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them of their goods–"

      "A thief, yes," said Boolba.

      "Through him I learnt that a certain man had arrived in England and was in hiding. This man is a professional assassin."

      They looked at him incredulously, all except Boolba, who had heard the story before.

      "An assassin?" said one. "Of what nationality?"

      "American," said Yakoff, and there was a little titter of laughter.

      "It is true," interrupted Boolba. "This man, whom Yakoff has found, is what is known in New York as a gun-man. He belongs to a gang which was hunted down by the police, and our comrade escaped."

      "But an American!" persisted one of the unconvinced.

      "An American," said Yakoff. "This man is desired by the police on this side, and went in hiding with our other comrade, who recognized him."

      "A gun-man," said Boolba thoughtfully, and he used the English word with some awkwardness. "A gun-man. If he would only—is he here?" he demanded, looking up.

      Yakoff nodded.

      "Does he know–"

      "I have told him nothing, Excellency," said Yakoff, rising from the table with alacrity, "except to be here, near the entrance to the club, at this hour. Shall I bring him down?"

      Boolba nodded, and three minutes later, into this queer assembly, something of a fish out of water and wholly out of his element, strode Cherry Bim, that redoubtable man.

      He was a little, man, stoutly built and meanly dressed. He had a fat, good-humoured face and a slight moustache, and eyes that seemed laughing all the time.

      Despite the coldness of the night, he wore no waistcoat, and as a protest against the conventions he had dispensed with a collar. As he stood there, belted about his large waist, a billycock hat on the back of his head, he looked to be anything from a broken-down publican to an out-of-work plumber.

      He certainly did not bear the impress of gun-man.

      If he was out of his element, he was certainly not out of conceit with himself. He gave a cheery little nod to every face that was turned to him, and stood, his hands thrust through his belt, his legs wide apart, surveying the company with a benevolent smile.

      "Good evening, ladies and gents," he said. "Shake hands with Cherry Bim! Bim on my father's side and Cherry by christening—Cherry Bim, named after the angels." And he beamed again.

      This little speech, delivered in English, was unintelligible to the majority of those present, including Sophia Kensky, but Yakoff translated it. Solemnly he made a circuit of the company and as solemnly shook hands with every individual, and at last he came to Boolba; and only then did he hesitate for a second.

      Perhaps in that meeting there came to him some premonition of the future, some half-revealed, half-blurred picture of prophecy. Perhaps that picture was one of himself, lying in the darkness on the roof of the railway carriage, and an obscene Boolba standing erect in a motor-car on the darkened station, waving his rage, ere the three quick shots rang out.

      Cherry Bim confessed afterwards to a curious shivery sensation at his spine. The hesitation was only for a second, and then his hand gripped the big hand of the self-constituted chairman.

      "Now, gents and ladies," he said, with a comical little bow towards Sophia, "I understand you're all good sports here, and I'm telling you that I don't want to stay long. I'm down and out, and I'm free to confess it, and any of you ladies and gents who would like to grubstake a stranger in a foreign land, why, here's your chance. I'm open to take on any kind of job that doesn't bring me into conspicuous relationship with the bulls—bulls, ladies and gentlemen, being New York for policemen."

      Then Boolba spoke, and he spoke in English, slow but correct.

      "Comrade," he said, "do you hate tyrants?"

      "If he's a copper," replied Mr. Bim mistakenly. "Why, he's just as popular with me as a hollow tooth at an ice-cream party."

      "What does he say?" asked the bewildered Boolba, who could not follow the easy flow of Mr. Bim's conversation, and Yakoff translated to the best of his ability.

      And then Boolba, arresting the interruption of the American, explained. It was a long explanation. It dealt with tyranny and oppression and other blessed words dear to the heart of the revolutionary; it concerned millions of men and hundreds of millions of men and women in chains, under iron heels, and the like; and Mr. Bim grew more and more hazy, for he was not used to the parabole, the allegory, or the metaphor. But towards the end of his address, Boolba became more explicit, and, as his emotions were moved, his English a little more broken.

      Mr. Bim became grave, for there was no mistaking the task which had been set him.

      "Hold hard, mister," he said. "Let's get this thing right. There's a guy you want to croak. Do I get you right?"

      Again Mr. Yakoff translated the idioms, for Yakoff had not lived on the edge of New York's underworld without acquiring some knowledge of its language.

      Boolba nodded.

      "We desire him killed," he said. "He is a tyrant, an oppressor–"

      "Hold hard," said Bim. "I want to see this thing plain. You're going to croak this guy, and I'm the man to do it? Do I get you?"

      "That is what I desire," said Boolba, and Bim shook his head.

      "It can't be done," he said. "I'm over here for a quiet, peaceful life, and anyway, I've got nothing on this fellow. I'm not over here to get my picture in the papers. It's a new land to me—why, if you put me in Piccadilly Circus I shouldn't know which way to turn to get out of it! Anyway, that strong arm stuff is out so far as I'm concerned."

      "What does he say?" said Boolba again, and again Yakoff translated.

      "I thought you were what you call a gun-man," said Boolba with a curl of his lip. "I did not expect you to be frightened."

      "There's gun-men and gun-men," said Cherry Bim, unperturbed by the patent sarcasm. "And then there's me. I never drew a gun on a man in my life that didn't ask for it, or in the way of business. No, sirree. You can't hire Cherry Bim to do a low, vulgar murder."

      His tone was uncompromising and definite. Boolba realized that he could not pursue his argument with any profit to himself, and that if he were to bring this unwilling agent to his way of thinking a new line would have to be taken.

      "You will not be asked to take a risk for nothing," he said. "I am authorized to pay you twenty thousand roubles, that is, two thousand pounds in your money–"

      "Not mine," interrupted Bim. "It's ten thousand dollars you're trying to say. Well, even that doesn't tempt me. It's not my game, anyway," he said, pulling up a chair and sitting down in the most friendly manner. "And don't think you're being original when you offer me this commission. I've had it offered me before in New York City, and I've always turned it down, though I know my way to safety blindfolded. That's all there is to it, gentlemen—and ladies," he added.

      "So you refuse?" Neither Boolba's voice nor his manner was pleasant.

      "That's about the size of it," said Cherry Bim, rising. "I'm a grafter, I admit it. There ain't hardly anything I wouldn't do from smashing a bank downwards, to turn a dishonest penny. But, gents, I'm short of the necessary nerve, inclination, lack of morals, and general ungodliness, to take on murder in the first, second, or third degree."

      "You have courage, my friend," said Boolba significantly. "You do not suppose we should take you into our confidence and let you go away again so easily?"

      Mr. Bim's smile became broader.

      "Gents, I won't deceive you," he said. "I expected a rough house and prepared for it. Watch me!"

      He extended one of his hands in the manner of a conjurer and with the other pulled up the sleeve above the wrist. He turned the hands over, waggling the fingers as though he were giving a performance, and they watched him curiously.

      "There's nothing there, is there?" said Cherry Bim, beaming at the company, "and yet there is something there. Look!"

      No

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