, he broke into uproarious laughter.
"One of the best jokes I ever heard! A fresh, first-hand judgment on the morality of the Classics by a plain-minded English man of business." He told the story. "And Bradshaw's perfectly right; that's the best of it."
CHAPTER III
THE BOARDING-HOUSE ON THE MERGELLINA
The year was 1878. A tourist searching his Baedeker for a genteel but not oppressively aristocratic pension in the open parts of Naples would have found himself directed by an asterisk to the establishment kept by Mrs. Gluck on the Mergellina;—frequented by English and Germans, and very comfortable. The recommendation was a just one. Mrs. Gluck enjoyed the advantage of having lived as many years in England as she had in Germany; her predilections leaned, if anything, to the English side, and the arrival of a "nice" English family always put her in excellent spirits. She then exhibited herself as an Anglicized matron, perfectly familiar with all the requirements, great and little, of her