ТОП просматриваемых книг сайта:
Two Penniless Princesses. Yonge Charlotte Mary
Читать онлайн.Название Two Penniless Princesses
Год выпуска 0
isbn
Автор произведения Yonge Charlotte Mary
Жанр Зарубежная классика
Издательство Public Domain
Jean, however, wanted to know which were nearest to herself, and which were noblest. The first question Lady Drummond said she could hardly answer; perhaps the Earl of Salisbury and the Duchess, but the Duke was certainly noblest by birth, having a double descent from King Edward, and in the male line.
‘Was not his father put to death by this King’s father?’ asked Eleanor.
‘Ay, the Earl of Cambridge, for a foul plot. I have heard my Lord of Salisbury speak of it; but this young man was of tender years, and King Harry of Monmouth did not bear malice, but let him succeed to the dukedom when his uncle was killed in the Battle of Agincourt.’
‘They have not spirit here to keep up a feud,’ said Jean.
‘My good brother—ay, and your father, Jeanie—were wont to say they were too Christian to hand on a feud,’ observed Dame Lilias, at which Jean tossed her head, and said—
‘That may suit such a carpet-knight as yonder Duke. He is not so tall as Elleen there, nor as his own Duchess.’
‘I do not like the Duchess,’ said Annis; ‘she looks as if she scorned the very ground she walks on.’
‘She is wondrous bonnie, though,’ said Eleanor; ‘and so was the bairnie by her side.’
In some degree Jean changed her opinion of the Duke, in consequence, perhaps, of the very marked attention that he showed her when the supper was spread. She had never been so made to feel what it was to be at once a king’s daughter and a beauty; and at the most magnificent banquet she had ever known.
Durham had afforded a great advance on Scottish festivities; but in the absence of its Prince Bishop, another Nevil, it had lacked much of what was to be found at Fotheringay in the full blossoming of the splendours of the princely nobility of England, just ere the decimation that they were to perpetrate on one another.
The hall itself was vast, and newly finished in the rich culmination of Gothic work, with a fan tracery-vaulted roof, a triumph of architecture, each stalactite glowing with a shield or a badge of England, France, Mortimer, and Nevil—lion or lily, falcon and fetterlock, white rose and dun cow, all and many others—likewise shining in the stained glass of the great windows.
The high table was loaded with gold and silver plate, and Venice glasses even more precious; there were carpets under the feet of the nobler guests, and even the second and third tables were spread with more richness and refinement than ever the sisters of James II had known in their native land. In a gallery above, the Duke’s musicians and the choristers of his chapel were ready to enliven the meal; and as the chief guest, the Lady Joanna of Scotland was handed to her place by the Duke of York, who, as she now perceived, though small in stature, was eminently handsome and graceful, and conversed with her, not as a mere child, but as a fair lady of full years.
Eleanor, who sat on his other hand beside the Earl of Salisbury, was rather provoked with her sister for never asking after the fate of her champion; but was reassured by seeing his red head towering among the numerous squires and other retainers of the second rank. It certainly was not his proper place, but it was plain that he was not in disgrace; and in fact the whole affair had been treated as a mere pardonable blunder of the rangers. The superior one was sitting next to the young Scot, making good cheer with him. Grand as the whole seemed to the travellers, it was not an exceptional banquet; indeed, the Duchess apologised for its simplicity, since she had been taken at unawares, evidently considering it as the ordinary family meal. There was ample provision, served up in by no means an unrefined manner, even to the multitudinous servants and retainers of the various trains; and beyond, on the steps and in the court, were a swarm of pilgrims, friars, poor, and beggars of all kinds, waiting for the fragments.
It was a wet evening, and when the tables were drawn the guests devoted themselves to various amusements. Lord Salisbury challenged Sir Patrick to a game at chess, Lady Salisbury and Dame Lilias wished for nothing better than to converse over old times at Middleham Castle; but the younger people began with dancing, the Duke, who was only thirty years old, leading out the elder Scottish princess, and the young King of the Isle of Wight the stately and beautiful Duchess Cicely. Eleanor, who knew she did not excel in anything that required grace, and was, besides, a good deal fatigued, would fain have excused herself when paired with the young Richard Nevil; but there was a masterful look about him that somewhat daunted her, and she obeyed his summons, though without acquitting herself with anything approaching to the dexterity of her sister, who, with quite as little practice as herself, danced well—by quickness of eye and foot, and that natural elegance of movement which belongs to symmetry.
The dance was a wreathing in and out of the couples, including all of rank to dance together, and growing more and more animated, till excitement took the place of weariness; and Eleanor’s pale cheeks were flushed, her eyes glowing, when the Duchess’s signal closed the dance.
Music was then called for, and several of the princely company sang to the lute; Jean, pleased to show there was something in which her sister excelled, and gratified at some recollections that floated up of her father’s skill in minstrelsy, insisted on sending for Eleanor’s harp.
‘Oh, Jean, not now; I canna,’ murmured Eleanor, who had been sitting with fixed eyes, as though in a dream.
But the Duke and other nobles came and pressed her, and Jean whispered to her not to show herself a fule body, and disgrace herself before the English, setting the harp before her and attending to the strings. Eleanor’s fingers then played over them in a dreamy, fitful way, that made the old Earl raise his head and say—
‘That twang carries me back to King Harry’s tent, and the good old time when an Englishman’s sword was respected.’
‘’Tis the very harp,’ said Sir Patrick; ‘ay, and the very tune—’
‘Come, Elleen, begin. What gars thee loiter in that doited way?’ insisted Jean. ‘Come, “Up atween.”’
And, led by her sister in spite of herself, almost, as it were, without volition, Eleanor’s sweet pathetic voice sang—
‘Up atween yon twa hill-sides, lass,
Where I and my true love wont to be,
A’ the warld shall never ken, lass,
What my true love said to me.
‘Owre muckle blinking blindeth the ee, lass,
Owre muckle thinking changeth the mind,
Sair is the life I’ve led for thee, lass,
Farewell warld, for it’s a’ at an end.’
Her voice had been giving way through the last verse, and in the final line, with a helpless wail of the harp, she hid her face, and sank back with a strange choked agony.
‘Why, Elleen! Elleen, how now?’ cried Jean. ‘Cousin Lilias, come!’
Lady Drummond was already at her side, and the Duchess and Lady Salisbury proffering essences and cordials, the gentlemen offering support; but in a moment or two Eleanor recovered enough to cling to Lady Drummond, muttering—
‘Oh, take me awa’, take me awa’!’
And hushing the scolding which Jean was commencing by way of bracing, and rejecting all the kind offers of service, Dame Lilias led the girl away, leaving Jean to make excuses and explanations about her sister being but ‘silly’ since they had lost their mother, and the tune minding her of home and of her father.
When, with only Annis following, the chambers had been reached, Eleanor let herself sink on a cushion, hiding her face against her friend, and sobbing hysterically—
‘Oh, take me awa’, take me awa’! It’s all blood and horror!’
‘My bairnie, my dearie! You are over-weary—‘tis but a dreamy fancy. Look up! All is safe; none